As he walked about Pages, on its floor of hard concrete
Underneath his cheap thin-soled shoes, but ‘thinking on his feet’,
Thinking with his heart and belly and balls about how sweet
His life’s breath felt that day, despite the toilet’s backed-up crap
He was ordered to mop up, and despite his handicap
That made him mistake a customer for a colleague – twice,
The second time giving that ‘brother’ some jokey advice
(‘Go buy your annual shampoo, boy: we can hear the lice!’),
Only to hear some woman’s cool voice request a book’s price.
~
Despite his appearing (again) stupid, he felt quite spry
All day (almost), like a cretin with an affinity
For the simplest things – such as oxygen that makes you high
If you breathe it in deeply for a long time, or the sky
At dawn or noon or evening or midnight, grey or blue or
Black and starry, perfect hunting ground for a pursuer
Of purity like Raimonde who frequently scanned night-skies
In search of stars (beyond the few that were blurred in his eyes).
*
Now in the maze of time and its racers (in which he still
Managed to savour his flavour of tortoise, if you will
Risk being cute but won’t go as far as ‘spirit of sloth’),
Raimonde intuited that, today, his blissful pulse was
The bouncing offspring of the stare of the witch on the bus
As it had groaned away in its inexorable rut
Of a route whose only detour was through the heart and gut
(Or was it just through his head?) of his lust for something more
Tactile than the kiss of the midnight Sun, his holy whore
~
It was the only time he’d known the Sun as a woman
Who consumed as she consoled – with a faithfulness no man
Could match. Now he, caught in a white-lit White Lit./Art-hothouse
In Edmofftoff’s hothouse culture, felt like a febrile mouse
Fecklessly dragging about a trap clinging to his tail,
The trap of his nostalgia for the time he’d spent in jail
For that other woman – who’d never speak to him again
– A nostalgia perverse, disinterring nothing but pain
(*fatima solagua arterra’s nudes* by Brian Chan, 2015)