No less international the scribbler – done
with proffering me^masks – looks back down to his
busyness of masking himself against tides
of erosion by small talk or his being
no longer tactile though his shoulders are hunched
as if to re-stretch the fitting of his flesh
over their bones still bearing too much weight – that
of the world and of worrying about it –
that club which – even after he has refused
to renew his membership of it – he means
to keep as part of his bothering-business
of trying and failing to unclock the club
from time’s insecurities of measurements
and labels – glasshouses and cages
(from “Limboa”, a sentimental anthem
by Brian Chan, 2023)