WHITE WILLOW WIELDERS

                            
   
               Manners befitting barely shine on bats that swing :
               pain long poised like bails on stumps sap stiff with
               standing; the unbelief of most except whose heads
               turn hardest back from win delay : ground eaters
               chipping feat aw
ay. 

                                                April '16 ~ land mark the days,
               green field maroons : no healing greater in the world
               the trophy lift the victory lap
 ̶  chest Warrau bare, Who
              
dare?  ̶  past boundary six ball arcing high for need
              
full crowd breath catchment.

               Pad gloves on off . fingers up you out signal lots
               cast . seed beds left unmade : care take yourself.
               Suns you plant become suns.

                                                                – W.W.

 

 

                     

       

               

                   

  

                                   

                           ANXIETY

                           is the armour of growth
                           the pain of a dry seed
                           fallen on sandy soil
                           and waiting for the wind

                           Or say a splint sparks ten
                           times before one flame blooms.

                  (from "Scratches On The Air" by Brian Chan)

 

THE FLAGMAN’S OCCURRENCE WAVE BAND

     

     < Situations and Revelations of Passing Notice in Guyana >

      Locket # 6

      Young, naive and a bit idealistic is how I arrived in Guyana, excited to be
      chosen to work with other volunteers helping struggling nations (in the 
      case of Guyana an
ex-colony. I was assigned to a secondary school in the
      Canal District and quickly succumbed to the landscape  ̶  the luminous
      mornings, crossing the river, sandals, foot paths, the breeze on my skin;
      night time insect noise and total dark.

      At the school I endeavored to teach Shakespeare to the girls and boys,
      really wonderful children; lives of pure hopefulness amidst the cane fields
      (which still look like venues of joyless labour). They came neatly dressed,
      in colourful uniforms, to classrooms with limited resources.

      [I should tell you I met someone there, Miss Hempell, who had been
      teaching in the district for years. An avid book-reader, she had read "The
      Second Sex" by Simone De Beauvoir.

      This a book I had heard of, but had never got around to reading. She
      offered to lend me her copy if I promised to return it. She didn't have much
      to say about it. I couldn't tell what it did for Miss Hempell except to keep
      her tight-bodied and unmarried, strands of grey hair bristling through her
      braids. Much respected, though, and fondly spoken of by students and
      parents in the district.]

      Anyway, I introduced my students, first, to "Romeo and Juliet". They had
      heard of Shakespeare but had never read any of his plays. I pirate-copied
      scenes from the play. I tried to get them thinking about the issues facing
      the two lovers.

        We talked about Juliet's suicide plan. (I found out too late that death by
      poisoning is a rather delicate subject in the District. Suicide comes close
      to what I'm sure they think about but rarely "discuss".) In general they
      were not too forthcoming. Good virtues on the surface, with watchful if
      not always focused eyes.

      I tried next to get them excited about writing. I made them start a
      "journal" in their exercise books, putting down their thoughts and feelings.
      Find a place, I told them, a quiet place, in the cane fields (look out for
      snakes!), along the canals; take a cycle ride to the nearest sea front (they
      seemed rather amused by these 
suggestions). I told them to write about
      their dreams, what worries them about the world.

      One student who was proficient at this (and whom I grew very fond of) was
      Yasmin Deodat. Here, for instance, is what she said to me:

      I work hard. I study hard. At home they are happy when you tell them how 
      well I am doing. They think that with you as my teacher I will be the best
      in the class, and one day the best at anything in the world. I will go places
      and make them proud. There are things I do not talk to my mother about.
      Like what is happening to my body. I am slender, no hips. My breasts don't
      want to grow larger. I would like someone to take me seriously, caress me,
      tell me I am desirable. I want to know how I will be desired  ̶  will I be
      cradled? mauled? plucked like a flower?

      Unusual? To say the least. That Yasmin would put that down and fold it
      away seemed unusual. 

      The day before I left for home, a group of students came with a farewell
      gift: their exercise books, wrapped and tied neatly with pink ribbon;
      containing their schoolgirl fears and fantasies. "If we kept them someone
      might find them, then we'd be embarrassed, Miss," they told me. A bit 
      overwhelming, I must say.

      We made a pact, students and teacher forever friends. I promised I'd keep
      the journals. Years later when they were happily married I'd come back to
      Canal District (I don't know why I assumed they would all still be there).
      We'd relive the follies of those innocent years; shrieks and giggles!

                                      **                                 **

       I heard nothing from anyone until a message came through from Margaret,
       my replacement in Canal District, saying that Yasmin had disappeared. Off
       the face of the earth
. It sounded far-fetched. Canal District isn't the sort
       of place you disappear off.

       Some of the girls were known to gravitate toward overly friendly male
       teachers, neatly dressed, bush goat nibblers, if you ask me. Yasmin could
       have run away, to Suriname (which is next door to Guyana). Certainly not
       off the face of the earth.
Feet too timid for that range of possibility, I
       thought.

