On one stair below mine a sorry figure
is crouched with his head down and knees together^
in an age of hurried clickety-clickers
he’s a dodosaur of harried handwriting –
his whole frame quivering from its jerky thrusts^
out of many selves he’s mocking up a one –
a quick angel seduced by Matter’s slowness
whose rhythms he magnifies to scrutinise
by the scribbling of his left hand connected
by the two rods of his arm to his shoulder
that’s also determined to collaborate
with its owner’s tight obsession to release
himself of the burden – some of it at least –
of the lava of awareness bubbling up
inside him before his volcano erupts^
(from “Limboa”, a sentimental anthem,
by Brian Chan, 2023)