THE FLAGMAN’S OCCURRENCE WAVE BAND

  

       < Situations and Revelations of Passing Notice in Guyana >


        Locket #7

        My best day driving hire car was just last week. The airport run. Usually
        I wait
outside our Marriot to take passengers to the airport (I own a Range
        Rover; second-hand; it still look new). I don't normally hang around at
        Arrivals to catch a fare back to the city. Jostling for visitors and grabbing
        suitcase is not my style.

        This afternoon, after dropping off two departures, I get lucky. This
        American guy  ̶  he looked sixtyish, movements brisk and neat; name
        on the baggage tag hard to pronounce  ̶  seeing two white ladies getting
        out my car, and maybe thinking my ride was reliable, promptly hired me.
        Maybe he was waiting for a friend to pick him up; waiting, waiting, not
        seeing the friend.

        Anyway, we set off and lo, and behold, he was heading to the Marriot. I just
        come from there with departing passengers
, I told him. "Oh really," he
        said. "Tell you what: you'll be my driver for my stay here."

        Things worked out very well for me. But I have to tell you, this fellow 
        was one strange customer.

        Quiet all the way from the airport that first day, until we passing Diamond
        Village. "What is that smell?" he asked. Sugar. This area used to be a sugar
        estate
. Quiet again, studying the view. "Do you know where Agricola
        Village is?" We coming up to it soon, right off this main road. "Good, 
        I want to go there?" No problem, boss.

        Actually there was a problem. Agricola is known as an area not safe for
        outsiders. I pass it on the main road, but never took anybody in there.
        Fellows there hard face, pants always sagging. We have lots of nice 
        places to see
, captain, I said, trying to discourage him.

        Next morning, promptly at 9 o'clock I picked him up. His destination
        was still Agricola.

        "Do you know a place called The House of Flowers," he asked as we turned
        off the main road. I start getting worried. Looking for a place with a funny
        name and no street address was looking for trouble. Driving slowly through
        the village, s
topping people to ask about a place called the House of
        Flowers
 was asking for more trouble.
 

        We stopped, enquired, drove a little further in. By which time I swear
        the whole village know already 'bout an Indian hire car driver cruising
        round with a white man in the back seat.

        One last stop, a lady with a child. The American got out to talk to her.
        "Maybe it's a flower shop," he said, shouting back at me. "Is there a flower
         shop around here?" We were told the only "shop" on that street belonged
         to Mr. Massiah. We should go there, talk to him, he know everybody.

         I stayed outside, engine running; looking out at houses nearby, so much
         
overgrown grass both sides of the road; and wondering what I would do 
         if
some fellows  ̶  men in singlets, bony boys on bikes  ̶  approached the
         car, cuss words waiting to fly out their mouth if I only sneeze.

         When he came back, he had an address. "We're going to McDoom Village.
         Number 12 Mc Doom Village." Which was on the main road. I was so
         relieved to get going. "We're going to visit the oldest lady in Guyana.
         A Miss B. B for Bailey. Or Bally. She's 102 years old."

                                                     ** 

        Now follow this: the American was a New York doctor, a "gerontologist",
        studying old people, he said. He'd heard from another doctor about a
        patient in an NY nursing home, a Guyanese woman. Left there by her
        family. 100 years old. In good health under the circumstances, but
        kind of random in the head. She would wake up ranting she didn't want
        to be treated by no one except Mr. La Fleur from the House of Flowers
      
 in Guyana.

        This Mr. La Fleur, it turn out, used to live in Agricola village; used to
        work with a Dr Giglioli, an Italian man who lived here back in the days,
        helping people survive malaria.

        This Mr. La Fleur had established his own business; he was the "Chemist
        and Druggist" of the village. People came from far and wide for his
        herbs and medicine; especially people who couldn't afford to travel to
        Georgetown for medical attention
.

           He grew plants; he crushed and mixed leaves, flowers, shavings from plant
        roots. His powders and liquids cured all kinda problems from heart to
        liver. They say people in that area does live longer than people anywhere
        else.                                            

                                                           **

        All this I piece together from the old lady in Mc Doom Village. I went
        inside this time (I had to see who this oldest lady in Guyana was). I stood
        like his 'Assistant' and listened with humble interest as the American 
        explained his sudden presence, talking like he getting ready to perform
        major surgery right there in the house.

        She confirm that, yes, there was a House of Flowers (it was just the
        village name for where Mr. La Fleur lived). Mr. La Fleur's father came
        from Haiti. No, she didn't know the Guyanese lady in New York, but she
        knew Mr. La Fleur.

        He used to dispense his medicine in tiny packets and bottles, with no
        labels as such. He used names for them from plants and flowers. You
        had to mix it in the foods. Especially soup. Mix it in soup and drink it.
 

