POEMS FOR SHORT OF BREATH (& CURVED THE BLADE)

 

                
         Got one virgin banana fo' you, gyal, the taxi 
         driver through road grind heat tried, braking
         for a straggle of cows sun stroked reneging; a cigarette
         like fare scout behind his right ear. Thighs chafe.

         He come home last night late; not one word; gone
         out again, her mardi gras cleavage cried; wetting
         the plants in her nightie, the shaggy dog on the patio
         panting paying she no mind. Sinus caverns next.

         In Japan Ministers does bow & resign for cracking
         bad jokes, which reminds me – Lexi, schedule
         a press briefing; and where the whip? I go show
         these mokos who they playing with here. Jumbie rider.

         House hush up, he does want to kneel over my face
         with it, belly like pumpkin blooming, finger grip
         for hand cuff. I does turn mih head. And vex so if
         curry shrimp and choka not ready. stuffing in. you wait.

         I don't want to sound political in terms of
         statistics per se power pointing the authenticity of
         narco white whale identifiers – yes, pass by me nah - Wahab,
         the Lighthouse man – coast guardian of the nation.

         For Lexi a towel wrap round like sarong after bath up
         dates her heritage East; plus flights to Japan for banker
         boyfriend noodle slurping dragon breath ocean tonnage high rise.
         In working order, her parachute; inside the zaboca, her home.

         After noon high blue on our island – like from 3 to 6? – the long
         way home from schoolhouse, impulse and restraint;
         that bad mind in khaki, eyes following we – ay aay
         aaay! – stop phone and listen: hell's cross road sweet vendors.
                                                                              – W.W.

 

 

                


 
 


 

                VERSE LYRIC

                Sometimes, it's possible, all of it, to feel
                one has actually lived, has actually had
                a life, has – even as it's slipping away
                into the cracks of other lives, other worlds
                as they are slipping down the throat of one's own

                Sometimes I don't even have to talk like that,
                don't have to think, can simply lean at the top
                of invisible stairs in a house of sleep
                and entertain my bloodstream and my breath and
                the routine stabs and groans off the wall of time

                Sometimes I can kiss your mouth and that's enough
                or enough the wanting only, the waiting
                for desire to take its own sweet shape without
                our having to manipulate a moment
                into some puffy proof of our rock of love

                Sometimes as now when there is nothing to say
                I can open my mouth or a book and sing
                or read my life of love, no less, in the most
                artificial lyrics of liars long dead
                and such magic outlives a million amens
           
                          (from "Scratches On Air" by Brian Chan) 

 


 

NY SLIDE LV: CAMPAIGN TACTICS

 

      This second time around Bilicki's campaign approach was more subtle, less charged with extraneous incident and cries of "corruption". He left leaflets in teachers' mailboxes asking voters to consider the "new direction" he would take the Union – out into the community. He would heal the breach between the out-of-borough teaching staff and the community they served. He included words like "integrity" and "accountability" and he made character a small but important issue. Stouthearted, he made no secret of his determination to win.
   For his part Steve Kite gave his challenger the polite brush-off. As he quipped to colleagues, sounding like a Senator from Arizona, "My record will speak for itself."
   Apparently it did. Teachers felt comfortable with Steve. They had dealt with him all these years. He was there when they needed the Union, and there when they didn't need the Union.
   Mr. Ghansam, for instance, was unequivocal in his praise for Steve Kite. It was Steve who stood by him, who fought for him when he received the first "Unsatisfactory" rating from his supervisor. Steve explained the grievance procedure and after he'd raised the matter with the assistant principal, Ghansam's rating – he suspected it had something to do with his accent and his resident alien status – improved to "Marginally Satisfactory". "Now I have no problem. Now all my ratings…Satisfactory…Satisfactory…Satisfactory."
   In dealing with the supervisors Steve Kite came across as a scrappy fighter. He was a short man with a preference for suspenders and bowties, who combed his hair with a part to the right; his mottled face looked as if his wife had scratched and punched him too often (this was the joke exchanged with the secretaries who gave him fond, puzzled smiles). His piercing voice, his deliberate clear phrasing, rang out at meetings in the auditorium like steel striking stone, serving notice to the administration that he was monitoring their every move.
   Bilicki on the other hand was considered an idealist, a man stuck in 1960s rebelliousness. A good listener, mind you, and a fairly decent fellow at heart, but you couldn't hear him sharpening knives to do battle for teachers.
   What really endeared Steve Kite to his supporters was the tone of offensiveness in his  conversation. He said things that, from the mouth of anyone else, might have sounded obnoxious. He had nicknames for some supervisors – " that old fossil", "fucking Nazi",  "horse-faced bitch" – and he offered crude opinions about their personal lives that left everyone mildly horrified, yet relieved someone had the nerve to speak that way about the bosses.
          (from "Ah Mikhail. O Fidel!", a novel by N.D.Williams, 2001)