       Naturally I reached for Yasmin's exercise book. I discovered it was now a
       top secret document, with passages blacked out, "redacted", as they say.
       Each section, clearly dated, began with the same wistful line (from
       "Romeo and Juliet", I realized) "If love be rough with you, be rough with
       love." She wanted me to look inside her soul; she would not, however,
       
reveal every stitch of contemplation. 

       There is this about her mother sending her to spend a weekend with an 
       uncle in Georgetown. He's a pastor of a Presbyterian Church in town. One
       morning she wakes up and sees him through a bedroom door getting
       dressed:

       Maybe they forgot for a moment there was a relative in the house. I had
       not slept well, the bed was so strange. His children were fast asleep. I
       saw him standing naked, his back toward me, like a boy getting dressed
       by his mother. But that mother was my aunt, she sat on the bed, she
       dried his body with a towel. I didn't want them to catch me staring. I
       must have stood there for eternity, and in that time she dropped the
       towel, leaned forward, and seemed to concentrate on his crotch, moving
       her head
[lines crossed out; then:]

       What kind of church leader is Uncle Ram? What sort of boy grows up to
       be a man wanting devotions like that in the morning from a woman? I
       don't know if my mother does this with Pa.
[lines blacked out] These are
       not the fireflies I want in my head.

       I turned the next page and the next. Here's a section where her mother
       takes her to Georgetown to visit the same uncle, hospitalized on account
       of a chest complaint. She avoided looking at him, she said, refused to bow
       her head when they said a prayer. At the hospital entrance she turned
       back, went up to his room, surprising him; she came close to his bed, and
       whispered in his ear:

       I know what you are. You are being punished. You should learn to live like
       a man. Stop making people kneel and pray; grow up, and stop making
       Auntie dry your skin and do head swell things for you in the morning.

       You're probably wondering why I am telling you all this; why I have gone to
       all this trouble to reveal what was intended as private (dare I say intimate)
       disclosure. I don't mean to expose Yasmin, nor to accuse or blame anybody. 
       For young women in that land of old cane  love is without meaning. The
       green fades, the fields get flattened; child to mother to grandmother are
       bonded about, sown or bored to death. And true love saves its breath, I'm
       certain avid Beauvoir reader Miss Hempell would testify. 

       I should tell you, as an endnote, that I did receive a postcard from Yasmin,
       its source Venezuela (so at least she wasn't "abducted"). It said : I am here
       because I found a way over the wall, and a waterway that brought me here.
       
I'm not sure know what to make of that. It continued (lines plucked from
       Romeo and Juliet
), "If in thy wisdom thou can give no help, do thou but call
      my resolution wise."

       Well, so far I have respected Jasmine's "resolution". I don't think I've betrayed
       her in any terrible snitchy way. While the whole of Canal District and the
       country might still be searching for her  ̶  consumed with fear and conjecture,
       wanting her back where she belongs  ̶  I would like to think she is doing just
       fine.

       She must have realized that keeping journals and secrets, with parents and
       uncles and teachers all around, were the baby steps to the edge of the 
       spring board. The pounding heart, the start of new life, now I think she
       knows.

       I'll clear space in my room in case one day her "waterway" directs her to my
       door (unless there's someone else she's listening to). Trust is so elusive. I
       just hope she gets this right.

       Penny Nobbs
       Essex, England.

 

NO COIN FLIP FOR THE OTHER SIDE

   

                                                                             

                                                 "….giving testimony, fighting against the nothingness 
                                              that will sweep us away."
             
                                                                           Julio Cortázar, "Hopscotch"

                                
                     Sorry, mate! I can't unveil the source. Contrary to what
                     you've heard
  ̶  cloud lawn reunions, screenings of world
                     
history, last dust galaxy swirls  ̶  there's just this aqueduct

                        to all and nothing : a deed chalked gate _ boneless             
                        sluicing _ then, breathless, light white wait.

                     An activated slit issues the 24 hour pass : terms of agreement?
                     you may return
 ̶  one loop, one day  ̶  through any portal
                     in the world : the
old workplace, a war zone rubble fled : 
                     camp ward yard fall crash site opening back.

                     Free again! yes, look around . tidy up unfinished threads; see
                     how those stubborn DNA worms have turned; how the kids
                     are doing; your tormentors! Your will undone on earth. 

                                                 Ask, Who the new feint champs? if faster
                     fasts exist . inspect new miniature devices, our heat melt
                     sink swim lists.
                                     Peel figments from brain child to clan you failed
                    
 or fondled then no more : biosphere complete.

                                                                                   No, no  ̶  I can't             
                     reveal my sources . No, I won't give away the ending.

                                                           Fine! go ahead : invest in real        
                    time shares . yeah, yeah : bond blues stock memory 
                    
loss  >  earth . earth :

                                                                 – W.W.

