POEMS FOR MUSIC LOVED & PODCASTS NOW (REMIX)

 

      Back when radio ruled the waves the BBC, main tunnel
      from the world, brought to our shores "Greensleeves"
      and Victor Sylvester. Lacking creole traditions like Trinis
      with Christmas parang, I longed to hear pop maestros of string
      instruments.

      They sent down Cliff Richard, the Shadows, "Telstar", well you
      know. Those cool girls from Jobim's Ipanema. And dazzling 60s
      riffs by the Eagles and Jimi Hendrix. Those were the days
      Ravi Shankar turned sitar friendly.

      Back then (I think) I heard Victor Uwaifo ("Guitar Boy") four times,
      his scratchy Nigeria picks too many oceans far for channel shipping.

      The good news: finding the tunnel's end: on the //www.dials
      You can watch "Guitar Boy"! Uwaifo's guitar licks
      couscous steamed in 70s high life.

      And hear this: what must be the gold coast of string harmonies
      rocks by the rivers of Mali, from the diamond fingers of (the late)
      Ali Farka Toure; Toumani Diabete.

      Where were you all those years, guitar fathers? What trade winds
      blocked this young heart access to those kora waves, ces vieux jams?
      Radio Ghana. Desert moons. Faraway missed years.

      Tunneling protocols, I know. Old pirates ♫
                                                                            – W.W.

 

                 


 
 

 

         

                REAL SLOW JAZZ

                Voices taking time to make
                time feel

                both tauter
                and stretchier than we would

                know from the limping clock,
                the pace of the heart sure

                beyond the need to run across
                bridges of love, statements

                of the tension between spark
                and flame, spirit and flesh,

                the tears of gods only men,
                of men brimming with light.

           (from "Fabula Rasa" by Brian Chan)

       

 

 

POEMS FOR OLD SCHOOL TIES (& LIVES UNBINDING)

 

                 
             Rajiv would catch the train, morning dew through country cane;
             ferry 'cross the brown river; find walk ways
             through the big market square & squall into a clearing:
             our school (pate bald Jesuit Fathers chalking,
             amo amas & ferulas hawking) his classsmates:
             our treasure isle so far from home; far ago as hic et nunc.

             That afternoon (circa '64) breaking city riots tapped shoulders
             hunched over the Cyclops; a part of him between breaths jumped
             to the window sill searching Ulysses-like for home.

             Smoke in the sky, furies undoing, on stand by grave shovels - 
             noise in such tearing hurry we all assumed our parents'
             patience
with stilts and mud had snapped again, estate
             racked hands called out again; though
             Rajiv's eyes kept parsing
             fear and his heart whirred like whishing rotor blades.

             We watched him take off for in dangered streets, the plank walk
             ferry; his train, what station names?
             stuff of bold adventure!              

             He stopped at the corner, looked both ways; he looked
             back, pulled a smile like lotus or a boy scout knife
             from pockets we knew nothing about. We waved
             and cycled home.

             Next day he didn't show up. The day after he seemed
             quieter, well templed – as if from now on
             laugh or talk in class
             so close to city fiends was Brahmin-like forbidden;
             he'd done his homework; found what rules.

             We've kept in touch 'cross fabled cities around the globe.
             Back then we owned no iShare wires, no tongue
             to tweet "r-u-ok?"
             Students of old cracked worlds, bright
             suns from town & village, we just assumed.
                                                                      – W.W. 

 
           


 

     

                  L'ANGOISSE DE LA PRAIRIE
                           iv: Sketch

                  Not only the sky and wind but nothing
                  can be drawn save this becoming, something
                           always only beginning
                           to know itself. The rest is
                        the grotesques of a blind man switching
                        on and off his face his own hand's light.
                      (from "Gift Of Screws" by Brian Chan)

        


          


POEMS FOR LAND ENCRYPT (& NEW UPDATES)

 
                                                                      "…earth and water – the solid present and the fluid 
                                                                        past - left him still gasping…unsure whether the act of
                                                                       breathing was not an instinctual form of breathlessness
                                                                       as well."    - Wilson Harris, "Heartland"

       
                Still hard at work the grass here, our grass scythes
                put away since Independence. And the measure of a man
                after stilts & logie tenure? the coop or ville unfinished.
                What happening there, Bogart?

                Where once bookstores thrived supermarts shelf
                price shivers, shop window oxygen. You feel much
                older standing on the steps of our public library.

                As for tongues no longer ocean linked our sentences
                scramble through dense poverties; profiles & pet dogs
                leg lifting on the page; waxers on the ear. Immune to truth
                wigged carrion heads poll pick feed.