        Now here's the important part: Mr. La Fleur kept a book with all his
        prescriptions written down with pen knib and ink; kept it in his "office"
        and consulted it while the patient talked. This book was what the
        American was really looking for. The old lady had no idea who would
        have such a book, but she knew there was a book.

        And the prescriptions worked because when Mr. La Fleur died, people
        couldn't get their regular medicine, and their health problems got worse.
        They had to travel to Georgetown. The hospital doctors kept them there,
        running tests, prescribing this, prescribing that; but nothing worked.
        Some patients refused the hospital treatment, and went home to
        Agricola to die. Hell of a thing, I know.

                                                   **

        At some point I lost interest; I had enough. I left everybody with their
        memories and medications and waited outside in the car.

        The next day I took him to the Georgetown Hospital; then to one of the
        Government Ministries. It was raining that day. He came back to the car
        irritated, complaining not about his damp clothes; he was told to sit and
        wait. He said he was amazed anything got done in this country. I told
        him I could write a book about pain from waiting in this country.

        "You're a good man," he smiled at me,"the only functioning institution in
         I have seen so far." The only functioning institution. I thought I
         deserved a compliment like that. It sounded sincere, so I thanked him.
 

         The morning I took him back to the airport he sat erect and quiet again,
         looking out like now he studying our road busyness, the drivers and
         walkers and the laws. We slowed down passing through McDoom Village.
         You want to stop in and say goodbye to the old lady? I was only playing.
         "She knows about the book," he said, "She didn't tell me, but I know she 
         knows where it is." He didn't sound angry; just disappointed he was going
         home empty-handed.

         I don't know how he know she know anything. The old lady was nice,
         but to me she sounded a little far gone in the verandah chair, her granny
         jaws working up and down.

         She was looked after by a firm-breast lady who seemed related to the
         house; who disappeared inside (we heard a child cry; told not to make
         noise); then appeared again, offering us "something to drink"; the
         American declined.

         You come all this way from America just to ask me about Mr. La Fleur?
         Miss B. laughed. She spoke like an old school teacher, in sections you
         had to wait then put together. The American helped her words along
         in his cheery booming voice. "Looks like I made your day, right? Did I
         make you happy today?" Her bones shook with laughing. I swear she
         could have choked and died and gone to heaven from just one fit of
         laughing.

         In gratitude for the help he received the American distributed (US)
         20 dollar gifts. I was paid very well for my patience and service.

         Just like that you wake up one morning not knowing what will happen.
         A man come from America looking for an old lady and an old book, and
         you just lucky to be there. You so used to heat, the stink everywhere
         of wasted years, days like this come like escape to treasure island.

         So the man didn't find what he hoped to find in this forgotten corner of
         the world. But he swore he would come back to Agricola. "With a team
         of doctors".  I gave him a card with my cell number. And I will meet you
         at the airport. With a fleet of transport.
At which point we shook hands
         and laughed a real good laugh.

         M. Aj
odha
         Georgetown, Guyana

 

WAR . POETRY

               

           These drills ground gone : the moustache bugle call
           to trenches Aim soiled uniforms: all that squaddy
           getting ready. Attention! once close paid. 
                              Market road blasts scatter matter . tyre
           piles set firewalls grievance strong. We down work
           tools ditch domino games . rush off to the fray.

           Bridge mass could paintball a tank or back track; a lucky
           few get to clamber up, wave a Patton V for viral.  

           Lock limb snap, faith rip felled?  Palms will open scoop
           you bleeding hoist you drooling prayer east bound . martyr
           marked for the idling ambulance (fucking sirens coming
           up with shark lust behind you).

           No, you won't remain unclaimed in street rubble; count three 
           two days . one silent night.

           Mothers in scarves still wait to scold, wonder if your phone's
           gone cold. Your sister's probably with her boyfriend.

                                                 ^^

           What's that, Mr. Owen?  no pattern holding at the front?    
           I know what you mean : happens thick as a thumb click;
           
lacks a certain decorum est. Some recruits stand rifle
           tall.
                                 And that left right sequencing : first          
           writ styles buckle out of date; then logs of the beast
           cut
loose  lo, we have a situation.  
                                                     Yes, yes! totally! so hard
           these days to parse futility, spot bravery in all that fist
           high howling about.
                                         Stand by : unscathed I'll view again
           your shell wail posts . our drone precision.  

                                                    Spark to inferno : raise or
          flag above the fields row knees, pride wear dust all
          fear, the gyre's turn.
                                                                  – W.W.

