POEMS FOR OLD WAYS EAST (& WEST THESE DAYS)

             [Rustling along at 79, foliage wind aided? papi?
           You'd think he'd spend his homestretch days on a park bench
           under a leaf hallowed tree in Brooklyn; shepherd dog lazing,
           smiling at school kids; at summer skirts
           worn shorter and shorter as he aged year after year.

                                                     His gods?
           "The Chinese, son." He lectures me on
           acupuncture, herb tea, organic crops to halt global hunger.

                                                          His secret?
           He takes the subway Saturdays to Chinatown (risks
           jostled body falling bones.) What game's he
           after? a kitchen steaming soups? wizened Chinese pals smoking
           glass pipes, doing Tai chi? He has no Chinese tongue.

           Ma complained (until she passed) he'd take off
           every weekend, return with a bag of scallion basil bamboo shoots
           as if he'd been shopping (if only; her folded heart, still bridal
           in trust, would not play dragon and shadow) 

           His face glowed like the first hours of Chinese New Year.
           His clothes whiffed of petal scents 
           as from popped tulip pods. Some witch,
           she swore, had switched his body. (Some kneading hands,
           upyielding lips kindle his mottled quick, I think)

           Mon. Tue. Wed. she'd feel cat growl and eyes on her. She'd turn
           & snap, deer stare and for no reason; wondering
what's come
           over me? over him
? old lion
           padding 'round his cage; waiting
           for Saturday: subway, the spoor; paw marked rides to hills in flower
           heavens in body]-W.W.   

                    THE HABIT OF MEN

                    Human's a habit, a man struggling
                    not to become his chair stretched and ripped
                    like a sinew, a pirate pulling
                    a cutlass on the numbness
                    of his drunken brothers bent

                    on raping one another's sisters,  
                    a monk taking hammer and chisel
                    to fashion gargoyles after the same
                    brothers who think him an ass,
                    a man pointing a path through

                    difficult mountains to his woman
                    who sweetly insists that they remain
                    on flatter ground a woman's habit,
                    a child pulling her balloons
                    behind her as she dashes

                    across green fields towards a cold room
                    in which her husband lies slabbed and tagged,
                    a bored queen lusting for the life-blood
                    of her maid about to crown
                    their king with flowers but reaching

                    instead for consolatory sweets,
                    a naked girl becoming the words
                    she reads opening her thighs to flip
                    through their leaves, a pallid girl
                    without a face who knows how

                    to read but has no desire to be
                    read, numb in her cocoon of icy
                    blue, a woman reading yet one more 
                    book of herself by the light
                    of a man's lamp hovering

                    over her like a centurion,
                    a woman kneeling before herself,
                    trying to rise out of herself by
                    herself only to be trapped
                    in webs of her own spinning,

                    a woman about to slake her thirst
                    at the spring between her lover's thighs
                    that gives more than she would surrender,
                    two women putting an end
                    to their habit numb of men.
                         (from "Gifts Of Screws" by Brian Chan)      

             

 

                     

                       

                                                   

