THE CHINA SAUCER BREAK AGE *

 

         
      Mirror wall caves more exquisite than truth . once
      our route charged with unlimited minutes.
                                  Blood types can go shark tooth . bone
      formations open force . formulas guard anyone apart in
      tent nomadic
who dare screw found with.

      Stone buildings with double pane windows restyle the cold
      high castle . dungeon saves. Devices tap you text quick
      love ! scratch back finds a match : knot records kept
      string mystery loss.

      Bitch on any pledge . may your balls, ducks swear,
      into a thousand peck bits fall. The da-да! Endlike
      clutch, dinosaurs trying for a baby | Anyways.

      Over heard inside the kingdom ? as in sand serpent
      days crescendent blades behead \ An error occurred \
      melon slice red : And you thought, lip moisture
      rising, you’d never scarf anything like it.
                                                                   Where will you,
      Mon
Dieudonne ? shak-shak shake, Medium elect again.
      No . time is ever wasted.

      As for what some bad Papa forbid, dead wise once
      said, sons will swing light . sky sorcerers : cloud
      caught they wait till trop c’est trop! ~ spiral in
      exhume . brush S‘o’S skulls like Basquiat.
                                                                      *Bent . people
      poking at us, what were we taking . on life rails fugue
      fevers run ? who forks less more > lean in here
      round the horns . amazed again.
                     
                                           W.W.

       

         

 

         QAT

       Qat's shaking-off of negative influence
       From Charon’s bad vibes (she is an active fan
       Of Hippy and New Age shibbolethal jive)
     Was literalist: she would let her whole frame quiver
       Like a dog’s after a soak, or as when her
       Body’s heat lowers as she pees. Then she’d sign
       The Cross onto her still (half-)Catholique torse.

       Finishing an action with such a gesture
       Is key to Qat’s sense of balance, while Charon’s
       Main anchor was/is his reluctance to be
     Steady or pinned down like a still jerking butterfly.
       Yet sometimes Qat sensed the tâche of suicide
       Sweeping out from under his lazy eyelids,
       Pauvre vieux, rien qu’un homme ‒ et à peine.

      (from “Charon’s Anchors” by Brian Chan)

 

NOW . LEFT OF CALL TIME

 

          
              Not even the driest humor could jook! make humour 

       shrink; über less in terra stages every last ‘n’ first
       time . act the beaver faith retriever.

                                             Runways at forest edge oblivion
       strips for our departure ? forgoing all the blood we let
       angels restart ~ Merci, cellTower ~ particles of odor vie fly
       here there encrypt in screen swipe nowadays.  

                 Some air shows like Sahel dust propel face
       touch infinitesimal; it matters you don’t think until
       solitary the viaducts choke . migraine shields mock Hope
       you’re happy now.

       Clam shellfish types set up mausoleum webs . in stuff
       their resumés ? like Egypt pyramid relic wraps to carry on
       over.
                          Who D’cries box burial ? grounds not fit
       for hair loss care; get the Premium Conditioning package
       all that permutation . closer to home Economics, don’t
       presume après the sky falls.

                                                                   Knowing nothing
       knocks to wake you for the gate sleep keepers, why
       bother ? schedule post Op ash Wednesdays.
                                                                                      Flat
       line order the Fin d’oeuvres : ask the Cloud play All
       Season standards / Dig in! / taste what the wiped plate
       rim secures . at which point ? what could go wrong.

                                                            – W.W.

  
     

        

        
        LESSING 

        Stepping out of bed, he yawns, stretches and bows
        In the Sun’s direction, ironically at first,
        But next, not so, his blood rushing to his head,
      Pressing him to transmute his gesture like base metal
        Into the gold of genuine surrender
        To the outer gold acknowledging its twin,
        Reaching off the varnished floor to his bare toes

        Whose feet are suddenly flooded with a need
        To affirm their actualness by springing
        To a rabbit-like hopping around the room,
      As though racing to a point of goodbye to themselves,
        And, hopping, Lessing feels the fascia under
        His latest skin flapping like a gusted flag
        Dying to be freed from its skeletal pole.

        (from “Charon’s Anchors” by Brian Chan)

 

 

 

MESSAGE IN THE BOTTLE : OCEANS WIDE TURN

 

              
          Earth seeded, desire sluices . mountains heave new
          lava flow . first time in years, more so. 
                                                                 Raise the water
          mark too high gondoliers glide elsewhere, leaving you
          measures of naked decency to take . ashore blame
          mix messaging; clean dry fountains instead.

          Just so you don’t feel always the inflatable one . hand
          reach back like run receivers / pivot, grip / sinews
          in curve sync you’re working together seam less
          at this . end to chase after.