 

                               

                           

                           

 

 

                                        

                            DEATH

                            A shell cracked A yolk sucked              
                            about the yolk out of the shell
                           
that cannot spill that was always cracked
                           
yet spreads and clings always leaking

                            The frozen memory The melting memory
                           
of a melting dream of a frozen dream
                           
                           
The blinking memory The staring memory
                           
of a dream without eyelids of a blurring dream

                            The rock mask The shifting mask
                            of a shifting cloud of a stony cloud

                            The fallacy The triumph
                            
of flesh of butterflies and roses.

                            The slack Sleep's po-faced
                            
irony of sleep concentration.

                            Justice without Reading
                            
judgment without text   

                            The ceremony The mirror
                            
of indifference of nothing, and more. 

               
                     
(from "Scratches On The Air" by Brian Chan)

 

 

 

 

THE FLAGMAN’S OCCURRENCE WAVE BAND

 

       < Situations and Revelations of Passing Notice in Guyana >

        Locket # 5

 

        Straight from secondary school, August holidays, I joined the staff of one of
        our newspapers; my dream was to become a correspondent. Mr. Mulch, an
        editor there, told me first off the newspaper didn't have money to hire and
        send people anywhere as "correspondents". I had to lower my ceiling beams.       
           
    
    My school teacher uncle had sent me to him  ̶  he called him "Mulchie", like
        they were old school friends  ̶  with the recommendation 'the boy is good at
        English Composition'.

        Usually they didn't take on people with no qualifications, Mr. Mulch said,
        but that was alright; look how far he'd reach and he didn't have paper
        qualifications either. He laughed as if that was supposed to be a joke just
        between us.
   
        He assured me if I worked hard, build up some experience, show good news
        writing skills, who knows, "things" could work out.

        Later I could go to a college, get newspaper word training; then I could start
        thinking of travel to "far flung" places; investigating and reporting back to his
        readers who lived mostly in the city; and who these days can't seem to find
        time (or some outhouse use, like back in the days?) for newspaper.

        I didn't last long. I gave up after three weeks. Mr. Mulch was a fellow who
        sat at his desk with a view of the street and goodmorning sunlight presiding
        over columns; the only man I know with suspenders holding up his trousers.
        He was difficult to please.

        For instance, after one report I wrote about a woman found strangled and
        possibly assaulted in a bushy area, he accused me of being a skinny fellow
        writing a skinny report. he wanted more "fat" in the writing. With the strangler
        still at large in the country and the police in some form of pursuit, I should
        fix up reports so readers get "the play by play". And don't mention race, the
        victim's name is sufficient.
 

           Where was the strangled woman going when she left the house? how she meet
        the man? were they strangers or lovers?  her clothes in disarray like she put
        up a struggle? This could be the crime of the year! Get "proactive" with the
        reader; build up, build up to the dastardly act.

        I have to say this: I don't know in which Oxford or Cambridge drawer he does 
        keep
"dastardly" and "far-flung"'; also "cognisant of". Some words and phrases
        show up like regular workers in the columns, acting all sophisticated; doing
        dress-up sentence service, along with adjectives that halt you at every turn
        wanting admiration or salute. Is true what they say: some folk have self worth
        bells to ring; a little knowledge is a fool's big thing.

        I told him I arrived at the strangle scene too late; the police had already covered
        up the body. Did you talk to relatives and friends about the victim? (A statement
        from a neighbour, "Everybody did warn she about he", eventually found its way in
        the article; he didn't get that off my report.)

        He wanted blood, "fat" and spoken fears. And he wanted a photo of the man who
        found the body, standing at the spot of the "dastardly" act; looking out at the
        reader with blank face, his finger pointing down at the spot in the bush where
        the victim was strangled.

        I told him the man might not cooperate (he probably wondering if now he in real
        trouble for "pointing"); and besides, where the body was found might not be
        where the actual assault took place.

        He leaned back from his computer screen and caressed the nave of his neck, as if
        already I was a disappointment on the job. "Readers have hot and soft spots," he
        spoke slowly. "You have to reach in, rub the spot."

        Next I wrote a report about a house fire. He changed it up and added this: "A
        large crowd also gathered to get a glimpse of the burning building". I have
        noticed this line appearing in every fire report. According to him people always
        seem to "also gather to get a glimpse".

        I told him that's not what I saw happening. People didn't step out their yard or
        pull over on the road, gathering "to get a glimpse". If anything, they appear out
        of nowhere; they prefer to "stand and stare" like they waiting for more excite-
        ment, spreading flames. Always one eyewitness who know how the whole thing
        started; always the 
children who should be in school, hanging round, just
        waiting for the fire hose to spring a leak.

            He laughed. "Aw man, you have a lot to learn in this business!"

        As far as he was concerned, to say people "stand and stare" would give readers,
        especially "morning coffee" visitors to the country, the wrong impression; as if
        the general population had nothing better to do with their time. (It just so
        happen a trade delegation from China was visiting that week.)
 

        I left him right there in his stuffy, glassed-off cubicle; always reminding people
        what some "far-flung" holy man said about serving with humility; or quoting
        Thucydides like he was the local reincarnation of the man.