NY SLIDE IX: GOING TO WORK

              When Amarelle left for work in the morning she stepped off the stoop and turned
          left. Turning right was the shortest route to the main roadway but it meant walking
          past the vacant lot and the adjacent empty building Blackwelder was working on.
         Fellows were always hanging out there, red-eyed, unshaven and unwashed; they
         looked dangerously idle. Besides, at some point in that direction the sidewalk
         disapeared. 
               She had to pick her way through tufts of grass, broken glass, dog droppings, oil
          stains, plastic garbage bags torn open by the dogs; and her eye always fell on the stuff
          people dumped in the vacant lot. Like a refrigerator, "a whole new refrigerator", she
          told Radix, who reminded her it was cheaper sometimes to buy a new refrigerator than
          to repair the old one.  
               Turning right, then, she passed the stoop of the corner house owned by ex-police
          officer McGuigan; there were idlers there, too, but they made room for her to pass,
          and the sidewalk held smooth until she got to the main roadway.
               Once at the bus stop she kept her gaze fixed on a point down the road where the
          bus, coming up a slope, pulled to the kerb at the stop before hers. This fixed look, the
          lift of head, the tightly clamped lips, was intended to put off taxi drivers prowling for
          fares to the subway station. They honked invitingly at anyone waiting at bus stops,
          shaking your composure and forcing you to signal No!  
                This brazen street hustling – acceptable on her island with its narrow roadways, and
          people who didn't mind being squashed thigh to thigh
– struck her as out of order in
          this city. These Jamaicans! With their transports along the route! Those minivans with
          sliding doors and pounding music and a silent operator with one eye on his sideview 
          mirror and one hand reaching over his shoulder for the fare!
              Amarelle liked riding the buses. They were solid and safe with ample window glass
          for looking out, and designated stops along the route. They trundled along with the
          wheezing careful movement of pregnant women. They had single seats so you didn't
          have to sit beside someone. She could take out a book and read. The bus took her
          straight to the hospital on Third Avenue where she worked.
              Returning home would have pleased her if there were neighbours to wave to,
         people washing their cars, mowing lawns. She needed the friendliness of the people 
         she knew next door
 to feel part of any place.    
             But the moment she stepped off the bus and saw those plump young women in tight 
         shorts hanging over babies in strollers on the sidewalk, she groaned. This is a tenement
         area. Laundry  hung out on the fire escape, loud music, children with bad teeth, bright
         paper litter on the streets. This is tenement living!
    
             She could have survived; she could have held her nose and stepped past the human 
         clutter; clamber over the fellows on the stoop without a murmur of protest; if only she 
         could open her door and walk into a living room she had furnished, a bathroom she had 
         fixed up; a home with hanging plants, nice curtains, simple smooth things from Ikea. 
            But Radix was indifferent to all that, to what he considered bourgeois tendencies.
                  (from Ah, Mikhail, O Fidel! a novel by N.D.Williams, 2001) 
        
 

 

NY SLIDE VIII: DESIRE

              The times he had actually seen Amarelle naked were few and far between. Some 
           sort of homegrown modesty, nurtured by her Catholic faith or her mother's upbringing,
           made it almost sinful to expose too much of her body. In the evenings after work she
           contrived to be covered, with a shiny dressing gown over her nighties. She'd put them
           on and take them off wordlessly, earnestly, as if her nakedness were changing the
           guard. 
                This morning she was sitting on the side of the bed wrestling with stockings. Radix
           noticed for the first time the spread of her bottom on the bed. It seemed her waist-
           line was expanding. If she wasn't careful, he thought, Amarelle might end up like her
           sister, with the kind of smooth plumpness that crept up on single women from the    
           islands in their thirties over many indolent winters.
               Where was she off to this Saturday morning?
               He reached out idly and touched her right buttock. She mistook his intentions and
          said curtly, "We don't have any time. I have to work this morning." Then she added,
          "…unless you want to drive me to work."
               Radix wasn't sure whether her "unless" meant she was yielding, or was just a gesture 
          of empty compromise. He didn't fancy quick intercourse, then getting dressed to drive
          Amarelle to work. Besides, she hadn't stopped dressing; hangers clattered on the floor
          as she searched the closet. In full flow like this, getting ready to step out, any detour
          for sex seemed out of the question.
               "They asked me come in this morning," she told him, her tone suggesting "they",
          her employers or supervisor, could not be turned down; nor would they accept excuses
          if she showed up late.
               He lay on his back, one leg drawn up meditatively, the world a blur through his
          myopic eyes; he watched and listened to the rest of her preparation: the head tilted
          as she fixed earrings, the body lotion routine, the carefully chosen shoes; to the bath-
          room where she gargled (there was really no need to gargle so strenuously every
          morning, but Amarelle gargled); and her teeth.
               Amarelle had fine sparkling teeth. Her daddy's close friend back on the island was
          a dentist. Thanks to their friendship and scheduled visits (expensive for most islanders)
          Amarelle's glistening teeth became a symbol of island privelege.  
               Radix listened to her furious brushing and spitting.
               How she must look forward to every morning's preparation, gauging the temperature
         outside, wriggling and wrestling with what to wear, presiding over exciting choices of
         lotions, creams, layers. How much more pleasurable all this must be than sex on      
         unwashed Saturday mornings.
               He followed her footsteps to the kitchen – couldn't leave without something hot in
         her stomach
– then to the door; he heard the key turn in the double locks; he heard her
         pulling shut the outer door.  
                    (from Ah, Mikhail, O Fidel! a novel by N.D.Williams, 2001)

