NY SLIDE 11.6: CLOSURE CLOSE

                      

                    Days in the hospital bed listening to his own breathing.

                    His right leg was fractured, his neck was in some sort of brace, and but
                    for a few minor cuts and bruises and a dull pain that slept and stirred
                    in his body, he was alright. Judy Weiner was not so lucky. She's
                    suffered a concussion. Her condition was considered stable, they told
                    him. She kept fading in and out of consciousness, asking each time,
                    What happened! She couldn't remember anything about the accident.
 

                    Two police officers came to see him. One stood at the foot of his bed
                    watching, while the other, soft spoken and more polite, did the
                    talking.
 

                    Radix had little to say. The car, the man in the back seat, the
                    intersection  ̶  it all happened so quickly. He wanted to talk about the
                    gurgling sound he'd heard but they weren't interested in that. They
                    stood by his bedside in grey suits and black coats. They stared at him,
                    bandaged up and braced, as if they weren't sure how helpful he could 
                    be.
 

                    They asked his name, age, occupation; they asked where he came
                    from; they wanted to know what he and Judy Weiner were doing out in
                    the streets if they were HS teachers. A funeral? A church? Okay, what
                    church? Third Avenue? They knew Third Avenue from end to end. A
                    church on which block? They didn't think there was a church on that
                    block. Hey Rocco, is there a church on that block? In any case that was
                    way across from the accident site, on the other side of the Bronx.
                    What were they doing all the way over there?

                    And Rocco, quiet, watchful, with a surly, sad beefy face, looked around
                    the room, then back at Radix; then around the room, as if that was
                    part of his job, this suspicion of everyone and everything. Radix could
                    tell he too had questions of his own: like, What the fuck were you
                    really doing at that intersection? at that hour of the day? with a white
                    woman?
 

                    After awhile Radix grimaced and stopped answering; the nurse came in
                    to do nurse chores. They must have sensed his reluctance to continue,
                    his Fuck you too! which was meant for the quiet Rocco. "We'll let you
                    rest, but we'll be back to talk to you."
 

                    So many people in and out the room. Everyone with questions  ̶  the
                    police, nurses, doctors studying charts; a news reporter who was
                    barred from entering and peered at him room the door.
 

                    And here were Aschelle, Amarelle and Sammy D. who looked down at
                    him with worried puzzled faces, not asking questions, just wanting
                    between friends to know what happened.
 

                    Sammy D. couldn't resist telling a story, meant to cheer him up, about
                    the time he broke his arm playing soccer; and the cast he had to wear
                    which all his soccer friends signed; which he still had up to this day.

                    Aschelle grumbled about conditions at the hospital she couldn't help
                    noticing   ̶ "They do things differently here." She wondered if he
                    couldn't be transferred to the hospital in Manhattan where she
                    worked.
 

                    Amarelle sat on the edge of the bed and looked at him; she caressed
                    his forehead once, then not again. She considered staying all night but
                    the others persuaded her to leave.
 

                    The next day she showed up alone, her face narrow with worry. She 
                    had gone back to the house in the Bronx, letting herself in. She
                    reported the glass panel on the front door was cracked; fellows were
                    still "congregating" on the stoop. They must have heard what had
                    happened, but so far  his stuff and things were intact. Maybe he should
                    consider moving to her sister's place in Peekskill to recuperate.

                    Mahmood Sharif came to see him the following day. Classrooms were
                    buzzing with excitement. They'd heard the news from Dr. Balleret
                    through the p.a.system. Unbelievable! Some teachers had seen it on
                    the six o'clock news  ̶  the car so crumpled, it seemed a miracle anyone
                    had walked away alive. They'd reported one person dead and serious
                    injury suffered by two Bronx teachers. The intersection was known for
                    drug and gang activity. Unbelievable? What were you guys doing out
                    there?
 

                    Radix kept asking about Judy Wiener. Had her condition been upgraded
                    from stable?  The doctors assured him she would pull through but they 
                    didn't confide much else.
 

