NY SLIDE 10.0: BEFORE SHE CAUGHT HER TRAIN

 

            

                    Xavier's mother appeared to be studying Radix for the first time  ̶
                    looking him up and down, immensely curious about his association with
                    this white woman.
 

                    Radix shifted from one foot to the next. "So when will they let us see 
                    Xavier?" he asked. This was enough to snap him back into the 
                    conversation. Judy Wiener explained, seemingly just for his benefit,
                    that Xavier's condition needed round the clock observation.
 

                    Xavier's mother looked at her watch. "O, my goodness!" she declared,
                    still ladylike in manner; she had to catch the train to Manhattan. She
                    worked at a bank, from 6.00pm to 2.00am  ̶  "the graveyard shift", she
                    smiled knowingly. In fact, Xavier was on his way to her bank to get her 
                    house key (he couldn't find his) when the incident with the police
                    officer occurred.
 

                    Outside Radix was determined not to seem disinterested right at the
                    point of taking leave. Xavier's mother was buttoning up her coat and
                    explaining more about her son. And for the first time he heard the 
                    anguish of a mother whose child lay in a hospital bed "in critical but
                    stable" condition.
 

                    "I have to contact the lawyer, let him know 'bout the way they have
                     him handcuffed to the bed. Treating him like a common criminal!" This
                     brought them to a halt on the sidewalk.
Judy Wiener folded her arms
                     and shook her head, firmly allied with Xavier's mother on this issue.
 

                     Did she have far to go, Radix asked. Did she need a lift? No, the
                     subway stop was two blocks away; she could manage.
 

                     She reached in her bag, took out a pack of spearmint gum and offered
                     it around. In the cold afternoon light she presented the image of an
                     indomitable island woman, up from island poverty; getting little sleep
                     these days, but not about to give in to self-pity and fatigue. A mother
                     relieved of the aggravation in her marriage, living only for her son
                     now handcuffed to a hospital bed.
 

                     And as if to reinforce the idea of how resourceful she was, she 
                     explained, speaking now for Radix' benefit, that she had tried to enroll
                     Xavier in a high
school on Long Island. They'd told her she would need
                     a referral from a school counselor. "Like he was a delinquent or some-
                     thing!"
  

                     Turned away, her aspirations denied, she had no choice but to send 
                     him to his zoned school, John Wayne Cotter H.S.
  

                     She spoke as if she wanted Radix to understand this, before they went
                     their separate ways bearing half-finished portraits of each other.
                     Whatever he thought about her, he should know this about her son  ̶
                     Xavier was a good boy, a smart, decent boy.
  

                     "Him used to sing in the church choir." (The "him" gave her island
                     origins away, and as she went on she seemed to drop her speech
                     affectations.) His father was a strict man. When they came to New  
                     York he picked up the notion of raising a "straight A student". He
                     insisted the boy's report be free of blemish.  "Him get blows all 'bout
                     him head if his father see even one stray B on the report card."
 

                     Judy Wiener nodded, though Radix couldn't tell if she'd heard the story
                     before and was simply confirming its truth.
 

                     Xavier's father spoke too harshly and lifted his hands once too often to
                     the boy. She couldn't stand aside and witness the "child abuse" any
                     longer. She separated from him taking Xavier with her. It was at this
                     point that Xavier started going down.
 

                     "Him kind of feel like freedom, you know, since his father wasn't
                      around anymore. So him lose the discipline. Him get into some kind 
                      of trouble with the teachers so they put him in Special Education. But
                      Mrs. Wiener here is a good teacher, so I have nothing to worry about,
                      right Mrs. Wiener?"
 

                      It was a good moment to say goodbye, on a note of sweet optimism,
                      after the disappointment at not seeing Xavier. And so after a farewell
                      embrace and handshakes, Xavier's mother went off to catch her
                      train.
 

                      "Isn't it terrible?" Judy Wiener was saying, searching her bags for her
                       car keys as she walked beside Radix.
 

                       He wasn't sure what she meant but he agreed: life was indeed
                       terrible. Black boys handcuffed to hospital beds, that gold-chained
                       man lounging at the street corner with his pitbull  ̶  in the Bronx life
                       was a terrible, fragmented thing. With frothy rapids through which
                       they all navigated; staying closer to this bank or that bank; isolated
                       souls
meeting and sharing distress, then pushing out and away again.

                    (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

 

 

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Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

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