 

POEMS FOR JAZZ ICONS (& THEIR SOUND)

                                                                 

                                                                          Miles Davis 1926 – 1991

               [That climate changing horn, breath and instrument twinned 
                after centuries of mating, since chance & genes
                in consummation = 'the one' a Mary knows; like no sound on earth.
                There, too, birth marked in (our) Kitch, Sparrow, Marley
                Shadow (few since). 

                I mean the Miles sound, sinew & curve pristine
                until he took off into 70s fusion, bored with gigs cool
                & origins; playing back to audience bored
                with audience; asking all to listen like birds
                alight on power lines sensors gripping;

                until he started chasing young girls' gold-
                haired hits like Lauper's "Time After Time",
                and you wondered: where's he going with that?
                the hot breath quick of pretty young songs? new
                hip swing for hipsters grown too old to rock?

                In the ballads, I know now, he felt the tremble of innocence
                & risk, heard chords immortal blue;
                horn husks to dig for.

                I hear Young Jeezy "Crazy World", Phoenix "1901";
                and think: Miles would have loved vamping that
                juiced up throng and throb; shoulders hunched to shaft in
                for a sweaty duel or three then turn away;
                streaming up a brew fresh as tomorrow, horn-
                miracled; like no bitch on earth, yo!]-W.W. 
 

                                    THE SONG IS YOU
                                                        
Ella Fitzgerald 1918 – 1996

                                    Now, more than before, we know
                                    there is no song you have not
                                    sung: we have only to think
                                    of one for it to become
                                    a bell whose tongue is yours,
                                    moreso now in the silence
                                    of its new dangling balance.
                                         (from "Gift of Screws" by Brian Chan) 


                                    
                                    SONNY STITT'S SAX

                                             A voice like a boy's sure scrawl
                                    of question marks across a blackboard
                                    of silence, a chalky scrape
                                    whose tails fade to fine points as though they
                                    are their own firm erasers.
                                       (from "Fabula Rasa" by B
rian Chan)            

                                        BIRD,

                                    your silence of screeches lends me
                                    the faith to scratch on the air one more
                                    noise of us who fly without wing.
                                          (from "Thief With Leaf" by Brian
Chan)  

                                                        

 

 

 

 

 

 