NY SLIDE LIV: BILICKI RUNS AGAIN

 

     When word swept around the building that Brendan Bilicki was thinking of making a second run for the Chapter Chair position the overwhelming response was, first, to gasp or snigger; then to wonder, what was wrong with him? Hadn't he learnt anything from the first attempt?
  After all when you stopped to think about it, working at John Wayne Cotter H.S. was everyone's mortgage-paying job. For some, the younger ones just starting out, teaching still had something to do with always wanting to be a teacher. A few had drifted into the profession like vessels with broken rudders; but as the years went by many invariably found other compensatory activities, second jobs – as adjunct college faculty, or running a little business. A little moonlighting after school hours, everyone understood, helped pay the bills, with enough left for a car upgrade or a European summer vacation.
  So what was it with Bilicki? He'd achieved the dubious honor of veteran teacher. He should be looking forward to getting out of the system, to happy retirement.
  Mrs. Haliburton had her own theory. As she explained to Noreen, once you've put in as many years as Bilicki had, retirement begins to look like a form of death. It came to you bearing an envelope with details of your pension rights; it offered quick dispatch to nonentity land.
  New York teachers were only human. They, too, wanted to be remembered, to leave a mark somewhere, the way the kids carved their names on the old school desk. "This company doesn't send you off with a gold watch," Mrs. Haliburton observed, and she and Noreen had a good laugh over that.
  Still, after losing the first time he ran for office Bilicki was expected to fade back into the woodwork; continue his shenanigans if he had to, but leave the Union business in the capable hands of the incumbent, Steve Kite, who had held the post for many years.
         (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)

 

POEMS FOR LOVE SPUN HOME (& SWEPT AWAY)

 

                                                                               for Sandra L. and Alison K.

         I

         
      When they returned like seamen from trawler toil – with Hons.
      tales of head winds cold, tastes acquired (for excellent wines,
      say) – a village heart just had to have one. Indra snagged
      hers the night he spilled his drink; she fussed with napkins,
      touched a purple stain, jamoon desire. (Estranging logic
      strings our castnets and dreams, shaghopper.)

      Dry walls and ankle bells could mute nightie passion,
      sheets smiling. Indra learned to furrow the plough
      place lips up loading the plough man – Flag?
      what easy virtue honour shame? when a girl
      bone sensors high alert! moves out wants
      in for the pound?  

      After the first child she tired, wait nah, he picked on her
      house care 'not geisha', politique oblige leaving her out; for
      each shed tear a name. Rivuleting through hot irons heart blisters
      she'd gather down stream from his singlet & silence; bhaji boil,
      done.

      II

      
      Indra shaped out the day the alter hero sailed in – an ecofriendly
      Canadian on assignment, mast head stiffened by how the races
      seemed to get along; proof of which he took back. (Love conquers,
      the wharf dwarfs the ship; take a cruise, you'll see, bloghopper.)

      In his suburb docked away seems now she's doing just fine;
      a second child's come along plus wardrobe for seasons
      leaf raking the attic and Omigod! headlights on deer.
      Ok, flag wavers, prance: bare navel gaming the other;
      the tribe betrayed; cow shedding all along.

      Up wining wings expecting gyurl with braids? grip comfort
      while you wait. World traveled miles make nest ballooning
      news; for canefield stems chic fodder, Vedic kokers embittering
      fuse. Incoming over soon, packed camel heart.
                                                                       – W.W.


                


 

 

 

                          WE MEET, 

                                embrace and then I can but lean
                    in silence towards you like a bough full
                    of fruits listening for the voice of the earth-
                    locked roots that feed it: you and I are of
                    the same tree of disinterested passion,
                    ardour well-behaved 'as a guide or mode
                    of hope' that will not call its name for fear
                    of so slackening the rope of balance taut
                    between not enough and too much, the path
                    of light above the circus-sand sprouting
                    dry grooved totems to the gods of routine
                    that promise plastic fruits and cowards' nets
                    of if for when (as we fear, so we must)
                    we fall.
      
