NY SLIDE 9.7: SPRING SPRUNG

  

                     
               Chapter Chair Quackenbush sent out a fresh bulletin to his troops
               assuring them the battle for John Wayne Cotter H.S. was ongoing; talks
               with the Board of Education were continuing. All was not lost, something
               would be worked out. In the proposals for change, the interests of the 
               teachers were paramount and would not be compromised.

               All of which had a nice ring of defiance, but did little to lift spirits. 

               Two teachers in Radix' department were among several who went on
               extended sick leave. The word was they were cashing in their accumulated
               sick days and, fearing the worst, looking for jobs outside the teaching
               profession. Their absence meant that substitutes were sent by the Board
               to man the classrooms. This led to frequent scenes of disruption, the
               mobilizing of school Security.
 

               There was a huge commotion one day that nearly grew into a riot. A 
               substitute teacher had  "lost control of her class", as the dean of discipline
               explained later.
 

               She was from Nigeria, and she wore a bright patterned robe whenever   
               she reported for duty. She didn't have a classroom key, so her class was
               usually found milling around outside a locked door. And she was tired of
               asking other teachers, who smiled but seemed irritated, to open doors for
               her.
 

               The students couldn't pronounce her name so they quickly settled for "Miss 
               Mandela". They mimicked her accent  ̶  You children haavve no risspec!! 
                ̶  they drew chalk pictures of her on the board, exaggerating the tortoise
               shell glasses on her nose. They asked her questions about Africa, and made
               monkey noises which, she reminded them, were "very racist".
 

               On the day she "lost control" she'd told a student to Shut up! (Later she
               argued she didn't see any harm in what she said, didn't understand why Be
               quiet
! would be the preferred choice of words.) The offended student rose
               to his feet, threw down his chair in outrage, came up to her desk, and 
               screamed  ̶  You telling me to shut up?  YOU shut up! You shut the FUCK
               up!
  ̶  his hands menacing, but not touching her. The class went  ̶  whoo!
               whoo! whoo!
 ̶  and drummed on the desks; a few more chairs got thrown
               down. The commotion spilled out in the hallway, triggering an exodus from
               nearby classrooms of students thinking there was a
fight". Worried
               teachers, fearing "loss of control" on the entire floor, called for Security.
 

               Spring days, still cool but warming up, led to a breakout of seasonal
               colours and  fashion among the students, prompting Principal Wamp to
               issue stern warnings  about exposed mid-sections and the general tone of
               the building.
 

               Despite the overhanging gloom some teachers seemed strangely energized.
               Bill McCraggen had switched to season (army) green tee shirts, short
               pants, sneakers and tube socks, and a Yankee baseball cap. His Girls
               Soccer team was out on the field getting ready for the season.
 

               His commitment to task attracted smirks from teachers who couldn't see
               the point, since soon there would be no John Wayne Cotter H.S. To which
               Bill McCraggen would retort,  coolly swinging his coach whistle, that come
               what may, they would be really "stoopid" to shut down the sports
               department. Not after all the years of winning trophies. If nothing else,
               the school could boast about its fine sports tradition. There were plaques, 
               awards, teams pictures and memories going back decades. Doing away
               with the sports department would be plain "stoopid".
 

               Jim Lightbody switched to blue jeans (under which he wore his long johns)
               a checkered shirt and cowboy hat. He kept saying he had a new job
               already lined up "out in Texas", but nobody believed him.

               There was now, more frequently than before, the strong aroma of 
               marijuana in the stairwells. Somebody was smoking marijuana in the
               building. No one was ever seen, no one was ever caught; and everyone
               suspected those quick-tempered, foul-mouthed Jamaican students who
               walked the hallways and hung about on the sidewalk during morning
               sessions because the weather was really nice.

               Radix tried not to think about what would happen come June.  He
               expected to be excessed; last hired, first to be laid off. Not much he could
               do about it. He carried on dutifully. He even took time out to quell
               student fears about their future, explaining there was nothing to worry 
               about, education in one form or another would continue. He avoided
               hallway huddles and didn't say much of anything to anyone.

                    (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

  

TREASURE ISLE TAXI OCCURRENCE

   

                            
                    Picked them up at the airport (unbundling) in the hotel
                    lobby post cocktail (imbibing) weed rolled tight on
                    the beach (untangling). We stopped often, and looked
                   
though not for long.                        

                    Children school high royal smiles; ginger flat bread
                   
painted not For Sale; brooms in motion stand pipe yards
                   
grown over; sun things to behold. On skin bone shoulders 
                    HENRY
14  ̶  hallowed be his game. 

                   "Sweetsop, coconut, breadfruit, mango  ̶  not one ice
                    
cream vendor." Preachers parrots bowling State House
                    har
bour view; heavy at times pain glancing blows, and
                    
Notice: our chop to crush cane currency won't tax tears
                    
held in check. 