NY SLIDE VII: FRIENDSHIPS

               Radix had cultivated friendships with fellows on the block. In his opinion they
            were harmless, unemployed young men who came down from hot summer apartment 
            buildings and lounged outside. It was convenient to do this on his stoop in the
            morning out of range and angle of the sun; at nights they had not much to do, no 
            place to go.
                Amarelle urged him to complain about the mess they made outside the door but
            Radix felt sympathy for their oppressed condition.
                They had a lot to say about Blackwelder. They considered him cool. He was 
            granted the status of Nigga, and what they said about him was prefaced by that
            word which had Radix bewildered at first until they filled out the meaning.
                Nigga's got crazy wheels – this in wild admiration of Blackwelder's car, a Cadillac
            Deville with gleaming silver rims and spokes. He used it, not the van, when he
            wasn't on the job. He'd show up sometimes wearing respectably stylish clothes,
            and for awhile Radix worried about his leisure image; it wasn't a working class  
            hero image; more like a slumlord showing off the fruits of his slumlordism.
                 Nigga's cheap! – this in reference to Blackwelder's curious habit of picking up
            pennies he spotted on the sidewalk. Pennies on the sidewalk, disdained because
            only the desperately poor would reach down for them, were scooped up if they
            caught Blackwelder's eye.("What's he say, no waste, no want?" one fellow joked?
            "No, it's waste not, want not," another corrected.) They couldn't reconcile the
            cadillac ownership with this rescue of pennies, which he did in casual manner,
            almost as a gesture of keeping the sidewalks clean.
                 Nigga's got a white bitch! A shattering piece of news that Radix was first inclined
            to dismiss as ridiculous until one evening Amarelle confirmed it. "There's a white lady
            in the building," she announced breathlessly as Radix came in. "The landlord drove
            up and this white lady came out and they went upstairs." Amarelle stared at him,
            amazed again at his powerlessness, and now his ignorance; he seemed to have no
            idea what was going on right under his nose, and now right over his head. 
                The fellows on the stoop didn't mince words. Blackwelder, they said, would
            arrive late at night; he'd open the car door; the white woman would step out 
            hugging her dog, a Pekinese, and say hello to everyone in a southern accent.
            Blackwelder got her bags from the car trunk, giving the fellows enough time to
            clear off the stoop so the white lady could get inside. 
                They spent a weekend, no more, then left the building just before sunrise.
                Bitch be walking 'round the house naked! Radix shook his head in disbelief and
            the fellows amended the statement. She walked around with hardly any clothes
            on, only panties; and fondling the dog; you could see her bare shoulders, breasts,
            navel. 
                How could they possibly see? Up there nigga! They pointed to the roof of the
            building across the street. You could see right in the dining room from up there.
            Every kid on the block, they swore, knew about her. She'd stand at the window
            in semi darkness late at night looking down at the street; petting the dog; all
            exposed and shit.
                      (from Ah, Mikhail, O Fidel! by N.D.Williams, 2001)

  

 

 

 

NY SLIDE VI: BLACKWELDER

            "So who is this Blackwelder? He doesn't talk like an American."
                  From the start Amarelle was not impressed with the Bronx – she didn't like
            the area, the neighborhood - and she was sceptical of their landlord's claim to
            property ownership.
                  They lived in a two-family dwelling, occupying the first floor; but all around,
            encircling their oasis of independent housing, was the towering brick of apartment
            buildings, some occupied, others empty and boarded up. And the streets were so
            dirty; the cracked sidewalks threatening to twist your ankle; and the noise, nerve-
            shattering at all hours of the night!
                  The people she encountered walking about seemed happily jobless, dregs of the  
            earth, to be feared. Bedraggled men pushing shopping carst filled with swollen dark
            plastic bags. "In the middle of the roadway, pushing shopping carts! You have to drive
            'round them," she reported. And the children, foul-mouthed and impudent beyond
            belief! Quick to violence, disdainful of authority, intimidating even to their own
            mothers! 
                  So who was this Blackwelder?
                  Radix had spent many summer mornings and afternoons on his stoop getting
            acquainted with fellows on the block; they liked to hang out in the shade. They
            had a lot to say about Blackwelder; they'd watched him come and go about his 
            
business for years; they'd even traded insults with him and gave good imitations of
            his accent.
                  Blackwelder himself showed up in a van. He was doing repair work on the
            building to the left of the one he owned. Now and then he'd take a lunch break
            and join Radix on the stoop; he'd drink a beer and chomp through an Italian loaf
            with salami; and he offered with laughter morsels of information about himself,
            for he was intrigued and flattered by his tenant's interest in him.
                 "And where he get money to actually own a building?" Amarelle asked.
                 "Well, for one thing he's glad to have us as tenants.He had problems with the
           previous tenants.They left garbage backs on the sidewalk for the dogs to tear open;
           got him cited by the city. And at one stage they didn't pay rent for months. He had
           a hard time getting them out. By the way the top floor's vacant, but he lives there."
               "How you mean, he lives there?"     
               "He doesn't really live there. It's furnished and everything, but sometimes he
           overnights there."
               "So where does he live?"
               "He has New Jersey licence plates, so I guess New Jersey. And one more thing,
           he says he found tenants for the basement, a Nigerian fellow and his wife. They
           moving in at the end of the month."
                 "Lord help us."
                 Amarelle was unhappy every day she stepped out to her job, her dignified 
           manner like steel plating on her chest.
                  "He's from the islands," Radix told her one evening.
                  "Which island?"
                  "Didn't say…but he speaks French creole with the fellow who helps him
           …which could mean he's from St Lucia or Dominica. Or Martinique. Or maybe
           Haiti."
                 "Well, he don't look like a property owner."   
       &#0
160;         "He was a fisherman back in the islands, then he came up here. Now he calls
           himself a handyman specialist." 
                 "Well, something about all that sound fishy, that's all I have to say." 