                       (from "Gift Of Screws" by Brian Chan)

 


                  

NY SLIDE LIII: BULLDOG DRUMMOND

 

         "You would not believe what happened to me today," Lightbody announced to the carpool. "I got a visit from the new morals police chief, you know her?…Burton?"
     "Haliburton."
     "There you go. Well, she knocks on my door, this is five minutes before the bell, the lesson's over, I'm bubbling in my attendance sheets and the kids are doing what they usually do, throwing paper balls, goofing off…anyway…she knocks on my door and walks in, and she's looking none too pleased with what she sees…and I say to her, Yes, can I help you? …and she asks me if I know a Mrs. Drummond, who is a crossing guard, she's at the corner of Myrtle and 105th…"
     "I thought you parked at the gas station," Meier said.
     "Well, I used to but it's beginning to add up, how much I'm paying this guy. I figured if they're going to get to my car, they can hit it there just as easily, then with the snow and everything…anyway she asks me if I knew this Mrs. Drummond, and I said, I know who she is, I've never spoken to her, and she says one of the kids complained to her I had made offensive remarks about this lady."
     Everyone threw quick glances at Lightbody, listening for the slightest ripple of guilt and trouble in his voice.
     "I said, Madam, I've hardly exchanged two words with this lady. Truth be told, I did once, when she flagged me down. She came up to my car, knocked on the window with her knuckles, and told me she's going to report me the next time I ignore her and cross the zebra lines. And I said, Madam, what are you talking about? Apparently, the day before, I'd passed in front instead of waiting for the kids to cross the zebra…I mean, I didn't even see the woman signaling, and in any case I was running late that morning… anyway this Haliburton lady says she'd received a complaint that I'd referred to the Drummond lady as a dog." 
     "You did what? Called the crossing guard a dog?" Brebnor said.
     "I did no such thing. Actually, that's what the kids call her, the bulldog. I'd asked the class if anyone knew who the crossing guard was, and someone, I think it might have been Ramos, said, You mean the bulldog? and I said, That's the one. Any of you come across this woman?"
     No one had. Everyone seemed amused.
     "I had no idea at the time the woman's name was Drummond, the crossing guard I mean, so when this Haliburton lady tells me I'd insulted this Mrs. Drummond I tried to lighten up the situation by asking her…I mean, the thought just popped into my head… I asked her if she'd ever heard of Bulldog Drummond, you know, the detective in those novels? I said, Did you ever read those Bulldog Drummond books when you were a kid?"
    The carpool thought they knew where Lightbody was going with the story and erupted in laughter.
     "She didn't know who I was talking about. She said she'd read many authors but she hadn't heard of any Bulldog Drummond, and in any case she didn't think it appropriate for me to characterize – now listen to this – it was inappropriate for someone like me to characterize anyone, and certainly not this Mrs. Drummond, who lived in the community, whose job was just as important as any teacher's job… to characterize her as some sort of animal. So I started to explain, Madam, I did no such thing, and she just walked off."
     For awhile they drove in silence. Then Brebnor, returning to Lightbody's attempt to lighten up the situation, muttered the words 'Bulldog Drumond'; unleasing a fresh outburst of laughter.
               (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)




POEMS FOR PAIN GRATITUDE LOSS (& HARDSHIP ISLANDS)

               
            
   PAIN

              "Overnight, pardner, a corbeau drop one  
               on yuh boy brand new (dhal colour) cruise;
               and now watch him driving to work,
               no time to stop and car wash;
               at the traffic light, in the three lane crawl
               is work that drop working on the car paint."

              "I know the feeling. That does hurt, boy."

             
               GRATITUDE

              "When de Minista find them a big work
               they so excited, 1st paycheck they bring
               a mango fo' he."

              "That could cause problems fo' de Minista."

              "Nah, once the mango below 2000 yuh clear."
               Over 2000 you might have something to declare."    

     

  

             


 

 


                HARDSHIP

               "Is why you walking so slow? like
                you in turtle speed."

               "Is tired I tired, hear nah:
                last week was pain no gain at the airport. Mon.
                I had three wheelchair. Tue.
                I had four wheelchair. Wed.
                I had five wheelchair. I had
                was to call in sick the next day.
                Is strain & drain pushing dem old people, boy."

                   


               GONE ARE THE DAYS

                           
                Sign on the front gate: Beware Of The Dog.
                Fella in yuh yard, he bust through the back fence,
                he looking plum & mango – "And I talk to him
                about it" – gone are the days.

                Your pit (maul pampered, not Johnson & Johnson) ketch
                him red rump like agouti, you proud of the moment.
                Medic pronounce him blood lost on arrival, 
                fellas in white overalls cart him away.