        Right there  ̶  with or without his cricket stump!

        My uncle had advised me that at the job interview I should ask "Mulchie" about
        the cricket stump. It was grabbed by a cricketer at the conclusion of some
        famous cricket match vs. England. It somehow found its way into Mr. Mulch
        office; he kept it there like a conversation piece, an object of historical
        importance he preferred instead of a wall painting.

        Every time I went in his office I would sneak a peek, looking for this cricket
        stump. Couldn't locate it anywhere; couldn't even locate a cricket stump bail
        which might have worked better, come to think of it; like a paperweight on
        the desk? so you couldn't help noticing?

        I asked him if he'd read "A House For Mr. Biswas". V.S. Naipaul? He said he'd
        heard the name but the man was not from our country; and in any case
        reading fiction was "outside his remit".
 

        Since I had failed miserably as reporter of fires and death by strangulation, he 
        said maybe I should try something "less complicated", like covering sports. 

        I would observe young men in flashy whites with fancy bowling action and Test
        Match travel dreams; hoping like flash in pan to catch a selector's eye. I was also
        to collect end of day scores; identify and separate rising talent from fellows 
        considered still "not ready"; and disgruntled for the rest of their young lives. 

        So let him stay right there! (he probably know how his bread is plaited.)

        I am happy to report that a really really fat lady has set up a vendor spot under
        the tree shade across the road from his window view; selling cooked food, cane
        juice and pastries to company employees at lunch time. Wait till that enterprise,
        and the supporting music box, start build up, build up.

        Sounds like I ungrateful? like I need real ambition? you think I care?

        The times will pass; hair does grow, hairs will fall out. Mr. Mulch will remain 
        there gathering the years to get a glimpse. Right down to his last breath, on his
        death bed; his thick neck stiffening when he realize (only God knows what). 
        You watch.
  

        D. Camoud,
        Georgetown, Guyana

  

HOW THE CASSAVE MEASURES

 

                                                          "…..light like a feather, heavy as lead."
                                   
                              Bob Marley, "Misty Morning"

               Flesh and blood unrest in youth with no tide no kumina
             chip foot print . grabbing any need repair with hands on
             wheels untrained for lanes only to be followed by gold
             rim rides from bonier faces pulled from gun lagoons for pock
             mark
cases  ̶  as if scatteration was every general's first
            
business of order.

             Which leaves the rally run come mask force with fronts
             to tier, galvanize alley ways for little ones to crouch
             behind till the day is over.

             Even our Nan's sheltering ankle hems step tight 'n' tense
             as the sun takes cover, time left no longer sustainable by
             dance habit such is the thatch dread of lamp flicker . boot
             raid limb lay rip _ redress . all you own.
                                        

                                            You reel? so you fold back . as fight
             we might at the holding yard where roosters louder call
             at dawn than head wrapped song and where . to next
             wind strong? 

             Kingdoms come . hearts packed wait each last flight out :
             crows hover blades swish dust requesting unlock words
             which, bark strips round her bed, our Granny passed :

              
 my Soul to Thee . with eye lash dew : "Mon Dieu!
                   
what kept you so long?" 

                   As breath ends cabin belts release . navel cells
                   applaud a ground safe landing, faith complete.
                   Out side clutching lines doubt sky board times
                         short as a prance, this life.

                                                                      – W.W.

      

 
 
               

 

                  
 

                      

                          A FEATHER'S GRAVITY

                           'Strenght through assertiveness!'
                      And through strength?  Ageing, disease,
        
         corruption and slow rotting
             
to translate such compost into buds. 
             This is the field of flesh as a lot
                of stinkweed. Even popes get sick
                     and end up begging Heaven
                          for mercy. Even kings,
                          rich cowardly bullies
                     and heartless thugs must, on their
                death-beds, regret their feats of force.
             Not even a healthy lazy sage
             is free from earwigs and razor-grass. 
                Perhaps all such men are trying
                     too hard?  Whatever became
                          of plain-old wood-chopping
                          and water-fetching?  They
                              also are hard but at least
            
   the path they form between the shed,
            
the river and the stars is not forced,
            
except as a mantra may be thought
              
  to be forced, but is a willing
                  
   surrender to a sure glimpse
            
             of Light beyond the gnomes
             
            of pressure by weight, Light
             
       beyond the weightless undines,
             
   sylphs and angels of air and fire,
               L
ight behind masked eyes of hinting stars.

                    (from "Readiness" by Brian Chan)

  

      

THE FLAGMAN’S OCCURRENCE WAVE BAND

          

      < Situations and Revelations of Passing Notice in Guyana >

       Locket # 4 

       Bipti stepped out the car and I couldn't believe my eyes. I know this girl
       from
the village; as a pretty young lady, straight back, very fussy about 
       her clothes; inviting but paying no attention to other people; and
       carrying a umbrella, rain or shine.

       The only girl I know who took her real shoes wrap up in a bag till she get
       to the public road or her job; then she change over from the road shoes.
       A start life of pure focus, pure endeavour.