 

 

 

 


 

    

 

 

 

POEMS FOR DISTANT FATHERS (& THEIR ‘SPRING)

 

               Your mother blames the breakfast scramble, late commutes
                why you never "took" to Sunday mass; cat
                sleeping like your father 'til midday. She shows off
                postcards mailed when the carrier drops anchor - 
                her only son leaving family footprints 'cross the globe!
                Handsome, unsmiling in uniform your picture's framed
                for duty in the living room.

                She'd much prefer you
                wear a gentler safer (Ph.d not Sgt.) badge on your chest.  
                She worries: who are these older women showering
                gifts on him? what do they ask in return
?
                In the wilderness cries of loss
                & loneliness are not wolves' only.

                The Marine Captain's retirement party must have been
                a blast, though why is he the greatest guy you know?
                (Sometimes the enemy's in camouflage salutes
                or bows; 'the kiss', remember?)

                Always too busy, orifice-overwhelmed: your mother's
                pow! pow! at my hard boiled eggs. Might be true; too late
                to reel you back in. Stay in touch
                   on line is all
                                      for now I ask.
                                                                        -W.W.

 

                  TO A DAUGHTER

                  He never hoped for you, he never not:
                  it was you who gave birth to a father.

                  A baby, you wanted often to play
                  with the only friend you had all day long

                  but the drug of Work would pull him away
                  to a desk, piano, easel or stove.

                  If he felt you were keeping him from other
                  life like salt running out, he might bark

                  Leave me alone, in the anger of fear,
                  and he would feel his voice quiver your spine.

                  But you never stopped running to embrace
                  him, teaching how gratuitous is love.

                  Your father's love for you, shadowed by pain,
                  clouded by duty, was never as free.

                  Yet though you're now 'tall as a lantern post',
                  you still sit on his knee and hug his neck; 

                  but that he once frightened you still frightens him
                  should he snap Leave me alone, meaning now Don't.
                     (from "Fabula Rasa" by Brian Chan)  

                  POEM FOR DISTANT CHILDREN

                  A mother gives
                                           birth a father
                  can only witness,
                                            separated
                  from the fruit of his seed, his only
                  cord of connection (which must also
                  be cut) between soul and soul, mind
                  and mind, heart and heart (for as long
                  as hearts allow), all intangible
                  except the giving witness heart 
                  which still moves and
                                                    can still be touched. 
                       (from "Gift Of Screws" by Brian Chan)

 

 

   

 

 

 


 

   

  

POEMS FOR WRITERS WORKING (& THEIR MUSE)

              

                        [Yes, Edgar, the love you had for our simple world, 
                   love or patience, then sure self distancing; then, mind set,
                   flight like kiskadee from the seeding of Guianese dissonance ("until

                   they showed signs of awakening to a responsibility of things") clear free
                   hand pointing, "Look at the different tints of green…those shrubs…
                   at any time of day…one would hardly think they were growing wild"   

                   and, over there, Courantyne Kattree, "walking with grace in her dirty
                   clothes …poised at the middle point between the past and future
                   and troubled by the dark thunder of neither" (I swell for her poise)

