MILLENNIUM CROSSINGS

                    


                Leaving shores not worth a pirate's gold stop, 
                chariot wind whips at their back; deals done 
                to wear like paper hats to fit heads bare with dare  ̶  
                what trust in eyes nice weather; in crafts last call
                pray all.         

                Soon over under shadow fins closing seagulls air lift
                peals to gods extended multi-hold-on arms; the coast  
                line almost! sigh  
̶  how far from thinking this was not
                a good idea.

                More fear dug out keep coming; somewhere exists they fall for.

                Cities and aging masts await gusts of rekinder; kora strings
                chord swipe passporte red line. As stick silver anima pop in  
               
up in olive groves on no crack domes  ̶̶  these Moors again,
                their cooling rod divining high tide issued cells; from old
                first worlds.

                Ones who make it plant mark stems; depth cheers rise
                from ocean floors.
                                                              – W.W.

                      
  

                                        

                  

                   

   

                    

                        

                                                        

               FLOWERS IN A VASE,


               like children flung into an adult maze
               only slowly outgrow their puzzlement
                         at having been cut
                         off from their mothers
               whose cries of terror and loss they never
               forget even as they're facing their new-
                         found mortality
                         of feeling what's left
               of their stuttered budding slowly draining
               into the water that sours to feed
                         them through their last con-
                         undrum of being,

               becoming, and not.


                (from "The Gift Of Screws" by Brian Chan)

         

 

 

 

NY SLIDE 8.7: MR. WILLOSONG

 

 

                  
              On the 3rd floor (Rm. 322) the situation was more of a mystery.

              Mr. Willosong chose to decorate his classroom with enlarged photos of opera
              singers, in splendid regal dress, heads lifted, hands extended. Kathleen Battle, 
              Jessye Norman, Maria Callas, names and people Radix had never heard of. "You
              like opera?" Radix asked him once as he came in. "Oh, yes, I do…are you an opera
              buff?" Radix regretted he was not; and abruptly Mr. Willosong's face fell flat. It 
              seemed the opera was his passion; he was always ready to talk about it, but with
              seriousness; and only with fellow opera buffs.

                  More puzzling was the image he presented, if you looked in through the plexiglas 
              panel, of a teacher very much in control of his charges. No students taking 
              basketball shots. No one brazenly eating in his room.

              Mr. Willosong sat at his desk, a tall, thin black man, with a face so lean the flesh
              seemed wrapped like tinfoil on the bone. His head stuck out of a thick turtleneck
              sweater, stiff and shiny; and his eyes bulged and glowed like tiny round furnaces
              burning and sending heat to the rest of his body.

              He spoke in a slow precise manner, in a deep baritone that seemed to shovel and
              heft his words. And his students, a class of juniors, mostly girls, seemed pinned to 
              their seats on the other side of his desk, listening or reading or writing but always
              on task.

              How, Radix wondered, did he achieve this miracle of classroom management at 
              John Wayne Cotter? How did this gaunt man with his shiny cheekbones bend
              fractious student behavior to his single will?

                  And he did all this from his chair at his desk, rarely standing up. Not once did 
              Radix see him walking between the desks, or pacing, or writing on the board. A
              man severely apart, like teachers back on his island in the old days; magisterial in
              his detachment.

              It might have passed off as odd and unusual, a happy circumstance, had not Mr.
              Willosong revealed a personal obsession: at this time of year, he told Radix, he
              preferred the windows of his classroom closed. Always closed.

              It seemed an unusual request, for at times the heating system clanked and made
              the room unbearably stuffy, causing students, who liked to keep their stylish
              jackets on, to complain.

              When one morning Radix opened the windows a few cracks to release the stuffy 
              air, then forgot to close them before leaving, Mr. Willosong returning for his class
              stormed past the desk and shut them with a fierce bang. Radix looked up, startled;
              he said he was sorry, he'd forgotten about the windows. Mr. Willosong nodded,
              tightlipped. Radix could tell he was displeased, very displeased, as he turned away
              to write the objectives of the day's lesson on the board.

              Only then did Radix sense something plainly bizarre about Mr. Willosong and this
              entire situation: the students' correct behaviour, the far from standard teaching
              methods, the eerie stillness, the windows shut tight  ̶  all of this happening in a
              quiet corner on the third floor, away from the tumultuous operations of the school.

              Was any one else in the building aware of the behavior of this gaunt, cold-fearing
              man teaching English at John Wayne Cotter?