          Not there yet doubt free limbs keep the beast . mobile
          that’s how time strips the argument down there ~ Non :
         
oui Intime ~ barnacles for the life of you; our freight
          break swept to sea viabilities.

          Floor to moon . shoot yearning ! like keyless
          entry, ‘long as you’re close enough ‘n’ firm, trust
          the spool / arc, send / mesh that passing Great night
          whale . the spout thing bottom feeds ~ mind whet
          mate folded ~ disappears.
                                                               – W.W.
                        

             

           

           

         
           LESSING 

           For there behind her, in profile beyond her
           Narrow cell's window suddenly grown wider,
         Is the shadow of the face of a man listening
          To the bliss of her tilling her own soul’s soil
          So that he, her man, might know how to tend it
          Whenever she’s ripe for a true husbandman.

          Or perhaps the man’s just waiting to become
          Her necessary nuisance, the disturber
          Of her fantastic powerful privacy,
       With his powerless facelessness insisting that she
          Sketch in its features as recognisably
          Human, and that she alone underwrite his
          Book of fabulous risks and resigned crossings.

           (from “Charon’s Anchors” by Brian Chan)

 

 

TOOLING AROUND IN FANCY

         

           You have no idea . base wounds hand sewn 
           up link to muscle mind . through glass tower
           shafts, cross acres of crop cut : till hills of lush
           sweat slope away . cane row precision saved.

           Vaulters gold bricks in mortar pound . reign
           serve : *Password*  Go sieve the world.
                                          Swipe a trace on any slab
           face on security grid ~ trip hunt fortune keys
           catch ‘n’ release . cell riffs in marrow.  

           Whose bare worked back side steps right off
           so stainless time rims pass ? touch unwanted.
                                All wheels! emission metro grade
           Circle up! old village roads boot tracks ~ bird
           wings love bird baths ~
 horses wonder spur.

           The evening wait of island trees ! the brace
           North as wind tight panting benders ~ galling
           gestalt! ~ audition over . splayed roof sheets
           galvanizing, bamboo shoots repost . who that
           swishing candle
? Erzu, I so glad to see you, gyurl.

                                                          W.W.

 
       

       

          


  

           QAT

           *IN DOAULA (where she’d learnt shit meant also
           Ab$tract dollar$), Qat used to chant Christian Rap
           In cafés and markets, and still conjures up
         A good-Old Testamental retribution-picture
           If you get her good-and-pissed, outraging her
           Sense of decency and l’il faut de Justice:
           Pour tel, elle se connait votre moyenne, mais
  

           *TO OTHERS, she beams an ‘exceptional light’
           (Her boss’s term for her ‘performance-presence’)
           Of hope to the puzzled polymorphs she has
         To lead through the purgatory of this afterlife
           Called CaNada with all it kindly demons
           Of indifferent incomprehension matching
           Its new inmates’ need for instant empathy.

 
               (from “Charon’s Anchors” by Brian Chan)

 

EVERYONE LEAVES . HAPPY END COMING

         
  

           Pole positions some kind lean . keel in the course
           of our rolling grasp about; but a hands street lift
           off seems guaranteed providing you're not alone, left
           haltered . fade in hospice layers.

           If only beams could flight globe plan : night till ray;
           our bracing as wheels touch faith scorch land, breath
           blue burning : It’s Ok! part angels clutch . ride 
           sigh beside you.
                                   Such fear ! to stare, reach with.

           Terms cum deed knock wedges clear out of even; feed
           numbers swell . last offer sits on the table growing
           cold the longer favours hover corks and chrome
           fork over.
                           Into stars vast, work ‘n’ rest heaps ~ swan
           knife
dives feel expected.

           For pluck good feathers revel game, lovers weigh
           caveats like lobster . claws reminding us nothing is
           given that wouldn’t be taken . back snap! next
           red
turn around \ Aie aie aie.
                                                                         W.W.

               

           

 

          

         QAT WITH CHARON  

         *BUT The world IS bigger and here before me!
         
Qat once shouted at Charon, her nègre rouge
          Of a cancre who had just dared to suggest she
        Fooled herself by kneeling scared below the world’s totems.
          Qat could forgive Charon for talking funny,
          Et après?, but she did not intend living
          With some pimp who refused to honour his pute.

          She held no delusions about her active
          Rȏle in keeping Charon and the world alive
          And kicking ‒ Charon and therefore the whole world ‒
        Which does not, as he felt, start with a soul’s latest dream
          Of it, but had A-start, world without Z-end:
          She was born Catholique and he was born blind.