                   Not for you the peacock leisure of poets with easels on island beaches 
                   fearing oblivion, these days, they search your cave, iphoners
                   who text, scholars retreading, bloggers who goggle, flash

                   light on your work vastly not read: the mittel schwarz bowel 
                   scraping; the colony expecting passage to London (cup o'tea
                   curious seeming, there! like bitch at your ambition!)

                   and the suicide flame out message in ash for folk back home
                   divining: reconsider UK calling; reset sails of desire
                   for grey stone "bloody" cold raincoats polished shoes;

                   cherish that first shoeless wonder, (God save our) different tints
                   of green; cane pungent in the air at Diamond;
                   careful grass verge walking on the public road

                   in the public trust – truly yours; still ours
                   to play or build with after the suck of Empire, Pomps
                   & poor bodies fires coming floods of new empire]-W.W.  

                                 WORK

                                 The busyness of others
                                 alarms me, and yet (and so) 
                                 on my own, busy do I
                                 become, moving towards my
                                 next appointment of desire,

                                 unlike trees in a windstorm
                                 flailing their limbs beyond hope,
                                 beyond want of anything
                                 but the pleasure of the dance
                                 as its service to the wind.

                                 Or: seeing others rushing
                                 to execute some excuse
                                 for coming together known  
                                 as Work, I sigh and lean back,
                                 witness to those fallen leaves

                                 which, once they pretend to be
                                 dead, can leap up when the wind
                                 moves them beyond all effort,
                                 nothing to do but dance
                                 the Wind-way that work forgets.
                                            (from "Gift of Screws" by Brian Chan)   

  

                                WHEN NOTHING MOVES

                                                                          the pen at the top
                                of an empty page, think of a book
                                with no author, imagine the sun
                                without its winds, yeast soaked in water
                                in kitchens with windows and doors shut, 
                                    houses whose floors are unscuffed by any dance.

                                Out of such crumpled silence words still
                                climb, frozen loaves out of the basement
                                where deaf women yet dance with blind men
                                who sometimes pause to absorb the voice
                                of the wind by which nothing escapes
                                     being read and written, revised or erased.

                                So on Sunday sidewalks spread your texts
                                of twice-baked bread and still-rising dough.
                                All is given to be handed on.
                                This is the common good most ignore,
                                wealth of the bin that can't be emptied,
                                     that overflows as long as no tally's made.
                                            (from "Gift of Screws" by Brian Chan)   

                                  MUSE,

                                  to be chosen by you
                                  is bread I cannot buy,
                                  the bread of breeze and rain
                                  in a desert of sweat,
                                  of dry tongues. You're the wind
                                  that carves the shapeless sand
                                  to hills and pools for moon-
                                  light to define and fill.
                                        (from "Fabula Rasa" by Brian Chan)      

 

                                                

 

                          

       


                 

NY SLIDE V: WHAT, WHERE IN THE WORLD?