                    In the back seat like a tip he'd left "The Middle Passage"; tan
                    sand run mate clutching "Les Liaisons Dangereuses": handles
                    to rock Teacher Francis, old school beam, verandah Chair.

                    Get away gorge and valley filled from snorkel in out ocean
                    air; scarlets saved for laptop in pajamas surfing (+ "God
                   
Bless" taxi & me); strangers friending fast to silhouette swear
                    the transport's booked when cruising flag ship routes still
                   
they return.                 

                    Kite winds maypole round our immortelles: "Mercy! Is so
                   
you pass by my house and couldn't stop?" Miss L'Angevine
                   
at the front gate. Is work I was working. How you feeling?
                   
Fungus still browning the banana leaf? 
 

                                                                                          – W.W.

 

 

                            

  

 

 

 

                      ISLAND COCKTAILS CALYPSO

 

                      Man, I not joking: the woman from Oilsand Island?,
                      smiling from ear to ear as though she knew some secret
                     
nobody else could ever start to see through, waited
                      for this stranger to reveal his subhuman status.
                     
Something I said made her say:  Oh you're a One-of-them!
                     
(This was more important to her than what I had said.)
                     
Your ax-cent! she gushed, and I sighed: not that I would mind
                     
 talking about accents if I believed it would lead
                     
to more than two 78 r.p.m records
                     
spinning side by side with dull needles stuck in their grooves.
                      Regardless, I said: Over there, I changed mine a bit,
                     
just to stop people saying Pardon me? all the time.
                     
Not me! the woman swore. When I live in Toron-to?
                      
I use different words. But change my accent? Never! Not
                     
me! She of the intractable first and final tribe
                     
demanding constant affirmations of membership
                     
(and I think of white-hooded cowards burning crosses),
                     
so secure was she, her smile of triumphant sphinxhood
                     
would not fade till she climbed in her car to drive back home.
                     
In the meantime, she and a flock of other women,
                     
in further proof that they would never betray their tribes
                     
(there are as many on each island as grains of sand),
                     
keeping the drinks and the jokes and the kisses flowing
                     
(one woman, showing me how not to be cool, nearly
                     
strangled me by pulling my face into her warm bust),
                     
shifted their heels to the beat of Gaston's steel-band tracks,
                      
like a corral of broncos restless before a storm,
                      
till the whole room became a pulsing aspic of air
                     
f
rom which words stuck out like flags unfurled but frozen stiff,
                     
as in a wintry wind staggering silence's breath.

                         (from "Nor Like An Addict World"  © by Brian Chan)

 

 

NY SLIDE 9.6: MAMBISI COLON’S LOSS

         

                    We must work harder. We must keep stirring the pot, Mambisi Colon
                    exhorted, trying to keep the family spirits up.
 

                    But anxieties were mounting among many of the John Wayne Cotter
                    Pyramid players. It was looking bad for everyone still in the game.

                    Judy Wiener felt the acute embarrassment of having to admit she 
                    might lose her investment. Some teachers, the sensible non-players, 
                    formed huddles of their own. In the hallways, in the cafeteria she 
                    could sense them smirking. Mrs. Caratini didn't drop by as often. And
                    the students, surely they must think something was going on. What did
                    they make of someone knocking on the door, interrupting the lesson,
                    calling the teacher outside for a hasty conference?

                    One morning Xavier came into the room, handed her an envelope and 
                    said brusquely, "Here". When she opened it she found 10 hundred dollar
                    bills. She looked at him, confounded, trembling. Where did you get
                    this
?  He said one of the teachers gave it to him, told him to deliver it
                    to her. "I didn't ask any questions." What did he mean, One of the
                    teachers
? "I didn't ask any questions." She looked at the bills, she
                    looked at Xavier. What did he mean, he didn't ask any questions? But
                    Xavier had retreated to his desk; his head was down, as if after hard
                    hours at his night job he didn't want to be disturbed.

                    Did he know what was in the envelope? Which "teacher" in his right
                    mind would ask a student to deliver an envelope with a thousand
                    dollars? What was going on here?
 

                    Minutes later, a knock on the door. When it opened, Mambisi Colon
                    walked in. Her manner suggested unhappiness. Judy Wiener looked up
                    and her face must have betrayed bewilderment and fear.

                    "I was robbed last night" Robbed? "Yes, robbed. Three men came to my
                     house late last night and demanded money." Judy Wiener's face went
                     white with shock. Did she call the police? "Hell, no. I don't want the
                     police meddling in my business. Nobody's going to pull a stunt like this
                     and get away with it." What stunt? What was she talking about? "I'm
                     saying, three people barged into my home and demanded their money
                     back. One guy, I know who he is, wanted his money back. Which was
                     fine. But then he called the names of two people and he said they
                     wanted their money back too. One of the names was yours."  