                                                

                

                 

 

 

         

                    TWO KNIVES

                       The defensive dagger of babble
                         has its handle in the middle
                           of its blade pointing two ways,
                             the duller point forwards,
                              the sharper backwards
                                 into the self
                                  that can't see
                                     either
                                        point.
                                        Real
                                   speech is
                               a different
                             knife whose blade points
                          upward from the gut
                       into Heaven, and down
                     like a grounded lightning-pole
                  that is also a broadcast-tower
               feeding both the Earth's roots and her stars.

                  (from "Within The Wind" © by Brian Chan)

JOHANNA SCHOUTEN-ELSENHOUT (1910 – 1992)

          

     MI PRAKSERI                                   MY THOUGHT
 
     Mi prakseri sdon                             My thought is
     ini wan er' tra ten                          in quite a different time frame
     lek' a winti d' e way now                just like the wind that's now blowing 
     gi mi brok'ede                                is causing me problems

     m' e luku                                        I watch
     fa tranga winti                               how strong wind
     e sek' den bigi taki                         moves the large boughs
     trowe den youngu froktu                dropping the unripe fruits
     a tap mi owru dronpu                     on my old stoop    

     mi prakseri                                     My thought goes
     e sungu go                                      down
     n' a grebi f' bakaten                        the grave of afterthought
     di sa sor' en fesi                              that shall show its face


                                                    *

  

   BATO                                                                       BOAT OF LIFE

   Bato f' libi                                                                Boat of life
   sondro marki                                                            without code number
   a mindri grontapu maka                                            amid the world's vagaries
   luk' fa y' op' ede e brenki mindri den bromki              see how your bow is raised
   pe asege e sing' a moro hey sten                               shining among the flowers 
                                                               where crickets are singing the highest tune


   Bato f' libi                                                                  Boat of life
   nanga yu bradi seyri                                                   with your broad sails
   d' e kot' pangi mindri a son                                   displaying your plaids in the sun
   ondro wan busgasi f' sorgu                                    under an undergrowth of worries,
   d' e nak' dawra wik' sribi yorka               that beat the gongs to waken sleeping ghosts
   luk' fa kwasibita e wroko lek' prugasi               See how kwasibita works like purgative
   a mindri wan brudu swanpu                                   in a swamp of blood
   pe asema or' fayatiki e frey lek' edeman           where the vampire with torch in hand
                                                                               flies as the leader.

    Bato f' libi                                                                 Boat of life
    di kaka borsu lek' wan gansi                             sails with chest bulging like a gander
    e dukrun swen mindri brantimaka         that dives to swim under the spiny water plants
    a mindri wan se fu frenti nanga feyanti                      in a sea of amity and enmity
    pe mekunu e nyan sapa a ondrosey                    where trust ends up being the victim
    Wan dey e kon                                                          However,
    fu skin dongo nanga son a berpe sabana                     a day will come
    pe a ten sa tanapu skrifi                                            for the body to set with the sun
    a tap' wan por' udu mindri den yarfrey:                      in the savanna resting place
    "Dyaso a bato f' libi didon".                                where time will stand up and write
                                                                 on a piece of rotten wood among the termites:
                                                                                   "Here lies the boat of life."                  
  

 

                  Poems from 'Awese' copyright © by Johanna Schouten-Elsenhout Estate, Paramaribo, 1965
                        Copyright this English translation 'Awese: Light in This Everlasting Dark Moon' © by

                              D. France Olivieira, Paramaribo, Suriname, 2010
    

 

AH FEDERICO,

     
                                                          [for Victor Davson . Andrew Lyght]

    
         Late afternoons, at six and a half, cycling through the cane    
         fields I'd think of you gone younger days; how you helped turn
         our sea
wall into Ciné sets : our jetty not for goggled bikers;
         the row
boats that set out to confirm the rare loom of ocean
         liners.

         Aristocrats of yearning ~ our limbs no longer in lift wait
         after watching I Vitelloni ~
  we stirred like runaways
         in the troolie shade at middays.

         We found alone fat women ~ vendors of wharf lapping stern
         rites : 
powdered for evenings they let us dock if we glided
         in like
gentlemen lodgers . give takings sweat spread sheets :
               Oompah!  
             
         Flatland dried out of inspiration? Start seeing what others   
         don't, Giulietta smiled : the make beliefs in our forests where
           one strong man turns Amerindian and rivers rumble like motor
             cycle flocks gunning for the falls [trails to palace gates 
                          mist . peacock sightings]

         Roraima dipped the brush with art galleries : New York, new
         havens . eyes
widening as strokes reveal how our kites flew :
            back in short pants out in the Georgetown light, waving
              to Marcello who tried writing in a coffee shop here after
            he'd shrugged off the beach fish washed up sweet meets.  

               Sea air routes now risk grave ends . mass heads strike 
            out core hollowed. No question : who knows cares why
               what odyssey.

