COMING . THE SECOND YOU KNOW

 

         
      Nothing they'll ever regret to inform . you day
      for night delighted to accept
: too beside ourselves
      as powers to arrest stay Open! accounts so our faute
      lourde break wind . since soon what clean choices
      remain?

                                                               Faith enablers
      fondle every reason we dress to believe.

      Our raptures dull like dentures in hard waters
      of habit even as we chew the sunniest celery stick ‒
      insider collusion . you know how rough colons get.

      Our liberties bend for the quick take one . U got this?
      gig room spell done! as straight face irons stroke
      the juiciest lies : the time squeeze index now
      assigned to the thumb.

      Greenheart or oak no difference makes the man
      with or in the chopper.
                                       There’s always something rare
      nonearth globe seaming : tunnels vagabundo under
      way through perimeter coils pledged to sieve Go
      north dust.

      !Caution, then | out of abundance pull book marks
      from Revelations Alert ~ glacier risings, drone high
      eye
dry grave plotters, beasts in cells ~ comings
      were never
tooth 'n' chip like this.
                                                               Crepe, I know
      in any age for any late breaking nation.
                                                                    – W.W.

 

       

      

 

         

        QAT

        Inveterate vacuum-abhorring Qat would
        Berate Charon scratching his balls on her bed:
        Better do someting before someting do you!
      Or Satan find work et cetera, and he (Charon,
        Not that other Servant of The Man Upstairs)
        Might sigh, reviewing Hamlet’s live-or-die angst,
        Bartleby’s prefer-not-to-do suicide,

        Kafka’s ‘terror’ of Art and his own of not
        Not-doing, his fate of having not to prove
        His existence save by choosing still to breathe.
      But Qat was scared of his doing nothing, of seeming
        To not need to prove himself to anyone.
        His Who cares? was not a shrug Qat could afford:
        Performance was all ‒ product, proof, more ‒ of worth.

     
     (from “Charon’s Anchors” by Brian Chan, 2018)

  

  

Unknown's avatar

Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

Leave a comment