                     Judy Wiener felt pierced through the heart. She uttered a half-
                     credulous laugh. "Me?…my name?" "Yes, your name." Her wide open,
                     not yet accusing eyes studied Judy Wiener's face. "But that's im-
                     possible. I didn't ask anyone to do anything like that. In any case,
                     my group split off from your family, remember? We meet in Queens."
                     "That's what I figured. It doesn't make sense. And you're near the top.
                     So why would you want your money back? Anyway I wasn't going to 
                     give them anything; but then these two other guys, they were
                     wearing these snow-day face masks so you could only see their eyes
                     and nose, they had guns in their waist bands." Judy sat down slowly, 
                     horrified. "Yes, guns; they unbuttoned their coats and I saw these
                     guns. And I knew right away I'd be dead, dead, if I didn't hand over the
                     money. So I gave them the money. $3.000. They wanted it in three
                     separate envelopes. I gave it to them"

                     Judy Wiener was now speechless. She hoped her face conveyed the
                     proper sag of commiseration, didn't give away anything else. She
                     sensed Mambisi Colon's eyes still looking for clues, for some give-away
                     flicker of complicity.

                     Over at the computers her class was pecking away at the keys. Xavier 
                     looked up from what he had written and said, What a predicament! as
                     if the words he'd just typed had given him great satisfaction. "I'll be
                     with you in a minute," she shouted, deflecting the watchful suspicion
                     on the other's face, and giving herself reason to breathe.

                     And Mambisi Colon turned and walked away in a flourish, showing off
                     what she was wearing that day  ̶̶  shiny black pants, shiny black shoes,
                     a turtleneck sweater  ̶ 
as if to suggest the loss of $3.000 in one night
                     had not in any way devastated her wardrobe. "I'm going to get to the
                     bottom of this, " she shouted at the door. And Judy Wiener looked
                     down at her desk and said, "Well, let me know what happened."

                     She looked at Xavier. She knew that inside his shiny skull lay answers
                     to all this. She had only to walk over there and gently tease the truth 
                     out; but would he be willing to talk to her? Maybe he was writing it all
                     down in his Journal. From his hunch over the keyboard she sensed a
                     surly concentration.

                     At the end of the class, without another word, Xavier left the room.
                     She restrained an impulse to call him back.

                     For the rest of the day she felt wretched with guilt and worry; it was
                     difficult to concentrate on familiar tasks. She muttered fretfully to
                     herself; and from a distance she sensed in the hallway the alarm
                     among teachers generated by Mambisi Colon who must have told her
                     story a hundred times and mentioned Judy Wiener's name; so that, like
                     it or not, her name was now linked to some alarming gun-brandishing 
                     incident in the Bronx.

                     She braced herself expecting to be stopped and questioned, with
                     unctuous smiles from the questioner, about rumours of her
                     "involvement". She was ready to protest, I really don't know what this
                     is all about.

                         (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

 

 

 

GAME ISLAND MAN

   

                                
                      Not me and England chip cod cold; coat keys metro

                      habits he could never master  ̶  always counting board
                     
room costs; how rain does make damp cling to skin
                     
and stumbles poise to scuff your good good shoes. Is
                      joke he jooks like that.

                      Bow leg moonlight callous noon  ̶  trade marks not all healed
                     
over  ̶  he works at his nets, the caulk fix; his boat with Greek
                     
warrior name. He'd sever range unseen for weeks, come 
                      home
with mambo siren tales; arms tattooed bone cross
                     
beard black  ̶  last pirated edition.

                      Catch him down town target for dust faith harriers lime,
                     
angling the junction for signal as left right mamselles stroll
                     
roll ripples making style. He's squirrelly for horn that way.
                     
If you hear the salty swell up words he does use. 

                      It's his porch to world wide blueness, his Scandinavia
                     
in palm tree sway, point our pursers at debt redressings,
                     
making of the island top deck voyage material; a portfolio
                     
his years at rudder.
                                
                                       He knows where fire flies send
                     
shore lines receive; rip chords try hooks, shark waters feed;
                     
his solitudes split only with night rum hounds.

                                                                  Allez, viens!  sea skater, beach
                      your blades; view find not green, grapes sour from fiction
                     
bowled; white caps embossed in twilight. Brush past
                      
that schooner flight hand's peacock plumage for face
                     
fans  ̶  our home Gauguin renovator.  

                      Yes, pathos drips from sweat in his scampers; his ground
                     
swell leaves rude exit clues. Like draughts he plays tribe
                     
tempers. Empire fame's the same  ̶  What happening
                     
there, Bogart?
                                                                       – W.W.