                    Through the oblong window in his room he could see clouds and blue
                    sky, nothing but clouds and blue sky; no buildings, no metal fire
                    escapes; he could hear the distant grind of Bronx traffic; police sirens;
                    noises as in a forest.

                        (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

 

 

BAMBOO POST IN YUH ROUNDHOUSE

  

                          
                  After the feast so much depends on no one noticing till you reach
                  Canada. You could be "sent on leave" if you get caught. But listen,
                  ask for Chouki; he's mih friend; tell him I send you.

                  Prime time consummation : the bridegroom in beads plays the theme
                  for love there after : complaining he tired sitting and smiling all
                  afternoon : So hurry up, nah : seedlings seething.

                  We don't skin crêpe like Americans. Our Indians didn't hunt buffalo.
                  I know is you, this driver smiled, as Clint Eastwood walked away
                  from his maxi taxi (the horn does honk La Cucaracha). 

                  Out of sadness out of words hand wrings touch your arm. Our victims
                  prefer the sponge. Heart don't swim in numbers, don't speak Statistics.
                  The Book of Revelation sheathes my sword and everybody's business.

                  This child we call Nation, considering the licks he get from parents
                  poor, growing up sullen and own way : a crocodile on the bank, field
                  gold in John Crow circles, he breathes in sea particles. Tewé Vaval, 
                  
his call.
 

                  You dry log years in office, shifty for highness . Grade I. Then one
                  
day : braps! : bad feelings. That pasture holding strain . set 'o crab
                  hard in yuh grass, roots man . more than you know. 


                  This English explorer would move a finger up the thighs of his
                  Amerindian help mate. There are subtle differences . fate lines,
                  he felt certain. In his published findings not a snitch.


                  Pertaining to plantain shares, consumer confidence remains high. Plus
                  as you may recall : some women practiced meditation picking bad
                  rice from enamel bowls back in the day; hind most mind full
                              on haunch, it cured essential tremors.

                                                                                           – W.W.
                          

 

                                     

   

  

 

                          
                  THERE'S A THREE-LEGGED DOG


                  keeping pace with his brisk unsentimental mistress
                  who leads him across
                  pulsing veins of impatience we call city-traffic
                  and makes him climb stairs.
                  All this he does with a graceful lack of fuss: nothing
                  to do but balance
                  from the centre of his lack of symmetry, the line
                  quivering between
                  his eye and the ground his second fourth and first fifth leg.

                       (from "The Gift Of Screws" by Brian Chan)  

 

    

 

 

NY SLIDE 11.5: ALL SO FAST

       

                    He didn't notice the lights had turned green. No cars waited behind him
                    otherwise he might have been alerted by someone leaning on the horn,
                    wondering what the fuck was wrong with him holding up traffic. He
                    rolled down his windows, there was not much air in the afternoon sky,
                    and he was about to suggest that Judy Wiener do the same on her side.

                    He heard the car door behind her open as someone jumped in. He saw
                    a face  ̶  youngish, Hispanic, damp with the sweat of desperation. A
                    narrow, handsome face whose twisted mouth screamed, Drive this
                    fucking car. Drive. Now
. The sound more terrifying than the face.
 

                    There was the scent of cologne, as if the man had stepped fresh out
                    the bathroom into his clothes and onto the streets, then into their car.
                    He heard Judy Wiener gasp as her heart leapt up to her throat.
 

                    His first thought was, How did he get inside? I didn't leave the back
                    door unlocked. How did he get in
?
 

                    Then he saw the gun in the man's hand, the first real gun he'd ever
                    seen in someone's hand.
 

                    What happened next happened fast but he remembered it slowly: the
                    distorted face; the words like detonations in the car; the gun in the
                    man's hand. And then the blood, lots of blood on the man's shirt, some
                    sort of beige golf shirt, but drenched in red stuff that had to be the
                    man's blood.
 