         One fine day ~ Ciao! to time past prime ~ Fine to stilt acts,
         the clown nose snake whip snapping at our brides : we'll join
         your tent circus band in new orbit : ring dance to flute
                day lighting stars.

                                                                   – W.W. 

 

               

 

 

  

               

           WITH POLO AND ANTONIONI 
            IN CHINA

           Things have never really worked, though we vagrants
                have always fished around and changed our clothes
           and donned masks most revealing of our nature
           and murdered others for wearing their own masks
              paid for or stolen in recognition
                  that things as we know them do not work. 

           So stories of the past have to change their tense
             and their conditions: Things work and
           they are working while we dream that the waters
           we have plunged into are melting our sarongs
              and all we can do is walk on the waves
                  back to some shore or into the Sun.

           Back on all shores, we are walking all around
             and past and through others so as to get  ̶  
           beg buy or steal  ̶  something we deserve and think
           we do not have

                                     to think about, only use
           to stamp our latest version of ourselves
               as final model of things so-so
 

             ̶  till the next bomb's proof that both we and things do
             work, as we continue to search for fish
          
and tell of our nightmares with a smile or sigh
          
turning them into things merely like our selves
         
     walking naked on the waves of our day-
         
         dreams, complaining of things not working,
          as they should be  ̶  the way they always have been.

               (from "Within The Wind" © by Brian Chan)

 

  

JOHANNA SCHOUTEN-ELSENHOUT (1910 – 1992)

      

    ADYANKRO                                                    JOHN CROW


    Poko yu poko                                                       Soar your soaring
    a mindri deb worku                                              amid the clouds
    mi braka dyakti                                                    my dear black-jacket
    dans' yu dripas-porka                                            dance your three-step polka
    a mindri aleysi-gron                                              in the rice field 
    froyt' lek' busgranman                                  cry like the master of the bush        
    a mindri den krasi wwri                                         amid the nettle weeds
    mi butabuta                                                          my dear whippoorwill
    yu eksi a seypasi waktiman                           your eggs are sentinels along the road
    kroypi a mindri tingi                                              wallow in the stench
    lek' skapuworon                                                     like the white haired caterpillar
    mi braka koti                                                         my dear cutaway
    srep' a mindri dedemeti                                         skate through the carcasses 
    mi tingifowru-edeman                                            my dear vulture king
    waka a tap' tinkoko                                                walk on your stilts
    mek' kondre si                                                       for all the world to see 
    bigin ker' mek' I eygi nesi                               start learning to build your own nest 
    mi opete                                                               my dear opete
    frey opo mindri a son                        &#0160
;                    fly off toward the sun

    bika yu na grandiyabru                                           because you're the big eye-sore
    wan adyankro f' Sranan                                           an adyankro  
                                                                                 of Sranan

 

                                                          *

 

     MI DREN                                                         MY DREAM

     Yere mi sten                                                  Heed my voice
     lek' wan grio e bari                                        sounding like a cicada
     a baka den bigi krepiston                               from behind the boulders
     mi ati e nak' te dede fu freed                 my heart beats to death from fear 
     m' e suk' wan kibri-olo                                    I'm searching for a lov-
     pe lobi de                                                      in' place to hide
     m' e frey lek' wan sonfowru                             like a sunbird
     mindri tranga winti                                         in the storm
     abra den moro hey bergi                         I'm flying across the highest mountains 
     sula e yere mi sten                                         the rapids are hearing my plea                               
     mi skin e degedege                                         but my body is weakening
     loktu wawan e si mi                                        heaven alone knows
     mindri banawtu                                              my tribulations 
     mi kondre mi pedrekubon                               here on earth
     mi nesi                                                           sometime in my dream
     sonten dede sa tuka mi                                   death and I will surely meet.
     ini mi dren
  

   

                    Poems from 'Awese' copyright © by Johanna Schouten-Elsenhout Estate, Paramaribo, 1965
                        Copyright this English translation 'Awese: Light in This Everlasting Dark Moon' © by

                              D. France Olivieira, Paramaribo, Suriname, 2010

                                   

WHITE WILLOW WIELDERS

                            
   
               Manners befitting barely shine on bats that swing :
               pain long poised like bails on stumps sap stiff with
               standing; the unbelief of most except whose heads
               turn hardest back from win delay : ground eaters
               chipping feat aw
ay. 

                                                April '16 ~ land mark the days,
               green field maroons : no healing greater in the world
               the trophy lift the victory lap
 ̶  chest Warrau bare, Who
              
dare?  ̶  past boundary six ball arcing high for need
              
full crowd breath catchment.