                Elsewhere change resets with red blue bells. Here generations
                could chill entombed, inhaling crypt air, until someone shifts
                the boulders, slips in plates of sky. Knock wood we don't clear
                brush for fresh hacked limbs horreur! and mass beds.

                How we live now? in the forensics of travelers' imaginary; or
                as trade meisters lunch like parrot toe waiters; fussed over
                for our forest trees > new Real Estate! auctioned these days
                in climates of billions! ̶  barely clothed; just standing there.

                Power cuts route hot days back to plantation nights shut tight 
                rumplings and run away schemes. What diminuends you mean?
                O, that crack creeping noise?
                                                                           Well, after Marx
                our shaved Denims (not cut for green fatigues) pledge to pay
                back the long imperium of others with termites at their turn:
                service town ships bridges streams < blood rusting grinding sleep. 
               
(Mind you, that noise could also be broomstick ethics worming
                up the anus; phantom waves overtopping.) 

                If only we could unlink one rattling habit.
                Yes, I know the moon does go deranging
                in dark places. For now turn on your side, mate;
                calibrate your breathing; curl in until.
                                                                              -W.W.

 

 

 

                                      

 

 

 

 

                        THE MAN WHO SELDOM SLEEPS
                        BUT IS

                        always preparing his bed will
                        leap between moons ignored in our
                        time but fathered and fed by suns
                        to ours bridged by the glue of light,
                        the link of love. In his spare time
                        he laughs more than he is seen to
                        and smiles less, as he wonders when
                        his next moon, and how his last bed.

                             (from "Fabula Rasa" by Brian Chan
               

 

                                                              

 

 

HORN SCHOOL COOL AND WHAT THE SURVEY SAYS

 

                                                                                                 
                                                                                   So what?
          play through meteor showers, the piano man said; they're
          throwing moth balls on the stage? that's Ok
          grip the surge and lift, up next a Mozart crew?
          Another round search engine eyes will grope - whose place?
          whose swollen softs? - however quick to do. Someone
          will wipe the tables. Night ravens wanting altitudes fade blue.

          Space debris everywhere these days, looks like; constituencies
          of bare shelves and bottoms spinning 'cross the globe;
          though the video about miners found alive
          in coal bowels of the earth could planetize resurrections (Yo, 
          show you can endure the thorns, they'll kneel you from the groin.)

          Hey, we still have choice: stay inside – your cabin
          wired for cable & glazed skin pixels? – and watch
          the swept up help!fight swim or swarm to freedom
          squares climate ringed. Or fly the tribe like kite or alibi:
          veils congealing loyalties, need salving through the prayers (Yo,
          snake oil men sell apple cheeks from gardens in the red desert.)

          You the orbit man…?  "La Dolce Vita" …Arriight!
          O sure, the world's a plasma melon sweeter than grits
          of yesterday and who knows?         

          We could be airborne on bikes tomorrow unless Dios mio!
          the bearded levelers bombast more old bald faiths &
          bargain shoppers and body parts fly; but – excuse me –
          my fingers come in here on the horn.
                                                             Tout a l'heure, baby!

                                                                                -W.W.

 

 

               

                      


                    

                       
                      INSOMNIAC PIANIST

                
                      The notes I play are points  
                      of my being, a geometry
                      of moons floating within
                      but beyond the fat silence linking
                      planets rutted with sleep.

                      With threads of sound I stitch
                      my moons into a mask by which blank
                      meaninglessness translates
                      its urge to be meaning into this
                      needling of the night's wall,

                      until through its punctures
                      promises of a prodigal sun
                      stretch their firm arms of light
                      and this room expands as music draws
                      a universe anew.

                 (from "Scratches On Air" by Brian Chan)

  
                  

 

 

 

POEMS FOR HERONS HOME (& BACK AWAY)

 

                                                                                "There is a famine of years in the land…
                                                                                 It always turns out that much is salvageable."
                                                                                                – John Ashbery, "Chinese Whispers"

            

               At the airport they greet you with steel pan and home
              made cake, forgetting you have your own black pudding
              lady, unmatchable still (one day her daughter will send for her.)
              And they counting you as 'tourist' now: all courtesy
              of the Ministry of Everything you value.

              So softly walk 'cross roads dust memoried, for the mercy
              of tides lowered eyes. Word about you reached the city before
              you cleared customs, courtesy of the Ministry of Everywhere (hey,
              just remember who won, who controls now!) Hands that vend clap
              roti paddle count years of little else. And check that
              migrant accent, bai; you're welcome's bitter sweet.