                    He heard popping sounds, like pellets hitting his car, only he didn't
                    think at the time they were bullets. He heard Judy Wiener say, "Oh, my
                    God".
 

                    The man slumped on the back seat. He managed to lift his torso, he
                    pointed the gun at Radix, shouting again, Drive. This time Radix looked
                    straight in his eyes. They were pleading for help, the face damp with
                    perspiration, the shirt messy red. And the hand that held the gun
                    shaking.
 

                    All so fast. The man seemed to sag back in the seat, the arm going limp
                    for a moment, as if his gesture of intimidation had sucked the last
                    breath out of him.
Only then did Radix, his mouth now dry, a fierce
                    pain in his stomach, snap into action.
 

                    He stepped on the gas pedal, shooting forward; and at this point he
                    couldn't recall clearly what happened next.

                    They told him he'd run straight into the path of a van. The van hit him
                    broadside and sent him in a spin. The car hit a wall that divided traffic
                    going into and coming out of a tunnel, then it came to a stop.
 

                    Radix felt the jarring contact right through to his bones. There was a
                    howling in his ears as of tortured winds; then stillness, as the silence
                    closed in. And through that silence he distinctly heard what sounded
                    like a baby's gurgle, then a long sigh.
 

                    He kept returning to that sound long after they'd extricated him from
                    the vehicle wreck. They told him it could have been the man in the
                    back seat grasping at life, releasing the last scraps of air in his lungs as
                    he expired. That must have been what he heard.


                      (from "Ah Mikhail, O Fidel!", a novel by N.D. Williams, 2001)

 

 

 

GROUND SWELL OF LONELY

  

               
           Fat hunger finds a church where Wednesday readers huddle
           over the Bible
trying to measure how our loneliness moves  ̶   
           the
pastor kept secrets, a mother's sleep loss; an uncle who feeds 
           scraps
of guiltiness to roof pigeons. 
                                                               Sworn knees worn . bosom
          
bliss closed . Say grace the last fixed wing.

           And here's one more, a game bored soul core alabaster, who
           knocks on the door; no hymn no hood. And true to faith
           the study circle toss suspicion link him
in  ̶  till he pulls out
           the Charleston intervention nobody prays for . severing kin.

                                                                                                 Man
           kind hands count as grass scythe swings long weeds depose; thigh
           organ swells that squeeze the peace released at peak. Okay, but
           what does that mean?  the delivery man lingers. 
                                                                                     
Caught you . back
           from the camel park where each hump matters . minds jog dark.

                                                    Hearts halved bewildered sealed  ̶  here's
           healing news : custom services resume as Sundays follow uncorked
           nights to cold bed rocks . unsaved noons.

                                                            With phone cam?  Yes, you can  ̶  
           take pictures of Redeemer come high mass : shots overhead of corn
           field rich, disciple table; the message belt criss-cross on leader
           chest . stones waiting for the devil.

              Once 20th Century Studios worked cavalry magic rescuing
                blue on silver screens; tears choked you gum chew blood
                 due burbling up.

                                                                               – W.W. 

                     
                  

     

                                      [ In mem. Charleston, S.C.    * June 2015  *    Souls taken ]

 

 

                            APARTMENTS    

  
                           Between one loneliness of focus called me
                          
and two others over there each called tree
                          
dart two birds unknowing such terms
                          
by drafting ribbons of connection between
                          
isolations of tree and tree and these eyes
                          
and these fingers emulating wings at play,

                           for what else can a winglessness hope to do
                          
but try despite its cage of terms to be
                          
a bird of language that might start
                          
to reveal the web of invisible links
                           
lacing everything together underneath
                          
this crust of apartments built word by glazed word.

                            (from "The Gift Of Screws"  by Brian Chan)

 

 

 

NY SLIDE 11.4: MEANING AFTER

             

                    When it seemed Judy Wiener was taking an extraordinarily long time
                    in the bathroom Radix knock on the door. She didn't answer. "Are you
                    alright in there?"