       And smarter than me, I have to say. All these years I only driving minivan,
       keeping people on the move. Cash in hand help make ends meet, which 
       is not a bad thing under the circumstances. Last does graze paragrass
       in this land of wait long.

       But Bipti! moved away from the village; she was appointed Loan Officer
       in a Georgetown bank  ̶  must have had a flair for finance. Next I hear
       she get married to an Insurance Company man known around town as an
       "eligible bachelor". You could assume she was already working her way
       up the ladder, if you know what I mean.

       Next, she left the country with the Company man, and they living in
       Barbados. Divorce the husband there! after bearing two children. Married
       a Barbadian doctor and went with him to live in "upstate New York", USA.

       This was going on over years. I was getting the news piece piece from
       people in the village who knew her mother.

       She kept in touch with the mother through barrels and Christmas cards
       with photographs tucked inside. In all this time she never come home to
       visit, even when the mother take sick, dead and bury. Which is to say,
       once she left this village that was it; is gone to the Falls she gone.

       I was heading out in the van for the city runs when she step out on the
       road, in company with a plump white lady. Face a little wrinkle up, but
       despite all these years I knew was Bipti.

       Something tell me stop; say, Hello, remember me?

       I hold back. Call me dray cart dumb; was the way she was standing,
       holding head and shoulders with an air of foreign highness; pointing
       at this house, that house; like she showing the white lady the backlands
       of ordinary she start from.

       There was heavy rain the night before; the grass was shiny green, and the
        road had muddy pools of water. I was praying she wouldn't turn suddenly 
        and aim a phone or point at me; as if to say some lives like certain habits
        will never change; and some folks with lower ambition will live and die
        on the same patch of land they born and settle; forest, village, hard 
        ship  ̶  no place
else.

        So even though I recognize her, I pretend I didn't know her.

        Showing up like that, alongside this white lady; both wearing white slacks,
        which wasn't really smart considering how easy clean clothes does pick up
        dirt in this place. And braided straw hat, cat-eye sun glasses, shoulder bag,
        also not smart considering how people does mark you quick as you step out
        the airport.

        When I drive back home for lunch time break, I find out she left the village
        already.

        My neighbor Ganpat wife [who I have to say is more intelligent than her 
        belly swell husband; he trying  ̶  is one whole year now he trying  ̶  with
        contractors to convert his bottom house into a beer parlour; clay brick 
        growing weeds near the paling waiting for the workers to come back.

        The man always sound agitated; talks then walks away, then turns back
        with the same warning: "Hell to pay in this world, hell to pay! This
        country heading straight to Haiti!"

        Telling me the other day, "I hear they inventing driverless cars; you and
        your hustling minibus soon going out of business." You see the son of 
        aggravation I living next door to?]

        Anyway, his wife said Bipti didn't stay long; like she was just passing
        through; came in their house for refreshment; stayed ten minutes, that
        was all.

        Apparently, the white lady (whose name she didn't fully get) was Bipti's
        supervisor at a bank in upstate New York where Bipti worked. The doctor
        husband from Barbados died (highway car crash); leaving her and (is now)
        three children; all grown up and "in college" and "doing well".

        And Bipti herself was doing very well; she had her own home in upstate
        New York (take-off-your shoes carpet, four-poster bed, Mexican workers
        doing the lawn). And, hear this, now she is "alone and available".

        Her exact words, Alone and available! which neighbor Ganpat wife repeated,
        raising her voice in a little school-girl, giggly way; half-turned on her front
        verandah as if somehow I was keeping her back from chores inside; always 
        hungry for scraps of information.

        Not that those words would mean anything to a man like me. If Bipti came
        back to advertise or tease anybody in this district, she make a wrong
        calculation.

        Running the minivan I does study people at the side of the road. You can tell
        who waiting for transport, who standing there, face blank like traffic lights
        not working; who just wish a limousine would glide over to the grass verge,
        not sardine van service every day.

        I had to learn when to slow, when to risk fast overtake; how to swerve from
        old men and stray cow; horn and flush quick business out the bush.

        I thinking now: Bipti was a real expert at love life and ladder moves  ̶ 
        forward, sideways; bypass, off the back foot moves. Left a lot of memory and
        sadness behind her, but that girl know how to measure steps; showing
        motion you barely notice as night slips out to day.

        If you ask me, most people born and bred in Canal District (except maybe my
        vest and pants neighbour Ganpat) know how to stake and hold a way in the
        world. People born and bred elsewhere does suffer  ̶  too much name match
        set, where wind blows.

        Take that girl from Wakenaam, Babsie. Start out moving to the city; take up
        with a city man (common law marriage, one child). The man catch she looking
        at another man, and warn her. He come home one night and plunge a bread
        knife in her neck. Just like that. Stab up her chest thirty times. It was in the
        papers, all over the news.

