MON DIEU, or RETURN OF THE QU’EST-QUE C’EST

  

           
          Body pack rush of side walkers head down 
          file in wave smart . as cars electric roll no
          hands! sigh, and passenger fete brains toggle
          between before and after nightly organ feed;
          metro centers cap size matters. Even blue bird
          divas on wires decline to sing, and over head
          war planes dip wing; for it has come again,
          the black slab ‒ the obelisk? what Kubrick
          talked about in 2001 AD? door silence sealed.
          Still no one knows what|who? intends, dare touch
          face time . bone toss behind. Palm devices paid
          up aim snap icontrails ~ Wow ~ hole spotting game
          towers . for faith keep cloud; tissue in case …  Mon Dieu!

          _______________________________________________________   

          Occupation? moi? done : propulsion blades beyond
          slice not precise . enough staring | you can line my
          plots of sea desperation; floor worn knees; ephemeris
          tables verifying : once every Oui!3K years . the odds
          the chance to scream in concert ‒ man child femme ‒ 
          evacuate . in motion slow our coming ends.

                                                               – W.W. 
              

                

         

 

             

         NO ETERNITIES 

        
                                     
only pauses
         of focus: the broken pot, buried
         for centuries under tons of clay
         shifting slowly between stone and dust,
         dreams of one more moment of being
         touched, by probing spade or careful gloves,
         the moment of its next shift in time
         when it starts to be something other
         than what the labelling hand will claim.

              So I think of us, cracked and clogged by years
              of the weight of our mud and junk and dust,
              waiting for some flood of love to cleanse us
              but also for our moment of escape
              from the very fingers of rain that would
              unclog us from the burden of ourselves,
              the comforting pain we won’t surrender,
              instead choosing to slip out of love’s hold
              to fall and smash into another shape
              of beautiful interesting hell on earth.

              from “The Gift Of Screws” by Brian Chan

  

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Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

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