PARAMARIBO: EVENTS AND DREMPELS

 

 

       Flights to Paramaribo arrive just past midnight, if you’re coming from New York, on
      the regional carrier, whose seats and operations these days feel overused and over-
      work
ed. There's a nine hour wait in Port-Of-Spain, Trinidad for a connecting flight. To
      kill
time you might consider venturing out via airport taxi; join multilane traffic under
      a Trinidad 
sun; catch a beach, “eat a food” or, if it’s Christmas, drink a Ponche de
      Crème. Take note and measure 
how close the island has moved toward developed-
      nation principles and practice.
    

       The flight schedule alone is enough to discourage the unadventurous from discovering
      Suriname, unless you’re willing to stop over in the Republic of Guyana and risk fractious
      travel over land, bridges & rivers. You might also need a sense of purpose. A young
      couple, college-break free, speaking Dutch, wearing sandals and visiting the former
      colony might find it easier to look forward to quiet settings where familiarity breeds
      acts of kindness and harmless transgression.

       The taxi ride in from the airport past midnight follows a narrow road, headlight-swept
      and free of anxiety. Visitors from industrial geographies might be excused for
      thinking they’ve entered a country of “sleepy” communities, stuck in time past,
      comfortable in
village habits; though as you come closer to commercial areas – slowing
      for “drempels” (speed bumps) – and gas stations and security-lit buildings, a group of
      young men on motor bikes appear, hanging out (it’s Friday night); shiny crash helmets
      sitting on small heads, casting them as astral occupiers of night’s dreaming hours.


Img002     Next day the radio wakes you with 
     Sranang talk and sentimental song
     which play on almost every station.
     It closes you in like elevator doors.
     For the rest of your stay and
     depending on your circumstances, you
     might feel digitally cut off from the
     world, or at least temporarily disabled;
     though you may or may not mind.
    

     Over morning coffee paragraphs from 
     the newspapers might leap out at you
     showing you how things are done here,                   [2011 AlphaMax Academy, Paramaribo]           
     as for example this, from De Ware Tijd,
     recently: "The President has often
     stated since this government took office that he supports a transparent land policy.
     This has resulted in the sacking of Martinus Sastroredjo as RGB Minister after it
     became known that his concubine had applied for a large tract of land."

      On the streets, under a Suriname sun as bright and brassy as a Trinidad sun, people go
      about their business, as elsewhere, in cars and in bubbles, leashed to triumphs and
      failings, of diverse race and creed. There are sudden fierce rain showers which stop
      abruptly, then skies are clear blue again. If you stay long enough you might hear of
      crepuscular activity, a twilight gathering of local spirits or conspiracy webs. Individuals
      who otherwise seem educated and informed will swear that, regardless of how things
      appear, each resident soul is monitored by unseen forces, by living and dead people.

       The outside world has reached over language barriers, and moved deeper inland. The
      new consuming China with agreements-to-sign and full steaming enterprise has
      bespectably installed its zonal interests. Street blocks, currently home to many
      Brazilians, could expand in time and be viewed one day with settled pride as Little
      Brazil. In the Paramaribo of downtown bumper-to-bumper “progress” you are where
      you dine, or where you shop. 

       On the plane, early last year, next to my window seat was a Trinidadian (Lawrance G.)
      a soft-spoken man with a boxer’s upper body. Looking past 50 yrs, his fingers trembled
      as he settled his paper cup of coffee, hinting at a creeping vulnerability. He’d started
      working with an oil company soon after leaving high school in Port of Spain. How that
      transition straight forward happened he didn’t explain. Nickerie, in an area reportedly
      rich in oil deposits, was where he (and a team) were now headed on new contract &
      assignment.

       He had travelled around the world, slipping on work boots, hard hat and gloves each
      day as the company probed and drilled into the earth: to Gabon (the nicest people,
      despite miles of deprivation); to Venezuela (the President there cares about the poor,
      despite puffed global moments of ad hominem fist shaking.)

       Had he given any thought to How much longer, doing this?  His body had endured the
      rigors of travel and work hazards. What excited him these days, he revealed, was
      exploring the working parts of the human body.

      He reached into his carry-on bag and whipped out his latest purchase, the iPad. Did I
      own one?  No?  I should get one. The iPad 2, they say, has sharper screen display.
To
      impress me his fingers brought up for viewing glossy images of organs in the body. He
      touch-swiped through the heart, liver, organs of reproduction, inserting his own
      commentary and breaths of marvel.

       A world of new information, which in all likelihood could extend his longevity, was now
     within his reach. And though near enough for pension plan review, he wasn’t thinking
     of retiring, not just yet. (Though where – in his hands? strong character? – lay the source
     of that span of energy upholding him over the years.)

       So what was my business in Suriname, he wanted to know, now that he had shared
      information and we were no longer strangers? Why was I going there?  To see an old
      friend, I told him. And to learn about an event he was planning.

      The event was the launch of a book, “Msiba, My Love”, by poet, Ivan A. Khayiat, a
      Guyanese educator who lives in Suriname. (The publication launch seems as ubiquitous
      these days as the baby shower.)

      Khayiat describes it as a “symphonic poem”. It has a coffee-table book readiness –
      assuming that books are still welcome these days on coffee tables – with high gloss
      pictures and supportive verse revealing the natural beauty of Suriname, and the
      ecological damage done to parts of its landscape. And it comes with a companion DVD
      of evocative images and soundtrack over which voices, in English and Dutch, present
      the poem in heartfelt cadences.

    

             
                


 

 

               
       "Msiba" DVD offers ten minutes of shimmering surfaces. It may be much less than a
       "symphonic” work, but the launch apparently made for a wonderful, rare evening out
       for invitees in Paramaribo. The Government of Suriname, it is reported, has adopted
       the DVD & book as a state gift for visiting dignitaries, impressed no doubt by what it
       sees as an excellent mix of art photo information and spoken words about the country,
       framed by knowledgeable, friendly hands.

         Finding brave new worlds imagined by Suriname writers and artists might require a
       long stay, some search and enquiry. There is evidence of activity – workshops, art
       discourse, exhibitions – facilitated by stakeholders in Holland. A more vibrant, grand
       platform for exposing creative talent to residents and visitors is certain to be avail-
       able when the next big cultural event, the regional festival for the Arts (Carifesta),
       takes place in Suriname in 2013.

         In the meantime, Wan Fu Nyun Winti Seti Sranan Bun. So the sharp suits and bill-
       boards say.   – W.W.
         

                                                                ≈☼≈
 

                                     OPHELIA MAROON

                           Every leaf will return to blaze
                           sharp green all about me through days without
                               night (and yet no star shall be
                                   erased.) My gaze is

                               the same as the sun’s; neither
                           smile nor frown. My gown of water is all
                           red and white buds not yet burst like my heart.

                                        (from “Gift Of Screws” by Brian Chan)