                    He heard a soft "Yes, I'm alright" so he waited for her in the living
                    room. Eventually she came out and stepped boldly in front of him.
                    "How do I look?" she asked.
 

                    Taken aback by her new perky manner he didn't know what to say. Her
                    dress looked rumpled, though he didn't think anyone would notice. "You
                    look presentable to the world, " he said, getting up to go.
 

                    Just before they stepped out the door, she paused, searching in her
                    bag. He turned to her; she looked in his face, and leaned against the
                    wall. "What's the matter? Lost something?" he asked. "It's nothing," she
                    answered.
 

                    He put his arms around her, and once again felt her body trembling
                    close to him; her breath on his ear. "We've got to get back," he told
                    her.
 

                    The afternoon light filled their eyes as they stepped outside. The street
                    was empty of the hangabouts. Cars went by. Those shiny bulging plastic
                    bags of garbage hadn't been picked up. The usual lounging faces were
                    nowhere to be seen.

                    Where was Carlos? He was supposed to be at his new job, outside the   
                    bodega, some sort of Security job. There had been an attempted
                    robbery, men in ski masks waving pistols and demanding money. The
                    bodega owner had fired his gun, killing one of the men. Since that
                    incident he'd hired Carlos to sit on the dumpster and confront any
                    suspicious people before they came in.
 

                    Carlos was now a holoperos. His job was to nab the holope, or dash
                    inside and lock the door. Right at that moment Carlos was nowhere
                    near his post.
 

                    No one took notice of them except a middle-aged man from across the
                    street who sat at the third floor window with the guard rail, smoking
                    and looking down. Not once had he ever made a friendly gesture, a
                    wave or a smile, when he saw Radix. Just his face looking out, half in
                    shadow, minding its own business.
 

                    There was no real need to hurry back since it was near the school
                    dismissal hour. With classes still in session kids were probably
                    preparing to stream out the exits into the afternoon streets.

                    On an impulse he decided to take the route through the local streets,
                    staying off the highway which would be dense with traffic heading for
                    the bridge. If he took the local streets, then the Expressway for a few 
                    miles, then back to local streets, they'd get there in half an hour.
 
 
            
       "Michael." He heard the soft questioning tone in the voice and shrank a
                     little from it. "All of this…"
 

                    "All of what?"

                    "What happened today. All that happened, wouldn't have happened, if
                     Xavier hadn't  died, and there was no funeral to attend." He hadn't
                     anticipated words so contorted. "What do you think it means? Aren't
                     you a little curious about what it means?"

                     "I don't know what it means. Do we have to attach meaning to
                     everything?"

                     "This morning everything started so, you know…. unrehearsed. First
                      we couldn't find the funeral home. Next, we're together looking into
                      the coffin. One moment we were back there, and now we are here.
                      It's as if we weren't in control of anything that happened."

                      "I thought you said there was nothing to worry about."

                      "It's not about the school. How can we do this? Move from one thing to
                       the next like this, and not be worried about, you know, how it adds
                       up." 
 
                 
     They were waiting for the traffic lights to change, on a slight incline
                       in the roadway, so that Radix kept his foot on the gas pedal. They
                       were at a crowded intersection, with bodegas at the corners, a
                       shopping strip with a string of stores on either side, all with weather-
                       beaten awnings; cars taking up every inch of space near the curb.

                       He glanced at her, wondering what had come over her. Maybe he
                       should have given her more time to compose herself  ̶  not just rush
                       away from the building back to school. Their intimacy, so frantic
                       with relief, wasn't likely to repeat itself  ̶  not under the same 
                       circumstances. Like a dropped anchor the day's chain of events was
                       pulling itself out of the water. But now was definitely not the time
                       and the place for this conversation.

                          (from "Ah Mikhail, O Fidel!, a novel by N.D.Williams, 2001)

                        

 

 

FLASH GROOVE SECRETS

  

                                                                 

                                                                                                                                     "Such….
                                                              as my endurance picks out like a searchlight."