 

 

 

                                  

  

                                     

 

                           

                              

                           LA PAROLE, LE MOT, LE VERBE

                      
                           Rock, grass, tree, beast, man, bird, angel  ̶  we are all
                          
slaves to the waves of our veins  ̶̶  whether silent
                          
or whispering or loud. Or we are uttered
                          
by the embers of some meteor of thought
                          
drawn to the mirroring magnets of our souls
                          
already aglow with their own sparks  ̶  restless
                          
anvil-souls that cannot dodge the word-hammers
                          
that never stop slamming down but whose blows are
                          
tempered by our own willingness to think
                          
beyond the immediate source of each strike,
                          
beyond even the source of all meteors.

                           Devotion to such fire is as crucible
                          
a love-affair as all other thoughts made flesh:
                          
the Word transfused into these veins and this voice.
                          
You may think these mere words outside of Real Life
                          
which in fear you want to limit to gossip
                          
of its rigmarole-phenomena, the knots
                          
of flesh and breath that can't untie themselves  ̶  would
                          
not, as convinced of their own vice as drunkards.
                           B
ut our sparks rise to link with the sperm of stars
                          
in tangos of eternity's embryo 
                           g
estating refined fates, even as we speak.
 
                     (from "Nor Like An Addict Would"  © by Brian Chan)

   

 

NY SLIDE 9.5: JUDY WIENER’S GAMBLE

 

  

                    Forced to decide whom to trust  ̶  Mambisi Colon and her Pyramid
                    enterprise, or Mrs. Caratini, friend and erstwhile savior, though nursing
                    surprisingly bitter resentment  ̶  Judy Wiener sided with Mambisi Colon.

                    In fact, she allowed herself to be won over by the woman's soft-spoken
                    but intense manner. When she wasn't speaking, Mambisi Colon  fingered
                    the chain with a cross that rested on her bosom. When she spoke she'd
                    lower her voice to levels of shared uncertainty; at the same time she
                    offered the assurance everything would be fine

                    She had wide, round hips and a double chin, but she moved down the
                    corridors at ease with her body weight distribution. To Judy Wiener this
                    suggested a woman of solid grounded trustworthiness who felt things,
                    who had good strong feelings about the Pyramid game. It seemed all
                    above board. If it was nothing but a scam, she felt sure Mambisi Colon
                    would have nothing to do with it.

                    The meetings for envelope exchange were held on Mondays. Mambisi
                    Colon came to her classroom with a hand-drawn map of directions to
                    the meeting place, so accurate, you couldn't possibly get lost.

                    And what an adventure it turned out to be; entering "strange"
                    neighborhoods, searching for parking space, sometimes blocks away
                    from the address; the walk back up a sloping sidewalk.

                    Judy Wiener walked as if she knew these streets. She was familiar with
                    the street names from addresses on home contact cards handed in by
                    students. She walked past brown and black faces, like the faces she 
                    passed in hallways; and she braced herself half-expecting to be
                    recognized and hailed. She took little notice of groups of idlers outside
                    the fluorescent-lit Delis at street corners, or in doorways of buildings,
                    feeling certain they preferred to remain unnoticed.

                    She was surprised at her own courage; and even more surprised when
                    nothing unusual happened. No one leapt out of the dark to assault her.
                    No one vandalized her car. Her anxieties quickly drained away; things 
                    seemed as normal as one would expect in any neighborhood; the sense
                    of danger, always exaggerat
ed, quickly evaporated. 

                    One night she stepped into the elevator of an apartment building; its
                    occupants, two elderly white women, short, bespectacled, like almost
                    dressed-alike sisters, remarked how odd it seemed: the elevators were
                    crowded with strangers, particularly at this hour; on Monday nights; 
                    black men and women.
 

                    Something was going on; they didn't feel entirely safe as they were
                    used to. They looked at her, hoping she'd confirm their suspicions.
 

                    Judy Weiner smiled; she explained she was a visitor herself, and though
                    she couldn't comment on their suspicions, she didn't think there was 
                    anything to be alarmed about. The two ladies got off on the second
                    floor, muttering, Well I don't know.
 

                    When she rang the bell a smiling face greeted and ushered her in. 
                    There were people everywhere, sitting, standing; a television set
                    flickered in the living room.
 

                    She was surprised to discover white faces from John Wayne Cotter in
                    the crowd
Carol Boardingham, Mrs. Fuqua and Amy Nirza from the 
                    attendance office. They sat apart, too tense and anxious to speak; they
                    acknowledged her arrival with a smile, but didn't appear eager to come
                    over and form a huddle.
 

                    In the basement the newcomers to the game were receiving their
                    introduction, complete with charts and warm explanations. At some 
                    point Mambisi Colon, moving around in a capacious robe and turban
                    hat, and enjoying her role as Pyramid matriarch, announced it was
                    time to form the "family" groups; time for the good news, the hand
                    over of envelopes. "We have to work a little harder stirring the pot,"
                    she chided amiably.
 