                Yuh pit name Caesar, all who jump the fence
                must render unto Caesar – gone are the days.
                Is eyepassing, right? what he doing in yuh yard?
                the laws of the tall grass; is sad, one less.

                Some dogs dangerous, some fellas gone baddest;
                temperament shots some dogs and fellas need.
                Hosing down the scene, still proud of the moment?
                for plum and mango? – gone are the days.

                Wave something and goodbye - ripped souls beg comprehension,
                old wounds refresh unseen; easy to bed time night lime,
                pretend your hands wash clean. Oi, down the road I
                gone, boy; that bass and steel drum play mean.
                                                                                  -W.W.
               

                 

NY SLIDE LII: WORLDS APART

 

     All the signs indicated that Amarelle was moving away. After the first weekend absence, when she met her sister in Manhattan, there was the evening she phoned to say she would be spending two weeks at her sister's place. The reason? Sammy D. had flown back to his island on vacation. Aschelle was all alone in the house.
  She arranged to come to the Bronx for one evening. She cooked a pot of food and a tray of chicken cutlets which was stored in the refrigerator; all he had to do was heat it up in the evening, make sure he bought fresh vegetables; and he'd be fine.
  She stayed that night with him, fussing, asking questions about the neighborhood as if she'd been away for months: did they catch the crazy man with the gun? you mean, he's still out there waiting to shoot at people in their doorways? And the Spanish people – still hanging out on the stoop at night? In bed her hips hinted at readiness; then the following morning she was off to work; and that evening she was back at her sister's in Peekskill; leaving him his books and his silence; not understanding why anyone, give a chance, would prefer to spend more days and nights in the Bronx.
   Radix didn't complain. He'd been self-sufficient ever since his college days.
   Living with him in the Bronx was at first a daring modern move for a girl from the islands. Back home her parents were telling islanders their daughters were having the time of their lives. One lived in a nice house in upstate New York; the other had chosen to live with someone in rather dangerous circumstances in Harlem. ("Daddy thinks you've moved in with someone in Harlem," Aschelle announced, delighted at the stir the sisters were creating back home.)
  One Saturday afternoon, unusually bright and mild for mid-October, Radix went into a store and bought a bicycle. It was a slender-bodied American bike with multiple gears and bright colours. The store owner gave him a reasonable price since summer biking was over, and the young man spent some time inspecting the frame as if it were a horse. He tried to persuade Radix to purchase trimmings and accessories. Radix settled for a helmet. He rode out the store into streaming traffic which to his delight treated him fairly as another road user.
    The following morning he stepped out his building; fellows on the stoop made room for him to pass. They commented on the bike and watched him, curious and respectful.
    He thought they'd be less traffic to contend with so early in the morning as the city still slept. He crossed a bridge and rode all the way into Manhattan.
           (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)

 

 

POEMS FOR MUSIC LOVED & PODCASTS NOW (REMIX)

 

      Back when radio ruled the waves the BBC, main tunnel
      from the world, brought to our shores "Greensleeves"
      and Victor Sylvester. Lacking creole traditions like Trinis
      with Christmas parang, I longed to hear pop maestros of string
      instruments.

      They sent down Cliff Richard, the Shadows, "Telstar", well you
      know. Those cool girls from Jobim's Ipanema. And dazzling 60s
      riffs by the Eagles and Jimi Hendrix. Those were the days
      Ravi Shankar turned sitar friendly.

      Back then (I think) I heard Victor Uwaifo ("Guitar Boy") four times,
      his scratchy Nigeria picks too many oceans far for channel shipping.

      The good news: finding the tunnel's end: on the //www.dials
      You can watch "Guitar Boy"! Uwaifo's guitar licks
      couscous steamed in 70s high life.

      And hear this: what must be the gold coast of string harmonies
      rocks by the rivers of Mali, from the diamond fingers of (the late)
      Ali Farka Toure; Toumani Diabete.

      Where were you all those years, guitar fathers? What trade winds
      blocked this young heart access to those kora waves, ces vieux jams?
      Radio Ghana. Desert moons. Faraway missed years.

      Tunneling protocols, I know. Old pirates ♫
                                                                            – W.W.

 

                 


 
 

 

         

                REAL SLOW JAZZ

                Voices taking time to make
                time feel

                both tauter
                and stretchier than we would

                know from the limping clock,
                the pace of the heart sure

                beyond the need to run across
                bridges of love, statements

                of the tension between spark
                and flame, spirit and flesh,

                the tears of gods only men,
                of men brimming with light.