               Pad gloves on off . fingers up you out signal lots
               cast . seed beds left unmade : care take yourself.
               Suns you plant become suns.

                                                                – W.W.

 

 

                     

       

               

                   

  

                                   

                           ANXIETY

                           is the armour of growth
                           the pain of a dry seed
                           fallen on sandy soil
                           and waiting for the wind

                           Or say a splint sparks ten
                           times before one flame blooms.

                  (from "Scratches On The Air" by Brian Chan)

 

THE FLAGMAN’S OCCURRENCE WAVE BAND

     

     < Situations and Revelations of Passing Notice in Guyana >

      Locket # 6

      Young, naive and a bit idealistic is how I arrived in Guyana, excited to be
      chosen to work with other volunteers helping struggling nations (in the 
      case of Guyana an
ex-colony. I was assigned to a secondary school in the
      Canal District and quickly succumbed to the landscape  ̶  the luminous
      mornings, crossing the river, sandals, foot paths, the breeze on my skin;
      night time insect noise and total dark.

      At the school I endeavored to teach Shakespeare to the girls and boys,
      really wonderful children; lives of pure hopefulness amidst the cane fields
      (which still look like venues of joyless labour). They came neatly dressed,
      in colourful uniforms, to classrooms with limited resources.

      [I should tell you I met someone there, Miss Hempell, who had been
      teaching in the district for years. An avid book-reader, she had read "The
      Second Sex" by Simone De Beauvoir.

      This a book I had heard of, but had never got around to reading. She
      offered to lend me her copy if I promised to return it. She didn't have much
      to say about it. I couldn't tell what it did for Miss Hempell except to keep
      her tight-bodied and unmarried, strands of grey hair bristling through her
      braids. Much respected, though, and fondly spoken of by students and
      parents in the district.]

      Anyway, I introduced my students, first, to "Romeo and Juliet". They had
      heard of Shakespeare but had never read any of his plays. I pirate-copied
      scenes from the play. I tried to get them thinking about the issues facing
      the two lovers.

        We talked about Juliet's suicide plan. (I found out too late that death by
      poisoning is a rather delicate subject in the District. Suicide comes close
      to what I'm sure they think about but rarely "discuss".) In general they
      were not too forthcoming. Good virtues on the surface, with watchful if
      not always focused eyes.

      I tried next to get them excited about writing. I made them start a
      "journal" in their exercise books, putting down their thoughts and feelings.
      Find a place, I told them, a quiet place, in the cane fields (look out for
      snakes!), along the canals; take a cycle ride to the nearest sea front (they
      seemed rather amused by these 
suggestions). I told them to write about
      their dreams, what worries them about the world.

      One student who was proficient at this (and whom I grew very fond of) was
      Yasmin Deodat. Here, for instance, is what she said to me:

      I work hard. I study hard. At home they are happy when you tell them how 
      well I am doing. They think that with you as my teacher I will be the best
      in the class, and one day the best at anything in the world. I will go places
      and make them proud. There are things I do not talk to my mother about.
      Like what is happening to my body. I am slender, no hips. My breasts don't
      want to grow larger. I would like someone to take me seriously, caress me,
      tell me I am desirable. I want to know how I will be desired  ̶  will I be
      cradled? mauled? plucked like a flower?

      Unusual? To say the least. That Yasmin would put that down and fold it
      away seemed unusual. 

      The day before I left for home, a group of students came with a farewell
      gift: their exercise books, wrapped and tied neatly with pink ribbon;
      containing their schoolgirl fears and fantasies. "If we kept them someone
      might find them, then we'd be embarrassed, Miss," they told me. A bit 
      overwhelming, I must say.

      We made a pact, students and teacher forever friends. I promised I'd keep
      the journals. Years later when they were happily married I'd come back to
      Canal District (I don't know why I assumed they would all still be there).
      We'd relive the follies of those innocent years; shrieks and giggles!

                                      **                                 **

       I heard nothing from anyone until a message came through from Margaret,
       my replacement in Canal District, saying that Yasmin had disappeared. Off
       the face of the earth
. It sounded far-fetched. Canal District isn't the sort
       of place you disappear off.

       Some of the girls were known to gravitate toward overly friendly male
       teachers, neatly dressed, bush goat nibblers, if you ask me. Yasmin could
       have run away, to Suriname (which is next door to Guyana). Certainly not
       off the face of the earth.
Feet too timid for that range of possibility, I
       thought.

       Naturally I reached for Yasmin's exercise book. I discovered it was now a
       top secret document, with passages blacked out, "redacted", as they say.
       Each section, clearly dated, began with the same wistful line (from
       "Romeo and Juliet", I realized) "If love be rough with you, be rough with
       love." She wanted me to look inside her soul; she would not, however,
       
reveal every stitch of contemplation. 