        R. Dookie
        Canal
District, Guyana

GONE THE BLUE THROUGH

                                                                               for Alison K.                      
                                                                                                                                                                                                                                                               
            Back then few could imagine how planes refuelled
            in the sky; everything had to be grounded : ambition
            like car engines switched off while someone with a wipe
            rag checked your gra
dient, and mongoose village eyes
           
assessed Atlantic storm marks ~ day break egret strollings.

            June afternoon's green house, the Morne deck view : sun 
            ironed leaves seemed wearable ~ the wind patient like brides
            maids waiting for turbulence to toss high sigh . unzip
            in amber sky.

            We could make out just below the rusted galvanize roofs
            of Placide Valley . history was hardly kind to shell drawn 
            island turtles on haunch lime.  

            Our smiles wheel feeling about intended lift as if already air
            sworn ~ long felt latitude lines known ~ already there!
            before "solar" like "audacity" coined clearance for so long 
            on one leg standing . elections coming.

               Lock unlock would set the hand that chance tapped our
                 crouched shoulders  >  the open will fill mission.

               Indigine news?  like close shave fears click! peel 
                 away as fin blades gleaming path shear clear
                    cross overcloud burst range.

                                                           Our miles flamingo forming :
            as North-South plains dry burn again
            as East-West wing tips stretch again
                                                    Ends up . gone the blue through :

                                                                                 – W.W.

 

 

             

  

 

                
                     CONVERSATION

               
                     When in silence alone I walk on
                     the winter city's hard
                     concrete going nowhere, my knees start
                     to needle me with their whispered screams.    

                     Now as beside me you walk above
                     words of hot stone your heart
                     translates to feather cloud, water wing,
                     stone light, I feel no pain but the wave

                     of love rising and falling along  
                     the seashore of our breath
                     out of whose spine sprouts our wall-less house,
                     all windows and doors, of shining speech.

                     (from "Scratches On The Air" by Brian Chan) 

             

 

THE FLAGMAN’S OCCURRENCE WAVE BAND

 

          < Situations and Revelations Of Passing Notice in Guyana >


         Locket #3


         Fyzabad and I were classmates in secondary school. He had this thing about
         dogs and cats. You wouldn't catch me dead hugging a dog or petting a cat,
         but Fyzabad (that was our name for him) would get angry and shout at people
         throwing stones at animals.

         Years later he make this big turn, and now he is this big animal protector.

         I was in the gold fields trying my hand at shaking and sorting. (Actually I have big
         plans: setting up an employment Agency for the gold fields; with me as Chief of
         Operations; yes, man). On a trip back to the city I heard he was in trouble with
         his Village Council. And I want to believe this all started with late-night cinema
         shows.

         Late-night weekend cinema was our schoolboy passion. It look like he never
         really gave up the habit (electricity was not reliable where he lived). After
         the show, while people on the road drinking and arguing, or planning nefarious
         activities with guns in their cars, Fyzabad hurrying home on his bicycle, the
         orange reflectors flashing on the pedals; slowing down only when he pass
         animals on the public road; a stray cat, a stray dog.

             He started riding with a shovel, cause some cars and minivans blasting through
         the night does lick up anything that don't get out the way fast. Drivers leaving
         animal carcass like tire tread strips on the road. All of a sudden he is this burial
         man for hit-and-run animals.

         He would stop, lean up the bicycle; scoop up the dead animal, and bury it in a
         shallow grave off the road.

         If you driving home on the country road late at night, and you notice somebody
         digging and digging on an empty piece of land, like he find a map and he
         searching for buried treasure, that was Fyzabad.

         The property had to belong to the government or somebody; he never stop to
         find out; wasn't worried an officer might jump out the bush and arrest him. In 
         the heat of the moment, in the dead of the night, he there giving these animals
         a proper resting place.
              

         Eventually he had to stop. Somebody sneak up one night and steal the bicycle;
         left him right there on the road with the shovel and a crocus bag, looking round
         in the dark, wondering how his bicycle could disappear just like that.

         He buy another bicycle but the same person or somebody else sneak up and steal
         that one too. That was how the whole late night burial business come to a halt.

         I hear next that Sanita, his wife, went back to her mother with the children,
         saying she tired staying in the house all day cooped up; couldn't even relax
         outside in her vegetable garden.

         What really distress her, and this is what start the problems with the Village
         Council, was her husband's new occupation. Fyzabad was now driving round in
         a van rescuing animals.
In the middle of the night he out there in this van
         looking for stray dog and stray cat.

         He decide next to open an animal sanctuary. When I visited him he had 99
         stray dogs and 31 stray cats in his backyard.

         He started giving each of them names, but he had too many animals, or maybe
         he run out of names; so he stop with the names. But he kept correct count and
         'Date of Rescue' in an exercise book.
 

         "These creatures are like family. Nobody want them. I taking care of them," he
         told me. Then pointing with owner's pride, he said: "You see these two?  
         Spartacus and Shane?"  He whistled, and they came over. "They show more faith
         in this country than most people I know, I'm telling you." (Spartacus and Shane
         were assigned front yard warning duty, to keep intruders off the property.)