                    Judy Weiner had hoped to get Michael Radix interested in the game; he
                    was decidedly against the idea. To her surprise, Mr. Obanjemfuna, who
                    had initially turned down her invitation, came back to say he was 
                    interested. He came in eventually, bringing with him a few of his
                    Nigerian friends.
 

                    For awhile it was comforting to be swept along in the undertow of
                    Mambisi Colon who'd been to the Pyramid top twice and was on her
                    third trip up. Suddenly one evening Judy Wiener learnt that her
                    "family" was about to be branched off; she was two steps from the top,
                    but she would be severed from the Mambisi Colon family; they would
                    form a separate group with arrangements to meet out in the Queens
                    borough.

                    This was alien territory to her. She had to pay a toll, cross the Throgs
                    Neck bridge. The directions to the house of meetings seemed less
                    precise, the street names unfamiliar. Mr. Obanjemfuna and his Nigerian
                    friends were with her, but sometimes they got lost on the way and
                    arrived late.
  

                    Things were beginning to stall; new players just weren't coming in; her 
                    old fears that this was altogether a bad idea resurfaced. She could ask
                    for her initial investment back, but so close to the top it seemed
                    foolish to pull out; and in any case no one was quite ready to hand back
                    one thousand dollars.
 

                    She drove back over the Throgs Neck Bridge, the car windows misting 
                    up, and she'd swear ugly words when the car hit a pothole. Her heart
                    was sick with worry she'd been wrong, wildly wrong, to get involved in 
                    this. She hadn't heard of one teacher, apart from Mambisi Colon, who
                    had made it to the Pyramid top. Not one.

                                  (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001) 

 

 

 

SOUND SIGHTINGS AMONG US ALIENS

                                                                            

                                                                                      
                                                                     "Humanity is an ideal," said Oliviera,

                                                                      feeling around for the coffee grinder.
                                                                      "Air has its story too."   
                                                                               – Julio Cortázar, "Hopscotch"
    

              
            
                     Souls whose lives left love wept for return, yes,

                     hard to conceive; confirmed as if through streaming     
                     "paranormal" chutes, from ports for ever after
                     right back at you; and now all can be told. 

                  Parent spouse mon frère suicides  ̶  they'll cyberghast post
                  parting knots, the blinds drawn
coffee percolating Ciao
                  you were there, how did it rain?
                                                                    Second comings cliff
                  you rope you down,
the sheer air born.

                  They're good for check mate if "proof" you must have, cancel
                  your subscripts to vows tight balled hung beards. Shorn for
                  some time warp retool  ̶  sign in behold: the microchip
                  devours main frames the megablue; ghost, that progress.
 
                  Things back in place
what's to "explain"? Your veins flushed
                  lined with certainties fluent; focus cool as particles free
                  
market shattering blasts or body parts going bad head
                  light the sigh
of mile stones; and warranties for night
                  then day cloud
compass needles find point way.                 

                  With you they'll stay  ̶  on one condition: bar code
                  the news breath stops air torn resets earth bound;
reveal
                  
you've breached "the other side" will cast you: arms out
                  wide mass grave
tender. 
                                              You blink two clicks turn whoosh! they
                 
gone; now and ever ending.    

                  And then, cold thighs, you're cut  ̶  server headless tracking
                 
crescent green feared dead son holy ghost while others
                  
bath robed smoking on the balcony wait for extra terrestrials,
                 
or moon flowered charge your credit card for poetry
                 
stage lit like this  ̶  file path secure; in. sight. stand. up
                  lift
you.
                                                    Eyes in low orbit, once you stop and think;
                  chest beat quieter than target stars, whoever cared to notice.              
                                                                                                               – W.W.
                                                                                                     

           

                    

                        

                              

 

                             

 
                  
WE MIRROR STARS
                           

                   The nightsky's silence of eyes whispers a sense
 
                     of human stars reflecting
 
                  on other worlds quivering balanced in Light
                       to whom, and to Love's justice,
                          of little matter
                   are our fears greeds rapes rages wars famines and
                     other sparks of our despair
                   at not fulfilling the seeds of our star-fate.
                      Only peaks of awareness
                                ̶  of our breath as flares
                  of light reaching out of the not-yet-star-Earth  ̶
                     can stars read as their own mind
                 mirroring back to us all we already
                    are beneath our cauled eyes and
                       our faithless deaf nerve.

                  (from "Nor Like An Addict Would" © by Brian Chan)                       

 

 

  

NY SLIDE 9.4: WELCOME TO THE PYRAMID

   

                    "I had no idea this was going on. When I close my door, I'm cut off from the
                     world. Honestly, I didn't have a clue," Radix said, looking genuinely non-
                     plussed.

                    "You've got to pay attention, Michael."

                    "I've noticed my attendance numbers have gone down."

                    "That's because spring is in the air. As soon as the weather improves around 
                     here the kids stay away in droves. They take unofficial holidays."

                    "Amazing!"

