INDECENCY

                 Just as i, scaling my seventieth year's peak, wanted
          That woman,
that bursting Radica, that princess turned queen-
          Mother, that legendary near-mythical Queen Mona,
          what i now don’t want is to serve you, reader, one more dish
          Of guys looking at chicks (which mon semblable Godard proposed
          As one reading of flics and, no doubt, of much Western art
          Another being his unconsolingly catholic
          Death in action the kind of unflinching clarté the French
          Qui d’autres?, absolument, leur terroir va sans dire, sans doute
          Excel in)

          My invaluable ‘sphinx without a secret’;   my dime-
          a-dozen muse:   i found her beauty as impossible
          To bear as its power-mode must have been for her colleagues.
          How had Stew undermined and overcome that explosive
          Hurdle in himself?     Could this old man, no Woody Allen,
          Hope to cope?    Not a hope in hell.

                                             *

             You may say that all i am saying is that, at my age,
          Passion and vision should meet as cousins kissing only,
          Each too retardedly delusional to risk spawning
          That most moronic oxymoron, passionate vision.

          Yet hope :   four-letter word.   With which others did i convince
          Radica to come with me for coffee?   at Ratsmoolahs,
          The nearby ‘Ethiopian’ café   Oh, she laughed, one
          Of mine!   Favourites or properties? i joked.   Both of course!

           (from “fatima solagua arterra’s nudes” by Brian Chan)

 

 

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Author: FarJourney Caribbean

Born in Guyana : Wyck Williams writes poetry and fiction. He lives in New York City. The poet Brian Chan lives in Alberta, Canada.

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