         People in the village were up in arms: who in their right mind would drive
         around saving stray dogs? not missing pets with collars, mind you  ̶  stray
         dogs
! This country could barely afford anything like a Dog Pound, and he 
         there playing big Dog Saviour.

         The backyard with the mango tree and with wire mesh fencing and food
         bowls and the galvanize shed was a living disgrace. It was hard to imagine a
         place like this anywhere in the world.
 

         The next door neighbors condemn it as a big health hazard; the owner not
         even qualified or trained to look after animals. "He bringing these dogs from
         the public road into the village, which in turn bringing down property values,"
         the lady across the road was saying. "At least with chickens, they give you eggs
         you could eat or sell. All we getting from his backyard is noise and smell. And
         on hot windy days this place is real hell."

          Fyzabad was convinced he had the only human solution to the problem: "All
          they doing is complaining and complaining, they wouldn't lift a finger to take
          care of these creatures. You see the people I have to live with?  Hold their nose
          at corruption, everywhere is corruption. Smelling to high heaven. But you
          should hear how they address an honest working man like me."

          I wished him all the best. I told him to be careful; do what he think is right,
          what make his life start up and run every morning; but look outside every now
          and then just in case somebody sneak up in the dark and thief the van while he
          at the back with the dogs and the cats.

          T. Sennah
          Georgetown, Guyana

VISHNAVI IN ALICE LAND

             
          
               Local gentry pass around her _ One of you now. She likes the cane             
               field forbearance of shires, Mt. elsewhere in Mozart moments.

               For other metaphors and worlds who would not scratch away
               at ground bird humming weeds undraining furrow seeds.

               Tells no one of one dog dream retracking : lost 'n' dressed in  
               city streets pushing a red wheel barrow, ear rings snagged in old
               North hair extensions; while vowels leave lungs target circling, 
               lips measure their poured proper tea.

               What happened to your bundle, county lab coats poke; don't you
               walkers cross the desert with knotted bundle?
                                                                                      She's up for stuff
               like that : didn't walk didn't cross I flew . and my baggage fell
               somewhere over the ocean if you must know.

                   In a silk chamber, ripe contractions pinging, Come Soon
                   uncramps, kicks warn : birth roots lease hold strain there
                   after.

                Now do us both a favour, she backs back to the wind, harness
                  sire my fate, at least for awhile, till I release the old
                    form new leaf tendency.

               Was your prime cut satisfactory, this heritage chef might
                  table. So much depends on what now? long friends point
                    grey skies unable.   
                  
                
   She could fall through again : compost or pose from cloud
                 
or cave  ̶  tell tale seams faux glazed  ̶  dot marked Here
               Here! head light ending . Not so Sorry?  say, Cheerio, then.

                                                                                 – W.W.

 

 

                              

  

 

 

                            VIRGIN WHORE

                         She wears dark glasses to mask her eyes red
                           with fear and grief and fury and bliss
                     but the cold lenses also clear her vision
                       in these glaring streets which she walks, aware
                           of the easy horror and sadness
                     and nonsense and beauty about her, needing
                      
to cringe weep scream bless but merely mumbling,
                        
 like the mad woman she's meant to be,
                    
with a voice not her own, though no one's else's,
                        
whose lonely freedom is its one meaning
                        
 as rooftops and gutters and pavements
                     strung together by the words hooked in her flesh
                        pretend the hooks have never existed.
                            I listen beneath her breast, read and
                     sing her dribbling tongue, and score her bleeding feet
                        and the daily changing lines of her palm.

                      (from "Within The Wind" ©  by Brian Chan) 

 

            

Review Article: DARK MUSIC IN THE BONE

 

         Published before (1955) in Great Britain, "My Bones And My Flute" (2015) was
       meant to be an entertaining work of fiction, "a ghost story in the old fashioned
       manner". Which might tempt old-fashioned readers to anticipate haunted houses,
       cobwebs and creaking doors. In the hands of Guianese readers back then, it was
       a boldly invented tale that scared the living daylights out of many.

        In (pre-television) 1950s Guiana, reading habits were more empowering than what
      passes as functional literacy today. Local folklore was filled with "jumbie" (ghost)
      stories of headless horsemen, and unseen tormenting spirits just waiting for city
      residents to step into the Guiana forest with its Amerindian guardian myths.

      Pioneer Guianese poets and writers turned     ________________________________
      to the coastal and forest interiors for        
      phantasmagorical material and metaphors.             MY BONES and MY FLUTE
      Human mysteries were solvable and literary                        by
      detectives like Sherlock Holmes and Watson     
      were the preferred gentlemen of reason on               Edgar Mittelholzer
      the job. (Mittelholzer's characters make  
      reference to the fiction of Edgar Allan Poe.)           Peepal Tree Press Ltd.
                                                                                    England, 2015, 236 pgs

                                                                         _________________________________
 
       In preparing his manuscript Mittelholzer must have felt he had a winning formula
       for overseas publishers: a Guianese ghost story with original genre elements: a
       flute, a toxic "parchment", disoriented locals and a haunting colonial memory.
       Something editors had probably never seen before.
 