                                                                        – John Ashbery, "Ghost Riders Of The Moon"
                                                                                        


                 About this manoeuvre: the story rolls like joints on ragged summer
                bones
, many parliament noons before 1863  ̶  give or take fifty
                cotton emperors . face mopping, pink and pleased.

                                                                             Choreographers in pant
               sag disaffection, amused at what passed as celebration in ball
               rooms, hewed syncopation to divine flight routes. They'd string
               pick deities off home bass hooks while hand claps worked to drive
               or screen the hip slip stream : y' Ok? _ this way.

               Such boss moves remained basically the same for years. Caught
               transferring folks were whipped and tossed in ombré iron
              
definitions . which somehow contrived to spare one child who watched
                      ran saved the ghost spell algorithm. 

                                      It surfaced again in 1977, horn cut key
   
                   board manners, only to vanish chorus hoodoo
                  like in space ring spirals under old school
            
  doors ( 911 call : the Phantom costumed skin tight on the strip.) 

                              Not to be confused with the cloud
             
  phase "in a blue funk" which threatens to keep it dockered
               for another
century under motel white sheet tongue swabs . swell
               head dawn 
adders contouring . federal boot and jeans, the patria 
                     line dance forming.

                         Now what sound _ swept red wings glide cross oceans _ bad
             
  mother shippers. Turn the moon up, see the gazelle wilderness
           
      map making . sky beam sweeper proving now you don't.
            
        Riffs like seasons ride the times . Caution     
           
           Spirits . wheel tracks back _ and who's to say.

                                                                                       – W.W.

 

 

                                

 

 

                             AWE

 
                                         
                                Not its matter so much
                                as its apparition,
                              its out-of-place-ness, its innocent
                          
 awkwardness: a plump lumbering elephant
                           
        of a cloud strayed
                                into our otherwise
                       
      vacant veldt-sky of pure
                         
  rigorous dispassion: a sky meant
                         
for contrast at best: it is only against
                        
         its age-grey screen
                         
    that we can glimpse any
                       
    raw red, new green, old gold.

                        (from "Within The Wind"  © by Brian Chan)  

 

 

 

 

NY SLIDE 11.3: THE GOOD PEOPLE

  

                    When they got to his place she watched as he unlocked the gate. She
                    waited on the sidewalk, pizza box in hand, looking around, her senses
                    alert in strange territory. And Radix, coming back up the sloping
                    driveway, saw her back to him in simple black dress, the body adrift
                    from its normal moorings and was struck by what seemed a kind of self-
                    congratulating confidence in her posture.
 

                    Anyone looking down from the apartment buildings might have
                    registered surprise at this white woman standing there holding a pizza
                    box  ̶  the fuck she doing here?  Radix knew what she was doing here.
                    Whatever pressed down on her everyday soul  ̶  fear, loneliness, those
                    workaday dull pains  ̶  had lifted, had taken wing for awhile. He sensed
                    her delight in this temporary freedom from her routines.
 

                    "You live here all alone?" she asked, as he opened the door and picked
                    up the mail from the floor.
 

                    "There was someone sharing the apartment with me, a friend, but she 
                     sort of took off."
    

                    Not used to this kind of impromptu entertaining Radix ushered her in; 
                    and Judy Wiener sensed his discomfort. He had to be a little self-
                    conscious about the situation, about her finding out more about him
                    than he wanted to reveal. She made every effort to seem relaxed.
 

                    She offered to help. He said he didn't need help serving pizza in his
                    apartment. He heard her footsteps as she walked around, little cries of
                    interest as she peered into rooms.
 

                    "I can't believe you live here alone, in all this space." 

                    "More space than I need, and I'm renting. There's a fellow upstairs, he
                     owns the building. I hardly see him. And in the basement, a man and 
                     his wife, she's pregnant."
 

                    "What do they do?" She leaned over the pizza box, tearing off a cheese-
                     clinging slice.
 