               He turned on his back and thought about crime and safety. What would he do if
           someone did break in, point a gun, demanded money and threatened violence?
               The Bronx was not a dangerous place. Many dangerous looking people about, yes,
          but not really dangerous.
               Near one o'clock he was still wide awake; he had to get up in five hours.
               But now the lady in the building next door, the wife of ex-police Officer McGuigan,
          opened her back window and started reeling out her washing on the clothes line. It
          was a warmer than usual late September night and possibly her last chance to hang
          clothes on the line.
               She did this during the summer at midnight. It was part of the night noise he'd
          grown accustomed to – squeak squeak as she fed the line out, quiet as she pinned
          the family wash, then squeak squeak again. By morning she had taken it all in as if not
          wanting the neighbours to see faded, crumpled clothes hung out to dry.
               The squeaking clothes line usually caught the attention of her dog, a massive
          creature they kept chained at the back. It barked and snarled as if it hated the world,
          not its owners, for its chained condition. It pawed the empty food bowl which went
          clang clang on the concrete. The lady pulled on the squeaking line and shouted, Shut
          up, you sonofabitch, shut up!
              Any other night this might have all passed as nothing more than people getting on
          with their lives. Now with his anxiety heightened he began to brood and wonder.
              Nothing stayed the same for too long in this city. Buildings came down, new 
          structures went up; strangers moved in, people gathered old habits and belongings
          and moved on. Constant movement and change – this was what awaited you in the 
          city.
               Around two o'clock, his mind still abuzz with errant thought, the sanitation truck
          arrived. He heard the beeping sound as it reversed; he listened to the whirring noise
          as the loading mechanism picked up the dumpster outside the bodega. For long 
          minutes there was the most incredible noise, a whirring clanking dumping noise, metal
          feuding with garbage. He couldn't imagine anyone sleeping through it; amazingly  
          Amarelle did. 
               At moments like this, caught in a concatenation of strange sound and incident, he 
           felt most vulnerable. What will become of me in this city?
               He reached back and groped through some deep pocket of memory, searching for
           his island, and that hour of night when the sound of cicadas, the swish of tree 
           branches on galvanized roofs were like gentle guardians of sleep.
               The sanitation truck made one last grinding upheaval
crushing the remnants of his
           night, leaving only slivers of fear through which the city poured odor and omen as
           disturbing as the howl of wolves and dogs on a prairie.
                 (from Ah,Mikhail, O Fidel! by N.D.Williams, 2001) 


              

 

 

NY SLIDE IV: INTRUDERS

             

                     By the end of September their movement in and out the building had become
             fairly routine. The noise nuisance from the streets had diminished, or so it seemed;
             sometimes they could hear the rumble and clatter of the trains on the overhead
             tracks many blocks away. The cold weather deterred much hanging about late hours
             at night, and the horrible children who skipped rope on the sidewalk long after
             midnight had gone back to school.
                 Amarelle insisted on keeping the bedroom windows at the back open. This made
             sense during the hot sticky summer nights; but she wanted them open in the fall,
             too, just a crack. Radix could not understand this island habit, just a crack, to let in 
             fresh air. There was a gas station on the street behind their buiding. The open
             window let in not just fresh air but the fumes of pumped gas.
                 One night he was roused from bed – they had turned in late though not at the
             same hour – by the sound of boots tramping violently on the galvanized shed 
             outside. He thought it might have been neighborhood kids up to mischief.
                 Peering through the slats of the blinds he saw flashlights… the figure of a police
             officer standing on the shed… shouting to another officer… his right hand on the
             gun holster at his hip, the left holding the flashlight just above his shoulder… two
             hatless white cops seemingly impervious to the cold… one with a fresh haircut, it 
             seemed… white tee shirt visible under the collars of their tunics… "He must have
             gone over that wall" … responding to a call of an intruder, or chasing a suspect. 
                 Conceivably the man they were looking for had run across the vacant lot nearby
             onto Blackwelder's shed; then must have climbed the concrete wall, jumping down
             at the back of the apartment building and running up the alleyway into the next 
             street. It looked that way to the cops. It looked that way, too, to Radix who hadn't
             heard the first commotion as the man passed through; just the sound of boots in
             pursuit tramping on the galvanized sheets.
                 This was the first time police officers had shown up on the block, the first incident
             requiring police intervention since they'd moved there.
                 The cops were about to give up. They stood about at the back of the yard 
             conferring. One of them turned his flashlight on Radix's car, checking perhaps for
             signs of attempted entry; though to Radix it looked as if he was doing much more, 
             inspecting the stickers on the windshield. The nerve of these guys! Off the streets, 
             in his own backyard!
                 Long minutes after they'd gone he stood at the window half expecting the
             suspect to pop up somewhere in the dark; he listened for the sound of gunfire,
             hurried shots squeezed off, the man finally cornered and cut down.
                 "You goin' stand there all night?" he heard Amarelle say. He thought she was fast
             asleep. "Is time you ask the landlord to put burglar bars on the windows." 
                 She sounded more annoyed than worried.   
                                             (from Ah Mikhail, O Fidel!  by N.D.Williams, 2001)