       The flute interrupts the daily routines of his main characters, the Nevinson
       family whose leisure habits included listening to Debussy's "L'apres-midi d'un
       faune" on a portable gramophone. It intrudes on the soirée small talk of Mrs.
       Nevinson and her church folk, and the conversation of her adolescent daughter;
       all of whom, the narrator notes, should remind readers of the pride and prejudice
       "characters in a Jane Austen novel". 
 

       He explains that at first it sounded "as if someone were practicing a Debussy 
       scale and weren't getting it right." Later with widening appreciation he
       identifies the sound as "a tuneless, wandering trickle of treble notes coming
       out of the trees that stood so still in the night". A vagrant flute, then; baffling
       but bearable; no great cause for concern.
 

       But there's the "parchment". It belonged to an old Dutch planter, Mynheer
       Voormans, who committed suicide after the insurrection in 1793 during which
       he suffered "persecution" at the hands of rampaging "black wretches" once
       under his plantation control.

       To show he wasn't quite done, that plantation power (and its European source)
       would not go away quietly for good, Mynheer Voorsman placed an avenging curse
       on a parchment left behind. Touch it  ̶  as a curious Mr. Nevinson did, preparing
       to read  ̶  and disharmonies would fall upon the rest of your sleep and waking life.

          Mr. Nevinson, who manages the Berbice Timber and Balata Company, invites the
       narrator, Milton Woodsley, to join his team of investigators (his wife and
       daughter) as a kind of 'paranormal consultant'.

       Readers get a sense of what in Mittelholzer's work would become a major theme
       or pathology: skin colour and colonial privilege. 
The Nevinsons' near-white skin in
       those days allowed them the ease to distance themselves from unwanted sights, 
       flute annoyance; and from most everyone else.
       
      
The narrator tells readers his skin was actually "olive"; that is, near near-white. 
       This partly explains his self-styling as the epitome of 1930s Guianese bohemian
       "cool"  ̶  an ambivalent fellow; even-tempered, quite pleased with himself; who
       makes diary entries and sketches for paintings in spare moments.

       His (authorial) descriptions of Guianese jungle creepiness should make today's
       disabled (or disinterested) Guyanese writers sit up and take notice  ̶  how far,
       despite fears of rejections, Mittelholzer's confidence and talent had advanced in
       1955: his exuberant evocations of colonial folkways and the Guianese natural
       world.

                                                       ~~

      At some point in the narrative you might expect a panicky loss of composure,
      and full-throat screams when the team of jungle sleuths first encounter the
      cursing, walking spirits of the insurrection (accompanied, you'd imagine, by
      phantom flutes orchestrating in the trees). Doesn't quite happen that way.

      At Plantation Good de Vries they make contact with the locals; they learn of
      mysterious new deaths and new flute playing; they return at night to share
      deductions, and wake up the next day to a sun that "shone from a sky remotely
      daubed and speckled with cirrus and cirro-stratus which dissolved as the morning
      progressed ".

      Mittelholzer prompts his narrator to deliver erudite Sherlock Holmes-like
      analyses: "Let us suppose," he says, "that this Dutchman had left some strongly
      psychic emanation of his personality  ̶  some etheric magnetic effluvium  ̶  within
      the fibres of this manuscript…"

         He maintains his rational perspective until, during a period of "waiting and 
       watching", as new harbingers (the sharp rustle of shrubs; a rank goatish smell;
       a creaking hammock rope) gather to challenge human bravery, he observes
       "a humped shadow-mass" entering the bedrooms of their jungle cottage. 
       (This is probably the scare moment best remembered by older Guianese 
       readers.)

        Kenneth Ramchand (Professor Emeritus, University of the West Indies) has written
       an Introduction to this edition  ̶  46 blowy, biblio-background-filling pages  ̶  that
       opens up the book's contents for scholarly partake. (Mittelholzer, he says, "wants
       to leave you accepting the supernatural".) The cover blurb suggests, too, that the
       novel has "serious things to say about the need to exorcise the crimes of slavery
       and individual wickedness".

       New readers may elect to stay the discourse (which could be sopor-inducing at
       times); discover what the fuss was all about (dabbling in the dark arts could
       unsettle bone complacency? ear plugs and face masks won't keep out dust
       fall from the past?) Or simply jump the gap and ride along with Mittelholzer's
       story-telling, his chapters gliding steamer-like up the Berbice river in the full-
       bloom English registers of his day.

       Either way the new British publisher of "My Bones and My Flute"  ̶  Peepal Tree
       Press, a home port for redemptive postcolonial opportunity  ̶  would be
       delighted if you put a serious handle on the book's reputation; get as comfortable
       as verandah arrangements permit these days; at the very least give the story a
       good old-fashioned try.    
           
                                   - Wyck Williams