FATIMA ARTERRA : CONTRAFICTIONS

 

           
        NUDE SKETCH – 43

           Sorry if such airy fish don't match your taste, for i love
        Imagining the changes the least significant thing
        Must go through in order to continue its becoming.
        Take the still androgynous mind of a god still clinging
        To its angelhood, though wriggling on the hook of ‘his’ fall
        Into flesh with ‘her’ first slap on the bum that makes ‘him’ bawl
        And gasp at ‘her’ insignificance, to make room for more
        Breath of complaint that will last a whole lifetime, rich or poor,
        What does the god’s soul know?

 

                 SKETCH – 44

 

           Raimonde was no longer such a disappointed being
         But a guy who could still bear taking the bus, though seeing
         Quite clearly through the blurs of his vision that he was not
         Ever quite present as a full-fledged bloomer in that hot-
         house of orchideous humans uncomplaining in their
         Routines of a blindness he, since childhood, could never share.
         Ever since he’d realised he had eyes, however flawed,
         The child Raimonde had known he could see through what overawed 
         Him in all its shining resonant clumsy quiddity 

 

                             – 45

 

         How did a mere wingless word-fledgling witness and survive
         Such a cruel cavalcade?    Now, he was only alive
         – On that motorised coffin of corpses breathing stale air –
         In the most limited sense of being able to blink
         And move his head from left to right and look around and think
         About what he could see and couldn’t see and didn’t want…
         – Not that none of it was wantable

 

                            – 46

 

           And yet Raimonde like a beggar kept peering for some hint,
         Some recognitive glint of real gold or some winter-flint
         That would spark like the wings of a magpie bathing in snow
         By flashing its scintillating feathers of yes-and-no.
           The memory of one such bird leapt into Raimonde’s mind
         Now as his gloved fist accidentally touched the behind
         Of a woman in white pants and a black leather-jacket
         Too loose at the neck for his cold-scared liking, but fuck it,
         The gal had chosen to open her protective collar
         Before climbing onto the dirty bus-steps, in all her
         Crisp clean fashionable glory (not to mention her sharp
         Shiny black boots designed for angels who don't play the harp)

          (from *fatima solagua arterra’s nudes* by Brian Chan)

 

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Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

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