Review Article: OUTSIDER INSIDE . GUIANA’S VINCENT ROTH

  

        
      Vincent Roth: A Life In Guyana: Volume 1: A Young Man's Journey, 1889 -1923:
      ed Michael Bennett (Peepal Tree Press, England, 2003)

      Vincent Roth: A Life in Guyana: Volume 2: The Later Years, 1923 – 35: ed
      Michael Bennett (Peepal Tree Press, England, 2003)

      For today’s unwilling book reader or browser, the remarks on the back cover
      of the 1st volume of these books more or less sum up the extraordinary life
      of its subject:

     "As an eighteen year old Vincent Roth arrived in British Guiana in 1907 to join
      his father, who was a Government Medical Officer and Magistrate. By the time
      he left for Barbados in 1964, Roth had spent thirty years in the interior working
     
as a surveyor and magistrate until blackwater fever nearly killed him.
      Thereafter he contributed immensely to the development of Guyana as a
      journalist, naturalist, historian, rebuilder of the national museum and founder
      of the zoo in the Botanical Gardens.”

      Flip through pages, and there is this: “Another of the farmers in the Coolie
      Quarter of the Aruka River was Abdul Ghani. He was a Sikh and the mastermind
      of all East Indians in the area. He used to lend money to the other East Indians
      and close down on them when they could not meet their indebtedness. As a
      result he gradually acquired several tracts of land all over the Aruka district.

      "He also went by the name of Phagoo and once told me how this came about.
      Phagoo was his shipmate’s name on the voyage from India, but he died shortly
      after his arrival in the Colony. Ghani boasted that although he had come to
      the
 Colony as an indentured labourer to a sugar estate, he had never done one
      day’s
 work in the cane fields, having absconded as soon as he arrived and got
      away 
to the North West where he took Phagoo’s name”. (Vol 1: p.185)

      Further into the book you come across this: “During the morning, the distant
      beating of drums was heard as the masqueraders went about the village,
      arriving
 at the Government Compound at about ten o’clock. They consisted of
      a group of
 some dozen and a half Negroes, dressed in gaudy yellow and red
      costumes of
 every description, prancing and dancing about, and followed by
      a party of 
interested but naked Caribs.” (Vol 1: p. 238)

      The first volume of "A Life In Guyana" is not all about runaway East Indians and
      prancing Negroes. In fact, in much of its 300+ pages Roth writes passages like
      this: “Back in Bartica I met J.N. Humphreys, my predecessor at Christianburg
      and Arakaka, who was now
accountant at the Penal Settlement and Bartica
      Magistrates’ Clerk. He invited
 me over to the Settlement and after Court we
      went with Walter King, the
 Magistrate and Superintendent, in his launch. King
      asked Humphreys to bring
me along to tea later on. Humphreys took me to the
      Public Officers quarters,
the finest in the Colony, most luxuriously furnished,
     with even a billiard table
.” (Vol 1: p. 303)

       Names of residents found in Guiana registries fill-to-overflow the pages of
       Roth's journals  ̶  Van Sluytman, McTurk, Fiedtkou, Phang, Griffiths, Drepaul,
       Correia, Christiani, Van Sertima  (“a dear old fussy Dutch lady”), Prem Das
       (“an East Indian catechist”), The Zulu (“an enormous African lady who
       washed and did other favours”).

       Readers will need to be patient with Roth’s old-millennium words for
       Guianese Africans and Indians, his dry, bush-clearing prose; the careful
       delineation of features, accuracy of dates and measurements

       Working through page after page of his reports could be mind-numbing, but
       Roth provides ‘data’ that when analysed might add to Guyana’s understanding
       of the early formations of nationhood, the partial ties and aversions taking
       root in the colony.

       Wherever they worked or settled, off the sugar plantations or in the gold fields,
       Guianese were sinewy, resilient folk, alert to opportunity after emancipation
       (though Roth’s recordings don’t pause often enough to underline these traits.)

       He gives pure observations – on language, superstition, the management of
       our land resources; polygamy among the Carib Indians, black/white race
       relations in the 1920s, Indian/African relations in the 1930s.

       He comes across in the first volume as a benign administrator; unique among
       outsiders who come and go; driven less by a sense of ‘imperial’ mission, and
       not hard to like.

       Roth was at home among the governing elite (he was secretary of the Overseas
       Club) dressing up “in the garb of civilization” for formal dinners; at the same
       time he was prepared to cross boundaries, get frisky with the natives if the
       occasion presented itself.

       In Chapter XI he is in the Wape area of the Cuyuni. He’s drawn to the sound
       of merriment at a dance hall where Carib Indians are dipping into huge jars of
       liquor and dancing in the moonlight to the sounds of fiddlers and drums. He joins
       them and in conga line fashion follows them to another camp to continue the
       fete, the diarist in his head recording every move and shadow.

       Readers might stop and ask, how did he balance his across-the-country 
       surveyance and his
 after-duty pursuit of exoticisms. 

                                                                   *

       Volume I (1889-1923) contains most of young Roth’s discovery and mapping of
       Guiana’s topography. It also details his first encounters with tuberculosis, 
       the healing powers of the piaiman, the Arawak language; and close encounters
       with swarms of marubuntas and the land camoodi. 

       Volume 2 (1923-1935) begins on a reflective note. Roth admits to a little
       ‘cynicism’ about his journal keeping. He continues anyway, compiling his 
       observations, for like his father he has an eye on future publication.

       The writing is more anecdotal and interspersed with amusing ‘yarns’. (If there
       were rumblings of discontent among the colonized Roth remained tight-lipped.)
 

       Still the tireless, well-meaning administrator, he has lost some of the Overseas
       Club exclusivity of the 1st volume. He is thoroughly familiar with the landscape,
       and he moves with smoother assurance among its diverse inhabitants. 

       These volumes will certainly find a place on library shelves – and perhaps
       a few home shelves – but they're unlikely to attract many new readers willing
       to be transported back 100+ years. Guyanese might protest there is too much
       disorder, too many issues of majority control to measure or shed blood over.

       For our heritage servers, keen to reinstall narratives of ethnic significance,
       Roth leaves a footnote about the fate of ‘his old acquaintance’, the
       entrepreneurial breakaway Abdul Ghani (Phagoo).

       "The last place I visited was the storeroom where the storeroom’s convict
       assistant turned out to be my old acquaintance, Abdul Ghani, once a
       prosperous
 shopkeeper and coffee grower on the Aruka River. He earned his
       sentence for
 stealing a sheep. This was, I believe, his third term in prison for
       stealing
.”  (Vol 1: p. 304)

       His books were written, Roth said, “for the possible interest and amusement
       of surviving friends” and there are moments  ̶  harrowing or entertaining, in
       blocks of pages, whole chapters  ̶  when the Guyanese reader might feel
       distinctly like outsiders: written about, providing the stage for the enlargement
       of an extraordinary young life, its colonial good times.

              (A version of this article was published elsewhere in 2007)
                                                                            – Wyck Williams

 

 

 

 

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Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

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