              A photograve honor guard full moons the nights
              when life felt royal arse hard and folk blocked debt with singing.
              Seawalling youth, stopped short of 'treason', resist the draft to Hail!
              the mangrove raggedness of state: saplings blue (& empire greys)
              drawn like fold refusing lines in the last Reich rubble.
              Bold and best minds? gone. In sight no founding cranes.

              Behind jhandis on the Corentyne lay low if you know
              what's good for you: with maps & reptiles rivers run.
              Bright tags on travel bags, the flash you're doing well
              are village give aways. From liming pools the flightless
              larvae whisper wait for halos game balls
              tossed and intercepting play I stream you not.

              And what's that shouting? gun mouths, party cries, a stadium six.
              And who's that stumbling out the yard? ripped
              blouse, scratched weeping thighs? ow, chile, the nation.
              Run to help, or walk away; milk or lemon, you'll pay.
                                                                                  – W.W. 

                            

                   

                  

                          NATIVE STRANGER

                   When you step off the 'plane, you are another
                   but clinging to an idea of yesterday
                   and knowing which pocket holds your papers help
                   to prolong the useful fiction of a you.  

                   Other familiar shapes of pictures and words
                   are waiting to pick you up and lead you across
                   the gaps between the impressions of a man
                   you must keep flashing so as to keep breathing.

                   The no-nonsense look in your eyes reveals you
                   to be a betrayed lover bent on revenge-
                   ful reconciliation with a city
                   that's still switching on and off as much as you.

                   When you stride through its tight streets you are floating
                   on the air of the knowledge that you don't have
                   to live here but in your stomach is a stone,
                   a mushroom tough to vomit that you'll have to.

                   Old loves and aunts are here to prop your fictions
                   and you've brought them the appropriate presents
                   to celebrate what you now call their courage
                   to have stayed in a place you still can't quite stand.

                   You keep opening drawers that smell of anguish
                   you recognise though it no longer fits you.
                   Yet you keep coming back as though to witness
                   that running from spectres makes them more solid.

                   But the surer you think them the stranger you
                   feel, for what you see most clear you're farthest from.
                   Near the hotel door closed your suitcase you keep.
                   Next to your heart your passport like a shield sweats.
                      

                            (from "Fabula Rasa" by Brian Chan)

 

 

 

 

POEMS FOR SUMMERS GONE (& LEGENDS FADING)

 

                 
               They came to the city park – the heat that windless day,
               browning up the grass! – to hear the grandmaster sing
               kaisos up from the islands. Was heritage week. Round
               the bandstand home hungers blazing, sun spot powdered
               body pasts chafing, people shaking hip in half
                                                                             a moon of devotion.

               "But why he sitting down to sing?"  "He getting old, you know."
               "And where he party clothes?"  "He getting on, you know."
               "And why words dropping out from that song? I getting old,
                       I remember every word from that song."

               When he wobbled or he fluffed, the horn crew grinding stopped
               to pick him up, didn't miss a beat, thank God
                        for  lay lay, lay lay, aie aie, aie aie
                       and  pim pim, pim pim, bambamyuhbumbum.

               Booming the master of ceremonies asked over and over,
               Areyuhready?  And once:
                   Any driver who park their car inside the park
                       better move their car outside the park
                           rightaway   is a NYCity violation   Are you ready?

               Off at the tree shaded south end this road torqued woman,
               her life close by in swollen plastic bags, slept through
               like yorkie on rug; till the anchor line. How you jammin'
               so. She jump up, rub she eyes, look 'round,
               then start one wining bad beside she self.

               Scattered on the fringe los verdes ramas, unlucky to be hired
               that day, pulled down dream hiding baseball caps
               and watched. The sound system pounded
               their haze, with treats seasoned for fiestas, and tricks
               like wrapped hot burritos for the route-crossing soccer ball.

               Inside the high fenced basketball court the rim rattled
               & rang from misses; black sweat gleaming torsos huddled
               feinted, twisted through reverbs & scrimmage, raked
               back, then, with drummers'  wrist, swished for the rain withholding sky.
                                                                                                           – W.W.


               THE CANADIAN OCTOBER TREE

               in this lobby knows
               no season but a standardised summer
               to oblige with greenish branches. Only
               a few leaves puzzled
               by the tree's seed-memory of autumn
               have drained their colour. A few others, less
               unsure (more faithful)

               have already leapt
               down into their new status of rug-stain.
               But the tree, a mother by now resigned
               to her solitude
               of an eternity in soil without
               depth, stands well-clad still, saving nature's face,
               if not her full fire.
                               (from "Gift of Screws" by Brian Chan)