                    "I don't really know. We're all kind of busy, coming and going at
                     different hours, if you can imagine that.

                    "I thought you found that lifestyle only in the quiet leafy suburbs." 

                    "You know what I mean. Though at night people from the apartment
                     buildings across the street come down and camp out on my stoop.
                     There's no way to avoid that."
 

                     With the pizza almost devoured, the soda cans half-empty, there were
                     lapses of silence; street noises filtered in.
 

                     "So how do you feel now?" Radix asked. 

                     "Okay," Judy Wiener leaned back and sighed. 

                     "Bet you never dreamt you'd be sitting one day in this room." 

                     "No, never in my wildest," she laughed. 

                     "So what do we tell them?" 

                     "Tell whom?" 

                     "When we get back, what do we tell the supervisors? how do I explain
                     to my A.P. where I've been all afternoon?"
 

                     "You don't need to explain anything. Your classes were covered by a
                      substitute. I don't think they're going to ask any questions."
 

                      Someone shouting on the sidewalk right outside their windows turned
                      their heads for a moment.
 

                      "We are the good people? Aren't we the good people, Michael?" She 
                      was suddenly unsure and vulnerable again. "They don't pay us much,
                      they ask us to do a hell of a lot. Why should they fuss about a little
                      thing like where we've been all morning?"
 

                      It seemed a good moment to clear away the pizza box and soda cans. 
                      She'd taken off her shoes and stretched her feet on the coffee table,
                      clearly in no hurry to get back. "And thanks for the improvised lunch. 
                      It was good. Now all I need is a siesta."
 

                      All his assumptions about Judy Wiener, it occurred to him, didn't
                      support the woman sitting in his living room, her head thrown back on
                      the chair. He stood behind her and made a playful attempt to
                      massage her shoulders. She said nothing, keeping her eyes closed. He
                      leaned forward and kissed her upturned forehead. Then he took her
                      hands.
 

                      She looked up at him a little puzzled; this was her teaching colleague,
                      a man alone in a sparsely furnished apartment; always kind and
                      considerate, holding himself apart.

                      "Siesta?" he said, the faint smile on his face gauging her reaction; not 
                       quite certain about the mood of the entire morning, the uncharted
                       waters they now found themselves in.
 

                       She felt the insistence in his fingers; she hesitated for bare seconds,
                       conscious of her own uncertain breathing. She smiled and held fast to
                       his grip, lifting herself up.
 

                       In the hallway to the bedroom he turned and held her in an
                       embrace; her body shuddered. His hands ran down her back and
                       gripped her firm, patient buttocks. She pressed closer to him.
 

                       The bedroom was mere steps away, but they would have to
                       disengage, draw back, and in that moment some fresh uncertainty 
                       might slip between them. She made no protest as he started to 
                       undress her; stepping out underwear, helping him unbuckle his
                       trousers; clinging to him again.

                        (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

 

 

 

HORN FOR THE BULL

                         

                   Fielding the call our island man concluded the pen felt stroke
                  
mild when so much paper wipe comes printing at you as sage
                  
bush news; and old stick fighters steupsing rise recall the last
                  
raised tamarind rod . old quill stain thumbs down days.

                   Arenas here all hail the matador  ̶  his tasseled heights, take under
                  
rites, sweet torso moves to skirt swirl reds  ̶  blood seeders . whoa!
                  
 core eaters.

                   Game point's the same: the bull released to mouth piece dribble, mob
                  
throat cheer  ̶  while somehow sword trust must get this bufu mother
                  
hoofer to kneel roll over pass for common sense.

                   Our man chose the main road megaphone  ̶  in no way shape a babble
                  
browser  ̶  sending heat at sun glass shield so drivers slant side
                   m
irror blur or custom scarf for shade and virtue grey. 

                                                                               Shoot him!  ̶  you just assume
                   his dead line wouldn't from gully to post be missed; style making
                   passa passa miles true way enrolling.