                    "They'll start showing up again as we get close to the end of term…wanting to
                     pass your class….But, seriously, the way things are right now some teachers
                     are too worried to teach. Haven't you noticed? Teachers huddling in the
                     hallways?"

                    "Come to think of it, I have. But I thought that was just the usual, you know,
                     people worrying about the school closing."

                    "Well, there's a lot of that too; but right now they're more worried about the
                     Pyramid game going bust, and losing all their money ."

                    "I told you so," Radix said, smiling softly.

                    "I've got to go, my class is waiting."

                     She walked away, smiling that lingering smile again, which to anyone coming
                     the other way must have seemed an odd, eccentric, certainly self-absorbed,
                     possibly crazed look on her face.
    

                     She was touched by the gentle, playful I told you so from Radix. If only he
                     knew how that sound, pushing doors inside her, opened wider the possibility of
                     intimacy between them.   

                     Mrs. Caratini had also given her the I told you so, but that was the harsh,
                     judgmental kind. Since she was Judy Wiener's friend she probably thought she
                     was entitled to her sarcasm; she had warned her about the Pyramid game.

                     It swept into town every ten years; they were in Pennsylvania a year ago.
                     Under the rules you had first to hand over $1.000; then bring someone in with
                     $1.000 of their own, and so on down the line, newcomers pushing everyone up
                     and waiting as others came in below; envelopes changing hands until one day
                     you're at the top; and you're out  ̶  in your hand ten white envelopes, each 
                     with 10 hundred dollar bills. And you're gone. 

                     The game preyed on poor immigrants who raided their meager savings to find 
                     the first installment; it made suckers of hardworking citizens desperate for a
                     lucky break, the one big score. It drained many dreamers of cash and dreams.

                     At John Wayne Cotter the Pyramid organizer was Mambisi Colon, a heavy-set
                     Puerto-Rican woman who worked in the Dean's office; whom Mrs. Caratini
                     detested.

                     Mrs. Caratini was of the opinion Mambisi Colon was "racist". For her part
                     Mambisi Colon made no secret of her belief that when it came to "race", Mrs.
                     Caratini  ̶  and for that matter most white people working at John Wayne
                     Cotter  ̶  needed "sensitivity training"; or should at least make an effort to
                     learn and speak Spanish.

                     The feud between them ignited the day she remarked to Mrs. Caratini that
                     the information provided on the referrals sent to the Dean's office was
                     inadequate, and the referrals themselves poorly written up. To do their job
                     properly the Dean's office needed facts, not anecdotes, from the teachers.
                     And, Mrs. Caratini had apparently bypassed the first course of action in any
                     student-teacher dispute: calling home and talking to the parents. Which was
                     why, she hinted, a little knowledge of Spanish was important to teachers
.

                     Mambisi Colon was apparently quite good at what she did in the Dean's office.
                     Students  ̶   those considered "out of control" and escorted by Security down to
                     the Dean's office  ̶   were shepherded into her tiny cubicle where she listened
                     to their complaints ("You have to give them space to ventilate," she'd say, "Let
                     them get it all out of their system".) Then, she'd step in with her plan of
                     action.

                     Her plan seemed to work, most of the time, though some teachers chafed at
                     the results. They'd sent students to the Dean's office requesting intervention
                     or some form of stern disciplinary action. Some students, they complained,
                     returned to class smirking, as if the punishment of  "suspension", which they
                     viewed as time off from the classroom, was just what they'd hoped for.

                     Mrs. Caratini was among those teachers not at all impressed with the Dean's
                     Office. In her opinion the "success" of Mambisi Colon's interventions had more
                     to do with her capacious bosom.

                     Mambisi Colon, she explained, had breasts solid as gourds; the cut in her dress
                     was intentionally low so you could see the powdered space between her
                     bosom. This encounter with boobs in her office cubicle, she was convinced,
                     had a soothing and stirring effect on parents and students. Who needed skills 
                     or training in the Dean's office when all the job required, really, was the 
                     openness of Mambisi Colon's boobs.

                                       (from "Ah Mikhail, O Fidel!, a novel by N.D.Williams, 2001)

 

  

WHERE THE GRASS TRIUMPHS, OR DISTURBS PUBLIC CHASTITY

 

                         
                 Because it grows quietly like plantation resentment they let it run
                 unnoticed; it serves to screen waist down moves and unguinous news 
                 paper wraps you might step on. So, heads up, remember to hold
                 your breath; and watch out for stoopers who won't all clear
                 the wind, who don't wave a posy.

                 Budgets are up set assuming islanders would bank on genes high
                 in self give in; not toss stuff out the window like conjugal
                 bedding live with tie knot infestation, Aie aie aie

                 Cows with first names graze anywhere turning off the belt way
                 at hand raised signal; which allows chauffeurs of the guardian
                 chrome and tinted view to continue. So despite hard earned
                 arteries the system works, see? 