           (from "Fabula Rasa" by Brian Chan)

       

 

 

NY SLIDE LI: WAYS IN THE WORLD

 

     Amarelle was on the line, speaking loudly, for apparently she was using a pay phone. He kept asking her to repeat what she'd said, so obtrusive was the background noise. She kept saying, "Can you hear me?" She seemed to be listening for signs in his voice that he was annoyed or worried she had not come home.
  She explained she'd met her sister Amarelle in Manhattan; they'd had a girls' night out
doing the town; she didn't think it made sense to come back to the streets of the Bronx at that late hour; instead they would go to Aschelle's place in Peekskill; she'd spend the weekend there.
  Radix let her gush through the background noise which transmitted a sense of the great churning fun she was having right then; which, she seemed to imply, he was sadly missing.
This was what they ought to be doing – getting out more often, especially on Friday nights; away from their wretched neighborhood; amidst the neon and headlight flow, the traffic and sidewalk strollers, clubs and restaurants.
   "I have to go, they're waiting for me in the car. We're parked near a fire hydrant."
   She didn't say where off Fifth Avenue they were, who "they" were; but he imagined her hanging up the phone and stepping back into the world she'd found; wanting that now more than she wanted him.
    And as if to confirm what world it was he had elected to live in, the dog at the back of the house next door started barking. Ark ark ark. Then a seven-second silence, then more arks. The dog could be hungry or angry or bored with its chained status, he couldn't tell. Only its owner understood its language.
    He heard another sound, someone bouncing a basketball on the sidewalk outside his front windows. Bounce bounce bounce, some conversation, then bounce bounce.
    He peered through the blinds. The streets had the usual derelict look. The baskeball bouncer, tall and narrow-faced, apparently returning from team practice, a duffel bag slung on his shoulders, had stopped to talk to his homeboys. Carlos and the crew were camped out on the stoop; they passed around a marijuana joint and a large bottle of beer in a brown paper bag. They talked in their fierce crotch-reaching way, shifting from foot too foot, walking away to dramatize a point; struggling to make sense of their world.
    A full moon was out in the clear night sky. He hadn't seen the moon in a long time. The upper regions of the universe seemed to vanish as night fell, leaving him to contend with indifferent street lights, obscuring brick buildings.
   This life in the streets – its underground runnings, the corner businessmen - had a way of absorbing the unexpected and carrying on. A man is shot in a hallway; stains on the walls get washed away, the body goes off in a black zippered bag; grime and debris swept up. The roadway clear again, everything prepares to forge ahead.
   Radix turned back to his bedroom. He had a long weekend in front of him, and no one to bounce his thoughts off like a human backboard. But like the barking dog next door he'd find a way and language to engage the world.
              (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)

 

 

POEMS FOR ISLANDS HOW & WHERE WE ARE

 

                                                                          for Kendel H. and Boots S.

          
            At the bank or any public building where your business is
            none of mine, a stranger comes through the doorway
            says "Good Morning"; and everyone answers,
            sprung from cell or pride, every one answers.
               Gross inequities that moment make way,
               charismatic bones click and play.
            This is our island, your search connection.

            And configure this: bodies wrapped up in road crash metal, 
            shoes poking out, a death in town by gun: and passers slow,
            level breath short at blood spots news sheets flower shrines.
            Dry mouths murmur – holler heart to bowel –
                aie aie aie, shadows and goodness,
                reverse reboot this earth flat speechlessness.

            Island identity, oui, garcon! Test it when you travel
            on city subways – there, see? can't quite hold that in
            turn locking out the iText cargo cramped beside our selves.
                Your eyes feel up for looking round
                    "the fuck you looking at?"
                    bon jour you waiting for.

            Mannered residuals from plantation back lash? nah;
               and not no virgin marie hip sway
               bonding for miracle income either. Ok,
            despite the bankruptcy of Ministries someone will call
            respond decelerate to suck the poison of indifference
            out before it spreads. Ask any band head granny. 

            Nou groMambo Paradisio? whoa! that's where
            we are: love rising up at brake light notice: storm used
            islands, once ankle and tongue tied, deserving of love;
                 site for new found land eternal eyes;
                 gone water colour twilight sighs.
                                                                    -W.W.
        

 

           

    

         

                     PARADISE

                     These islands we people
                     as ghosts, no matter how
                     rooted our crops, cities
                     and walls against the sea
                     that lets us these altars
                     of our masochistic
                     leaf-passion for the wind
                     coming to rape our trees
                     or over the sea's edge
                     flinging our fishing boats
                     like shadows, like black leaves.
                       (from "Thief With Leaf" by Brian Chan