                   Now with left click uplink, how do you validate? how jump
                   the wall? start search delight beyond the fissure scent . knowing 
                                                                                                            some desk
                   top king might gong vogue muscles round your user head: grapple
                   the body mass to ground: your page unfoldered . up the spread for all
                   stuffed in . passion found put out.

                                                               The end sheds bark for beaks that peck
                   at
keys. It's left to signs in box set down to feed attention, thread
                   w
hisperings you needle. Usually for most injury to profile share is
                   
configured non-life-threatening  > web worms the gut deserves.

                                                                                               – W.W. 

 

                        

                                                   
                                                     ̴   In mem.  Courtney Crum-Ewing   ̴   
                                                                       
Demerara  .  March  2015         
  

                      

                    

                    CALL 


                     Through the voice of the very thing you love,

                       a ghost whispers: You shall unaddict:
                          this dream is yours, but not to keep
                          repeating, unless you do not
                            mind finding yourself lost
                            in a deep groove of hell
                     that is no less than paradise burst
                    rotten out of your dream's ripe accustomed sleep.

                     Now still dreaming that you're about to fall
                       asleep, you can hear a horn, behind
                         all dreaming, in a distant call
                         for release, from your latest stage
                           of dreams become a cage, 
                           to the zone beyond all
                       need for dreams this dense, though itself one
                    more crystal sigh of the Word given crisp breath. 

                   (from "Within The Wind" © by Brian Chan)

                            

 

 

                     

NY SLIDE 11.2: NERVE BROKE DOWN

 

 

                    The morning had warmed up into an afternoon that would be barely
                    tolerable. A young man in grimy mechanic clothes approached rolling a
                    tire down the sidewalk. They shifted out of his path. Xavier's mother
                    glanced at her watch. Hugs and handshakes followed, the professor
                    saying with grave sympathy, "So much to do in this world, so little
                    time. Then Radix and Judy Weiner walked away to find the car.
 

                    Radix was about to insert the ignition key but hesitated, feeling no
                    desire to move.  Maybe if they'd arrived on time at the church, if they'd
                    participated with other mourners in song and prayer, it might have
                    made a difference.
 

                    "He never got mixed up in stupid things," Judy Wiener said. "Despite 
                    what the other kids said, he didn't really care about his reputation."
 

                    "We really got here to late." 

                    "I mean, he didn't strike me as someone who ran with the pack, you
                     know, with his homeboys."

                     Radix leaned forward, thought of turning the ignition key, then sat
                     back again.
 

                     "The world is so poisoned, there's so much with violence, you don't
                     know whom to trust. Xavier was always straight and honest with me.
                     Certain things I never pressed him to talk about. Like the money he 
                     returned to me, did I tell you? How I got my money back from that
                     pyramid game? How he showed up and said someone told him to give it
                     to me. Can you believe that?"
 

                     "Not to worry," he leaned over and squeezed her hand. 

                     "I can't get over that he's gone. I mean it hasn't sunk in yet, you know,
                      and the two of them back there, so stoic about everything."
 

                      Their shoulders were inches apart; she looked tired and overwhelmed 
                      by the morning's unusual activity. And right at that point as he
                      gripped her hand a rush of ragged feeling poured through some crack
                      in her composure. She  was getting old; the years were passing and 
                      but for her mother she was not attached to anyone, had no serious
                      relationship with anyone. The school was closing after all these years;
                      she'd have to move and work some place new.
 

                      In the closed space of the car her body tightened; she leaned her
                      head toward his shoulder; then just as quickly she made an effort to
                      compose herself, reaching in her bag for tissue and dabbing her eyes.
 

                      "You okay?" Radix asked. 

                      "I'm fine. I'm sorry, this is not exactly the time to have a nervous 
                      breakdown."
 

                      "Is that what you're having?" 

                      She blew her nose. He looked at her and waited. 

                      "Aren't you going to start the car?" 

                      "Where are we going?" 