                 Besides, grass traders, our happy few, deploy at Welcome sites
                
where custom inspectors  ̶  and carrion book makers sorting fringe
                
brown tails as white beaks crow  ̶  pose with no fear of getting
                 their angles iguana nicked; Jab Jab rear shake of the lamb
                 important at entry levels, Aie aie aie.

                                             Our sugars at high yield, faith hips saris unwind,
                 the 
sheet spread under hand  ̶  This is what matters! so men in haste
                
to stuff positioned wives gripe; grunting down to stubs.

                 Meanwhile, pledge hunters with no office for fun whet
                 knives on any plot marking grave stone; like illicit love
                 wanting, though not all that way, a bone to pick, a suckling
                
to pork  ̶  usually some one off bass line, or a sniffing
                 tagless Please, not here! mongrel.

                                                                        - W.W.

 

 

 

                        

 
          

 

   

                     
                   CLEAN GREEN BALLAD

                  
               
  Miss Camille, trying to stop a frog
                    from patrolling her patio 
                    by spraying him with Mr. Clean,
                 found herself spraying also a snake
                     trying to beat her to the frog,
                     and ended up killing the snake
                 by chopping him in two with a cut-  
                    lass  ̶  which she now calls a machette,  
                   
 a word that wants to rhyme with tête,
                 the thing which her blade separated
                    from the tail that twitched on till all
                    snake-habit had drained out of it.
                 I flung it into the backyard-bush,
                   out of sight and mind till the next
                   grass-snake and -poem come to pass
               
(like the tête and crapaud that vanished).

            (from "Nor Like An Addict Would" © by Brian Chan)

 

 

  

NY SLIDE 9.3: READY TO BURST

 

                    He was about to pull in and lock the door when a sheet of paper near the
                    teacher's desk caught his eye. On
an impulse he went back in, picked it up,
                    meaning to discard it in the waste container. On a second impulse he read
                    what was scribbled on it; some sort of conversation between two students they
                    must have written and past back and forth.

                             do u know what Anthony said 2 me this morning on the patio!    

                             Well I guess you want me to ask!
                             So what

                             Well u fucking right! He said, Jessica Delgado
                             report 2 my penis immediately.
                             I said F U!!!

                             I can explain how that Jessica Delgado report thing started.
                             Anthony is a prick!

                   Strange, that students would leave something like this lying around. Maybe it
                   slipped out of a student's notebook.
                        

                   But there it was, evidence from the 90s generation  ̶   so carefree and careless
                   with their bodies, so blasé about sex; hormones swarming like locust through
                   the leaves of their brains.

                   Report 2 my penis! So much of this was nothing but Ready to Burst foreplay; the
                   bitches in giggling huddle, the dogs prowling hallways in sniffing packs. Those
                   baggy-pants boys with their gold chains, mouths and arms in constant motion;
                   boys wanting to be men.

                   The way they talked to the girls; the way the girls talked back; dogs and bitches
                   tossing casual snarls at each other.

                   And to think that back in his day Dana Ricci found black boys attractive. This
                   was what she told him  ̶  Black boys know how to do it!  ̶   when he tried for the 
                   second  time, humble and apologetic, to get her up to his room. I know what
                   I'm talking about
, she'd sniggered, shooting a look of contempt at his crotch;
                   then walking
away; knowing he'd stare after her in disbelief and resentment. As
                   if any black guy would want her. As if any black guy with attitude would wait
                   for her to get the snag out of her zipper. Dana Ricci didn't have a clue.

                   For the rest of the afternoon he seemed distracted. In the cafeteria he chatted
                   breezily, then lapsed into silence. In his stomach, the terror of anticipation: he
                   was about to try something he'd never done before; he was about to cross a line
                   here, forchrisssakes!

                   When the bell rang for the end of the 8th, he walked to the attendance office
                   with the attendance bubble sheet; he hung about chatting, he waved, Have a
                   good one
! to colleagues hurrying out the building. He took his time walking back
                   to the gym, his eyes sweeping the hallways on the first floor for anyone who
                   appeared to idle.

                     Outside the gym door he saw a lone figure waiting, and he cursed at the thought
                  they would have
to enter together; for, should something unforeseen happen,
                  someone might recall seeing Mr. McCraggen and a student entering the gym
                  together.
 

                   It wasn't Ipanema Vasquez waiting. The girl had a narrow, delicate face and an
                   elaborate hairdo. Arms folded, she watched him approaching. "What are you     
                   doing here?" he asked sternly. Waiting for a friend. "Well, you can't wait here.
                   You must leave the building. Wait outside." The girl gave him a pouting fuckyou
                   glare and moved off, looking back at him just once. He watched until she had
                   cleared the hallway.
 