       There is this about her mother sending her to spend a weekend with an 
       uncle in Georgetown. He's a pastor of a Presbyterian Church in town. One
       morning she wakes up and sees him through a bedroom door getting
       dressed:

       Maybe they forgot for a moment there was a relative in the house. I had
       not slept well, the bed was so strange. His children were fast asleep. I
       saw him standing naked, his back toward me, like a boy getting dressed
       by his mother. But that mother was my aunt, she sat on the bed, she
       dried his body with a towel. I didn't want them to catch me staring. I
       must have stood there for eternity, and in that time she dropped the
       towel, leaned forward, and seemed to concentrate on his crotch, moving
       her head
[lines crossed out; then:]

       What kind of church leader is Uncle Ram? What sort of boy grows up to
       be a man wanting devotions like that in the morning from a woman? I
       don't know if my mother does this with Pa.
[lines blacked out] These are
       not the fireflies I want in my head.

       I turned the next page and the next. Here's a section where her mother
       takes her to Georgetown to visit the same uncle, hospitalized on account
       of a chest complaint. She avoided looking at him, she said, refused to bow
       her head when they said a prayer. At the hospital entrance she turned
       back, went up to his room, surprising him; she came close to his bed, and
       whispered in his ear:

       I know what you are. You are being punished. You should learn to live like
       a man. Stop making people kneel and pray; grow up, and stop making
       Auntie dry your skin and do head swell things for you in the morning.

       You're probably wondering why I am telling you all this; why I have gone to
       all this trouble to reveal what was intended as private (dare I say intimate)
       disclosure. I don't mean to expose Yasmin, nor to accuse or blame anybody. 
       For young women in that land of old cane  love is without meaning. The
       green fades, the fields get flattened; child to mother to grandmother are
       bonded about, sown or bored to death. And true love saves its breath, I'm
       certain avid Beauvoir reader Miss Hempell would testify. 

       I should tell you, as an endnote, that I did receive a postcard from Yasmin,
       its source Venezuela (so at least she wasn't "abducted"). It said : I am here
       because I found a way over the wall, and a waterway that brought me here.
       
I'm not sure know what to make of that. It continued (lines plucked from
       Romeo and Juliet
), "If in thy wisdom thou can give no help, do thou but call
      my resolution wise."

       Well, so far I have respected Jasmine's "resolution". I don't think I've betrayed
       her in any terrible snitchy way. While the whole of Canal District and the
       country might still be searching for her  ̶  consumed with fear and conjecture,
       wanting her back where she belongs  ̶  I would like to think she is doing just
       fine.

       She must have realized that keeping journals and secrets, with parents and
       uncles and teachers all around, were the baby steps to the edge of the 
       spring board. The pounding heart, the start of new life, now I think she
       knows.

       I'll clear space in my room in case one day her "waterway" directs her to my
       door (unless there's someone else she's listening to). Trust is so elusive. I
       just hope she gets this right.

       Penny Nobbs
       Essex, England.

 

NO COIN FLIP FOR THE OTHER SIDE

   

                                                                             

                                                 "….giving testimony, fighting against the nothingness 
                                              that will sweep us away."
             
                                                                           Julio Cortázar, "Hopscotch"

                                
                     Sorry, mate! I can't unveil the source. Contrary to what
                     you've heard
  ̶  cloud lawn reunions, screenings of world
                     
history, last dust galaxy swirls  ̶  there's just this aqueduct

                        to all and nothing : a deed chalked gate _ boneless             
                        sluicing _ then, breathless, light white wait.

                     An activated slit issues the 24 hour pass : terms of agreement?
                     you may return
 ̶  one loop, one day  ̶  through any portal
                     in the world : the
old workplace, a war zone rubble fled : 
                     camp ward yard fall crash site opening back.

                     Free again! yes, look around . tidy up unfinished threads; see
                     how those stubborn DNA worms have turned; how the kids
                     are doing; your tormentors! Your will undone on earth. 

                                                 Ask, Who the new feint champs? if faster
                     fasts exist . inspect new miniature devices, our heat melt
                     sink swim lists.
                                     Peel figments from brain child to clan you failed
                    
 or fondled then no more : biosphere complete.

                                                                                   No, no  ̶  I can't             
                     reveal my sources . No, I won't give away the ending.

                                                           Fine! go ahead : invest in real        
                    time shares . yeah, yeah : bond blues stock memory 
                    
loss  >  earth . earth :

                                                                 – W.W.