             (from “Charon’s Anchors” by Brian Chan)

 

 

FLAPS . JUST SO WE’RE CLEAR

           

        Ask from the closet and dead man's clothes hanging
        on . how long! before the brand starts up, gods name
        new . promising this time no mask die cast, meters
        paid in spirit ‘n’ risen things.
                               Up late . we know near how the planet
        outposts run; last test, sun shields holding.

                                                        More . so we stir
        moon about done for howls . as capsules eagle away!
        fish feed on asteroids. Vantage points what’s beaming
        front lobe towers . glass sides list pyramid tips. 

                                                          Could be what's fixed
        wind twisting shapes. Still, no lip stiff sips wisping, You
        see, in those days/ or touched recounts . how much spread
        on the cob costs love.

        The life wed Art lock ? brush lines slipped off the grid
        no fear path found. Sensors pick up what once marveled
        so essential seeming, canvas left trails; and museum tap
        screens demonstrate how dust to code webbed tales.

        Rest best we can, filled feel . knowing it was worth
        the plastic parts played : skull scalpel phone in hand
        despite what frost ‘n’ fires put us through, hatch
        snatched from us . lucky at all we came ! brute
        incomplète . et tu.

                                                           W.W.

                      

             

               

 

                     

           LESSING

       
                                    No thinker himself, Lessing

            Was horrified by the hollows of set fear
            In which those who could think even less than he
          Dangled like bats whose sonar echoed nothing outside
            All their caves the one cave, and nothing beyond
            All its labels they had swallowed and become,
            Tags numbingly hallowed like temple-standards.

            Lessing, to challenge his own cave’s habit-mind,
            Would in blind daylight stop in mid-flight some bat
            Whose wings and lips would then flutter and swear how
          Much like a lark it was darting through its cave-free day ‒
            At which point of the wayward fiction called life,
            Lessing would be swamped with envious regard
            For the bat’s rampant pluck, its gift from blindness.

              (from “Charon’s Anchors” by Brian Chan)

 

 

OH, LOOK ! BEAUTY . BREASTS YOU WILL NOT SEE

          

         Keen ? Even to start appraisal you must fall
         in . relationships end deep, lover of breast beauté.
         Better hurry, the Tags are out : for the cat walk no
         dogs allowed . district red hydrants lift. 
                                                   Pageant display drives
         might soon stop working, as bad hip splitters thread
         time past to sue; so roll with the redress, man. 

         Ankled ! plot lost vulturians : the view with crossed
         knees now considered toggling; own flown, they'll stay
         peaked . chest medal fondling. 

         There is one possibility : a crew of young fellas filing
         redacted snaps of sleep partners . a risky tort, hands
         down, rappelling the gorge; and far from the full
         court thing.
                                                                         So what’s
          left about to crow ? even the beach flyover’s off limits;
          vacations tossed to beast rough seas and great white
          stakers | bodies hauling up to shore . boat bloat nyreries,
          roiling everything.
                                                                 World wound tight
          fabric unraveling, looks like we’re screwed, mate; primed
          with . what we got now duly remastering the Oorah that
          sheds on cushions : given to give, dare who touch.

                                                                        On the podium
          for the cameras ? if you must, raise ‘n’ hold a child.

                                                                                  – W.W.

            
       

          

           
         MARA

           
        *CAUGHT still in desire's traffic-jam, Mara feels

        ‘Mara’ and ‘Qat’ are beached bricks on an island
         Of patience no storm can disturb in its sea
       Of restless angst that masks itself as Maturity
         And other institutions of Common Sense
         Like Vitamins, Organic Teas, Working Hard
         Making more Money & Talk To You Later.

        *YET talk now to each other they do not seem
         Keen to do, as though words were absurd outside
         Of their initial official engagement ‒
       Leading to no marriage. Still, it is as a couple
         Of cats that they sit there

         (from “Charon’s Anchors” by Brian Chan)

 

WAYS TO EAT AN ELEPHANT

         

        So many rooms, head full of cupboards, stomach
        layers . never sure where to start; then experters come
        along with expensive knife blocks : here, use these
        like for deep hide exams ? pigment the issues fresh
        off the loin; fold next in felt . hard yield song.

        Not carve strong enough ? you have left little
        choice so torch the forest . no mercy : leaves like truth  
        loose curling; departures from intestine tangling arms.

        Or play the actor jogging flushable thoughts, all
        the while rehearsing chess clean lines : that pawn
        encroachment ! the king must turret; bishop robe hems
        lift . reseal quest answers; knights white angle links
        help islands think . breasts in distress home guard.

        If the honor files you drive or swear by keep getting
        Hits from bad mother poachers, consider new contract
        options.

        For starters those bloodlettors who IV drip ‒ not flood
        the shaft with blunt asks, then elevate sobbing tusk
        to tail portions ‒ maybe they could help. Careful,
        all the same ! is not crab legs you spreading, hairs
        like nerve ends . warm up the wonder.