                   Inside the gym he set about tidying, sorting out gym equipment. He looked
                   around his office space, which over the years had served every purpose but was
                   never a set for physical intimacy.  There was an old sofa in a corner; it sagged 
                   and was cluttered with soda cans, baseball mitts, cardboard boxes of balls,
                   books, other stuff.
 

                   He needed a plan, quick and satisfying. 

                   He looked at his watch. She was twenty minutes late. Imagine: her graduation
                   depended on it, and she couldn't keep an important appointment; lazy…
                   voluptuous…fat fuck.
                         

                   Slumped in his little stuffy office chair, his heart heavy with doubt and a
                   foolish adolescent panic he thought he'd outgrown, he felt a helplessness that
                   was beyond the usual Friday state of enervation..

                   More random thoughts kept popping in his head. If Ipanema Vasquez walked in
                   this minute he didn't think he'd be able to perform. Ten minutes back, maybe.
                   Not now. He couldn't do much with her now. Where the fuck was this girl?

                   To try and to fail with her  ̶  the embarrassment would be huge, huge; worse
                   than the scandal that would follow if somehow word leaked out about what
                   they did.

                   Nah! This wasn't going to work

                   He gathered up things for his briefcase. He reached for his coat, whistling to
                   himself. He looked around the room with a little regret and disappointment;
                   with a little relief, too, that nothing had happened. Maybe this arrangement
                   wasn't meant to happen. Not this time.

                                    (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)

 

 

WHEN GARCÍA MÁRQUEZ RULED THE PAGE

                                                                                    
                                                   

                   Gabriel García Márquez set ablaze a rage to read among many students of
                   literature at the University of the West Indies (Mona) in the late 60s -70s.
                   Currents of shared interests were strong though problematic then between the
                   islands of Jamaica and Cuba; students and scholars (in the Dept of Spanish)
                   immersed themselves in the "kingdoms" of Alejo Carpentier, the Casas de las
                   Americas
; and the Latin American giants, Octavio Paz, Mario Vargas Llosa,
                   Carlos Fuentes.

                   The Márquez brand new world fiction offered points of transition to students in
                   the Dept of English, enhancing our conversations about life and politics; and
                   what we considered the 'Latin American connection'. By comparison course
                   studies in English Literature felt dreary; they did not offer novels of 500+
                   pages, or characters still active past 200 years. No heartless grandmothers
                   mothers striking bargains with virginity chips; no vultures pecking, fragrant 
                   omens, those vines of erotic hunger in our Caribbean vegetation.

                   The weird behaviours and sinuations in the Márquez novels captivated us:
                   the gypsies and butterflies and firing squads; the participatory role of "time"
                   as unforeseen events unfolded; that general in "The Autumn of The Patriarch"
                   who "governed as if he felt predestined to never die."

                   "One Hundred Years Of Solitude" (1967) was perhaps our first serious encounter
                    (after the arrival of Wilson Harris' fantastical "Palace of the Peacock", 1960)
                    with loves and affairs in the soup of the surreal, with colonels and rulers in the
                    rose garden of the "phantasmagorical".

                          
                    It should be noted, though: for many young readers in the 60s/70s in George-
                    town, Guyana, his fiction did not quite match the compelling, dreamlike
                    imagery in the  work (in translation) of Jorge Luis Borges. And for those who
                    aspired to be writers, García Márquez came close but was not quite the genius
                    considered a literary god hovering over our scribblers' ambitions: the other
                    Argentine writer, Julio Cortázar  
 

                    It remains something of a mystery why in those years of marvellous books we 
                    chipped to the grooves in "Hopscotch" (1966) more than we did to "One
                    Hundred Years of Solitude"  ̶  their authorial techniques and preoccupations, 
                    Macondo and Paris, like planets apart.

                       
                   (Maybe, "burning outward from within", we too were "looking for the key", as
                   Gregorovius put it; our pursuit of "perfect freedom" in those skinny days guided
                   by lumens from the jazz cooled "conversation among amateurs" in Cortázar's 
                   virtuoso novel.)

                   Still, in the courtyards of the imagination García Márquez ruled; his torrential
                   word flow released shivers of discovery. And now might be just the right
                   moment for generations new and old to dust off and get acquainted with his
                  "magical" interventions for political dysfunction and bloodline alibi in our 
                   faster start run times. A toast, if you like, to the good pre-digital days; to
                  
the ficción that renewed our subscription to real worlds.

                    My favourites  ̶   the shorter pieces in "Strange Pilgrims", "No One Writes To The
                   Colonel". Then, books I hadn't quite got around to, like "Memories of My
                   Melancholy Whores" (2004), which appeared and surprised many who couldn't
                   believe that despite (rumours of) declining health García Márquez was still 
                   writing.        – Wyck Williams

                              

 

                           

 

                                     

                               

                                           ≈  ≈    In mem Gabriel García Márquez (1927 – 2014)    ≈  ≈  
                                                                     "Allez, pépère, c'est rien, ça!"