                      "What time is it? It's too late for lunch break in the cafeteria. Maybe 
                      we could stop somewhere and eat before we head back."
 

                      "To be honest, I'm not in a great hurry to get back." 

                      Radix started the car and moved off. 

                      "Are there any good restaurants around here?"
 

                      She was thinking they deserved a treat for the personal sacrifice 
                      they had made; some sort of illicit fun after all they'd gone through 
                      this morning.
 

                      "I suppose so. I live in the Bronx and I can find the nearest post office
                      and the barbershop…but a good restaurant?"
 

                      "I forgot you live around here." 

                      "Well, not around here. Listen, why don't we pick up a pizza. or 
                       maybe some Chinese? We can stop by where I live."
 

                       Judy Wiener perked up, smiling, thrilled at the idea. 

                       Three blocks away they sighted a pizza shop. He pulled over; quick 
                       as a wink, before he could unfasten his seatbelt, she was out the car
                       volunteering to get the pie; turning back to ask which he preferred,
                       pepperoni or…; insisting she'd take care of everything.
 

                       A little taken aback by the fresh momentum of things his eyes 
                       followed her as she stepped away with surprising nimbleness. She
                       was older than he was, that he knew; but a that moment, out in the
                       streets of the Bronx, the difference seemed immaterial.
 

                       Back in the car she sat with the pizza box warm on her thighs. "You 
                       know, I remember the very last day I did something like this," she
                       said.
 

                       "Like what?" 

                       "Something outlandish, you know. Breaking rules?"

                   (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

  

 

 

TIGHT SHORTS, or ROME SUN BLOCKS WITH OTHERS NOW

  

                       
             There were Dutch canals and corner shops, dray cart trot hot stand
             pipe news; and
heads so royal tied, knights picked through sweat
            
band claims. Sly mongoose under studied bush snake cruise.

             You crossed the river by ferry, wondered about the traction on faces
            
looking up from the stelling. You bought a ticket for the train and
            
for forest pursuits  ̶  down cast off souls risk rafting after lives.

             Police men carved clean handsome paths leaving the yard in parade
             uniforms. Civil servants worked like lodgers with no next of kin. That
             someone wanted you dead happened only on a ridge  ̶  Comanche!
             
             
On Sunday "classical" and church bells called song and ward 
             robe
to order. Taboo and tassa drums signaled anchor rites passing
            
bare feet away  ̶  long story . loss found new . like root cell divide.

             Cicada nights before television and "sex" found guest room I was handy
             man for Bertha fat radio tubes,
fixing fast Iris eye pass. "Death
            
Announcements" brought us together as daily bread pulled us apart.

             Crime like poor demeanor led to punishment; innocents out sourced
            
Shakespeare's sonnets for liniment. That sounds so common, strivers 
             would
note, crouching for office, Yardley for class. The not said was felt.

             Marijuana was discovered by a gang weeder who chopped his big
            
toe by mistake and marvelled at blood spots on leaf. Rice cane weed
            
tree green surround  ̶  hard to tell where gnarl knots had sloth in.

             With estate duties in memory cues hands moored unwinding sari 
             vessels and sun set; lowered in flower bowls faith stems for carpel pray
             lay. Few stock holds prized the life unroostered. Alieno solo, I swear.

                                                                                                 – W.W.

 

 

                           

  

                      

    

                        

                    LONSTEIN'S CONVENTION                

                       
                   A washer of the dead is what I am:
                   I refuse to embalm or embellish.
                 
 I give you back these bags as they are  ̶  bald
                   or hairy, purple or pink. Unimpressed,
                   I peel away their fashionable frills
                   of lace or blood or creed. But after
                   I've done washing away their dead serious
                   superstitions and myths oozing like pus,
                   the tongue remains their most active organ.
                   And for every corpse I lay out naked,
                   there's some mother waiting to have it dressed
                   and spruced up for a cocktail memorial.
                   Hopeless. But as I say, I wash, that's all.

                     (from "Thief With Leaf" by Brian Chan)