 

                               

                           

                           

 

 

                                        

                            DEATH

                            A shell cracked A yolk sucked              
                            about the yolk out of the shell
                           
that cannot spill that was always cracked
                           
yet spreads and clings always leaking

                            The frozen memory The melting memory
                           
of a melting dream of a frozen dream
                           
                           
The blinking memory The staring memory
                           
of a dream without eyelids of a blurring dream

                            The rock mask The shifting mask
                            of a shifting cloud of a stony cloud

                            The fallacy The triumph
                            
of flesh of butterflies and roses.

                            The slack Sleep's po-faced
                            
irony of sleep concentration.

                            Justice without Reading
                            
judgment without text   

                            The ceremony The mirror
                            
of indifference of nothing, and more. 

               
                     
(from "Scratches On The Air" by Brian Chan)

 

 

 

 

THE FLAGMAN’S OCCURRENCE WAVE BAND

 

       < Situations and Revelations of Passing Notice in Guyana >

        Locket # 5

 

        Straight from secondary school, August holidays, I joined the staff of one of
        our newspapers; my dream was to become a correspondent. Mr. Mulch, an
        editor there, told me first off the newspaper didn't have money to hire and
        send people anywhere as "correspondents". I had to lower my ceiling beams.       
           
    
    My school teacher uncle had sent me to him  ̶  he called him "Mulchie", like
        they were old school friends  ̶  with the recommendation 'the boy is good at
        English Composition'.

        Usually they didn't take on people with no qualifications, Mr. Mulch said,
        but that was alright; look how far he'd reach and he didn't have paper
        qualifications either. He laughed as if that was supposed to be a joke just
        between us.
   
        He assured me if I worked hard, build up some experience, show good news
        writing skills, who knows, "things" could work out.

        Later I could go to a college, get newspaper word training; then I could start
        thinking of travel to "far flung" places; investigating and reporting back to his
        readers who lived mostly in the city; and who these days can't seem to find
        time (or some outhouse use, like back in the days?) for newspaper.

        I didn't last long. I gave up after three weeks. Mr. Mulch was a fellow who
        sat at his desk with a view of the street and goodmorning sunlight presiding
        over columns; the only man I know with suspenders holding up his trousers.
        He was difficult to please.

        For instance, after one report I wrote about a woman found strangled and
        possibly assaulted in a bushy area, he accused me of being a skinny fellow
        writing a skinny report. he wanted more "fat" in the writing. With the strangler
        still at large in the country and the police in some form of pursuit, I should
        fix up reports so readers get "the play by play". And don't mention race, the
        victim's name is sufficient.
 

           Where was the strangled woman going when she left the house? how she meet
        the man? were they strangers or lovers?  her clothes in disarray like she put
        up a struggle? This could be the crime of the year! Get "proactive" with the
        reader; build up, build up to the dastardly act.

        I have to say this: I don't know in which Oxford or Cambridge drawer he does 
        keep
"dastardly" and "far-flung"'; also "cognisant of". Some words and phrases
        show up like regular workers in the columns, acting all sophisticated; doing
        dress-up sentence service, along with adjectives that halt you at every turn
        wanting admiration or salute. Is true what they say: some folk have self worth
        bells to ring; a little knowledge is a fool's big thing.

        I told him I arrived at the strangle scene too late; the police had already covered
        up the body. Did you talk to relatives and friends about the victim? (A statement
        from a neighbour, "Everybody did warn she about he", eventually found its way in
        the article; he didn't get that off my report.)

        He wanted blood, "fat" and spoken fears. And he wanted a photo of the man who
        found the body, standing at the spot of the "dastardly" act; looking out at the
        reader with blank face, his finger pointing down at the spot in the bush where
        the victim was strangled.

        I told him the man might not cooperate (he probably wondering if now he in real
        trouble for "pointing"); and besides, where the body was found might not be
        where the actual assault took place.

        He leaned back from his computer screen and caressed the nave of his neck, as if
        already I was a disappointment on the job. "Readers have hot and soft spots," he
        spoke slowly. "You have to reach in, rub the spot."

        Next I wrote a report about a house fire. He changed it up and added this: "A
        large crowd also gathered to get a glimpse of the burning building". I have
        noticed this line appearing in every fire report. According to him people always
        seem to "also gather to get a glimpse".

        I told him that's not what I saw happening. People didn't step out their yard or
        pull over on the road, gathering "to get a glimpse". If anything, they appear out
        of nowhere; they prefer to "stand and stare" like they waiting for more excite-
        ment, spreading flames. Always one eyewitness who know how the whole thing
        started; always the 
children who should be in school, hanging round, just
        waiting for the fire hose to spring a leak.

            He laughed. "Aw man, you have a lot to learn in this business!"

        As far as he was concerned, to say people "stand and stare" would give readers,
        especially "morning coffee" visitors to the country, the wrong impression; as if
        the general population had nothing better to do with their time. (It just so
        happen a trade delegation from China was visiting that week.)
 