                                                                 – W.W.

             

         

          

            MARA

          Mara knows she has cause but no right to curse
          Housewives, chefs and other respectable whores
          And connoisseurs of the gormandizer-arts

          They know what fresh flesh bought in the cold dawn means
          For a body’s fucking/working-energy:
          Without it, quasi-persons might lose purpose!
        Mara is not unsympathetic to the bald facts –
          And superstitions arising out – of food,
          Sex, work and death and the terror which they spawn
          In post-Edenic stomachs, hearts, guts and heads.

          Her beef is against respectable systems
          Of scorn, torture and death.

        (from “Charon’s Anchors” by Brian Chan)

 

 

DOG LEG WORK

 
           
        Our island dogs come with Beware! overseering
        Good boy! duty pats ‒ so naturally we avoid
        them, not believing for one second night barks
        to day bites . fence mates unrelated.

        Many protest What life is this? we get stoned
        for looking homeless and bottom fed . sheep keep
        fellowship, book rule matter shorn.
                                                     Honestly? we prefer
        flying kite with string . to boarding card from scratch.

        Not sure where to turn some woofers stop off some
        play sniffy | they hump hikeup’ble tales for news and hope
        done! they don’t get coital stuck ‒ like with post
        colonial take strain < ? > our tug either/or face away.

        Assuming propriety ships are required for the coming
        soon of oil here . after we could build glass view
        elevators, and avenues for poodle walks; plus vets
        and Ms widows who teach gallery breeds how to Aie
        aie aie! bête-à-tête underminding.

        Street strays no futures fear . gear game from yesterday.
        Tongues panting some wag readiness for entry
        revel corners, stash pit patrol.
                                                        Bone worthy? you’d be
        surprised what leg whites our islands toss ~ loin browning
        feasts of booyah baisse ~ Walcott beach, yeah . Sunday

        palm refreshing.
                                                                  – W.W.

           

                     

        

                                                                               

                                     

        CHARON

      A bowl of food, a pat on the head, a kick,
      However friendly, from Qat’s lickable foot
      Would prove to be not enough for poor Charon
   Who didn’t like being that poor, one more salvaged pet
      On a cushion. Now in North America
      Where less is more is a joke, he just wanted
      More; not getting it, he felt starved and fed up.

      In this New World he sometimes forgot it was
      His lot to be a dog that would always need
      As much attention as matched his faithfulness
   To his mistress of the moment (more than one passion’s
      Itch at any time was that self-styled ‘senna-
      mennalist polygamous sonofabitch’
      Capable of scratching, bowl, pat, treats, kick, scram).

       (from “Charon’s Anchors” by Brian Chan, 2018)

          

      

COMING . THE SECOND YOU KNOW

 

         
      Nothing they'll ever regret to inform . you day
      for night delighted to accept
: too beside ourselves
      as powers to arrest stay Open! accounts so our faute
      lourde break wind . since soon what clean choices
      remain?

                                                               Faith enablers
      fondle every reason we dress to believe.

      Our raptures dull like dentures in hard waters
      of habit even as we chew the sunniest celery stick ‒
      insider collusion . you know how rough colons get.

      Our liberties bend for the quick take one . U got this?
      gig room spell done! as straight face irons stroke
      the juiciest lies : the time squeeze index now
      assigned to the thumb.

      Greenheart or oak no difference makes the man
      with or in the chopper.
                                       There’s always something rare
      nonearth globe seaming : tunnels vagabundo under
      way through perimeter coils pledged to sieve Go
      north dust.

      !Caution, then | out of abundance pull book marks
      from Revelations Alert ~ glacier risings, drone high
      eye
dry grave plotters, beasts in cells ~ comings
      were never
tooth 'n' chip like this.
                                                               Crepe, I know
      in any age for any late breaking nation.
                                                                    – W.W.

 

       

      

 

         

        QAT

        Inveterate vacuum-abhorring Qat would
        Berate Charon scratching his balls on her bed:
        Better do someting before someting do you!
      Or Satan find work et cetera, and he (Charon,
        Not that other Servant of The Man Upstairs)
        Might sigh, reviewing Hamlet’s live-or-die angst,
        Bartleby’s prefer-not-to-do suicide,

        Kafka’s ‘terror’ of Art and his own of not
        Not-doing, his fate of having not to prove
        His existence save by choosing still to breathe.
      But Qat was scared of his doing nothing, of seeming
        To not need to prove himself to anyone.
        His Who cares? was not a shrug Qat could afford:
        Performance was all ‒ product, proof, more ‒ of worth.

     
     (from “Charon’s Anchors” by Brian Chan, 2018)