        I left him right there in his stuffy, glassed-off cubicle; always reminding people
        what some "far-flung" holy man said about serving with humility; or quoting
        Thucydides like he was the local reincarnation of the man.

        Right there  ̶  with or without his cricket stump!

        My uncle had advised me that at the job interview I should ask "Mulchie" about
        the cricket stump. It was grabbed by a cricketer at the conclusion of some
        famous cricket match vs. England. It somehow found its way into Mr. Mulch
        office; he kept it there like a conversation piece, an object of historical
        importance he preferred instead of a wall painting.

        Every time I went in his office I would sneak a peek, looking for this cricket
        stump. Couldn't locate it anywhere; couldn't even locate a cricket stump bail
        which might have worked better, come to think of it; like a paperweight on
        the desk? so you couldn't help noticing?

        I asked him if he'd read "A House For Mr. Biswas". V.S. Naipaul? He said he'd
        heard the name but the man was not from our country; and in any case
        reading fiction was "outside his remit".
 

        Since I had failed miserably as reporter of fires and death by strangulation, he 
        said maybe I should try something "less complicated", like covering sports. 

        I would observe young men in flashy whites with fancy bowling action and Test
        Match travel dreams; hoping like flash in pan to catch a selector's eye. I was also
        to collect end of day scores; identify and separate rising talent from fellows 
        considered still "not ready"; and disgruntled for the rest of their young lives. 

        So let him stay right there! (he probably know how his bread is plaited.)

        I am happy to report that a really really fat lady has set up a vendor spot under
        the tree shade across the road from his window view; selling cooked food, cane
        juice and pastries to company employees at lunch time. Wait till that enterprise,
        and the supporting music box, start build up, build up.

        Sounds like I ungrateful? like I need real ambition? you think I care?

        The times will pass; hair does grow, hairs will fall out. Mr. Mulch will remain 
        there gathering the years to get a glimpse. Right down to his last breath, on his
        death bed; his thick neck stiffening when he realize (only God knows what). 
        You watch.
  

        D. Camoud,
        Georgetown, Guyana

  

HOW THE CASSAVE MEASURES

 

                                                          "…..light like a feather, heavy as lead."
                                   
                              Bob Marley, "Misty Morning"

               Flesh and blood unrest in youth with no tide no kumina
             chip foot print . grabbing any need repair with hands on
             wheels untrained for lanes only to be followed by gold
             rim rides from bonier faces pulled from gun lagoons for pock
             mark
cases  ̶  as if scatteration was every general's first
            
business of order.

             Which leaves the rally run come mask force with fronts
             to tier, galvanize alley ways for little ones to crouch
             behind till the day is over.

             Even our Nan's sheltering ankle hems step tight 'n' tense
             as the sun takes cover, time left no longer sustainable by
             dance habit such is the thatch dread of lamp flicker . boot
             raid limb lay rip _ redress . all you own.
                                        

                                            You reel? so you fold back . as fight
             we might at the holding yard where roosters louder call
             at dawn than head wrapped song and where . to next
             wind strong? 

             Kingdoms come . hearts packed wait each last flight out :
             crows hover blades swish dust requesting unlock words
             which, bark strips round her bed, our Granny passed :

              
 my Soul to Thee . with eye lash dew : "Mon Dieu!
                   
what kept you so long?" 

                   As breath ends cabin belts release . navel cells
                   applaud a ground safe landing, faith complete.
                   Out side clutching lines doubt sky board times
                         short as a prance, this life.

                                                                      – W.W.

      

 
 
               

 

                  
 

                      

                          A FEATHER'S GRAVITY

                           'Strenght through assertiveness!'
                      And through strength?  Ageing, disease,
        
         corruption and slow rotting
             
to translate such compost into buds. 
             This is the field of flesh as a lot
                of stinkweed. Even popes get sick
                     and end up begging Heaven
                          for mercy. Even kings,
                          rich cowardly bullies
                     and heartless thugs must, on their
                death-beds, regret their feats of force.
             Not even a healthy lazy sage
             is free from earwigs and razor-grass. 
                Perhaps all such men are trying
                     too hard?  Whatever became
                          of plain-old wood-chopping
                          and water-fetching?  They
                              also are hard but at least
            
   the path they form between the shed,
            
the river and the stars is not forced,
            
except as a mantra may be thought
              
  to be forced, but is a willing
                  
   surrender to a sure glimpse
            
             of Light beyond the gnomes
             
            of pressure by weight, Light
             
       beyond the weightless undines,
             
   sylphs and angels of air and fire,
               L
ight behind masked eyes of hinting stars.

                    (from "Readiness" by Brian Chan)