              He raised the question casually one day with Judy Weiner. She wasn't sure which 
              teacher he  meant until Radix used the words "gaunt" and "English Department".

              She smiled in recognition, and lowering her voice revealed there was a rumor
              about that English teacher. He was in fading health. In fact, he was said to be
              dying. Only in his thirties, and already dying. Of Aids, that new, body-shrinking
              incurable disease. At least this was what they were saying, she couldn't be sure.

              Radix felt mortified; he was only know finding out what everybody apparently
              knew; and hearing about it through furtive whispering.

              As for his students, had they sensed something wrong with their teacher  ̶  not
              yet a cadaver, sitting upright with a cold frightening will? Were they sworn to some
              secret student pact that helped him carry on, their heads bowed, obedient to his
              every wish, his every insistent breath?

              Primed with this information he started peering in with new interest at Mr.
              Willosong. The man sitting grim-willed at his desk now looked more ghoulish than
              "gaunt"; truly like a dying man who felt tidal waters sweeping him towards the
              precipice. A rock of defiance, though, with each passing day; his slow strange well-
              bred manner saying to the cold air frosting up his windows, Not quite ready, not
              finished yet.

 

                               (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

 

 

 

 

RETURN REDUX REDONE

    

                                                     
                  So someone throws a stone at his window, a senseless act
                  since smashed glass loses love recycling value. Once past
                  the shock there's recoil at what looks like ingratitude
                  considering how much travel he'd invested
  ̶  the good
                  doctor; he could scalpel humours with a shaman's feel to heal.

                  This is why they come back, redressing to blend in, roles
                  of comraderie contracted; put humbly, home again hands
                  hard on the teat of weaning service.
                                                                   What an arc, young Castro.
                  In these parts there's not enough land mass for patriots
                  true like you.

                  In time, though, you might sense momentum falter; fingers
                  grasping bare root stump toe scuffing smooth talk all you
                  want for hold. Aura, it seems, doesn't always help you sir
                  past rankled line servers. So much too late to learn back.
                                  
                 
Certainly, one could argue, one hoped to foot print about with
                 
out power strip trip or faith trick under mine.

                  Just one blinder of trust is all it takes to tilt ship shape up
                 
side down, propellers air writhing; how, kaisomen steuups,
                 
could a charterer not see that coming.

                  No, they can't make you divest fresh habits of chewing; reach
                 
for the gravy, your entrails on the plate. 
                                                                              And, hear nah, before
                 
you know it, throat tenure's up, you're another old man waiting
                 
to be admitted: a case of Saman tree silence  ̶  leaf distribution
                 
done!  ̶  base stop for some upstart dog leg initializing; or
                  
drag yuh tale, drag yuh tale

                                   Feel the town beach prayer mills grinding? plumb
                  the ground: the vendors of tribe face lift, the cans of prude
                  on shelf; core improperties like tract infection, the scratch
                  that, closing time, takings to add.
                                                                             
                                                                    
   – W.W.

 

                         

                 

 

 


                  HINT

                  Fallen leaves that lead back to the tree also
                  extend from it, as much as do full branches,
                  as issues of the map of its utterance,
                  the way the stars that seem random are balanced
                  by a centre whose nature it is to keep
                  dividing itself into more and more points
                  of light so that we shall uncover never
                  any absolute but the hint of its winks.

                   (from "The Gift Of Screws" by Brian Chan) 
             

 

 

 

 

NY SLIDE 8.6: SHARING CLASSROOMS

  

                    
               It took Radix awhile to grasp the importance of declaring a preference for this or
               that classroom. As a newcomer
he'd taken whatever room was assigned to him.
               Slowly he came to understand how having your own room mattered. For one thing,
               you didn't have to travel from floor to floor. The students came to you. They took
               their time, they dawdled and kissed, they scuffled and clogged up the hallways;
               but the burden of classroom shuttle was theirs.

               Smart or veteran teachers, who knew and worked the system of preferences, 
               stood at their desks, in their rooms, waiting for whoever cared to show up that 
               day. They locked away personal stuff in the teacher's closet and went off to 
               lunch. No travel into strange territory for them.

               As a new teacher still on probation, Radix found himself moving in and out of
               several rooms on different floors. He had to countenance the irritation of teachers
               who weren't too pleased with his dilatory manner in gathering his books and
               leaving; nor his attempt to deal with student problems at their desk minutes after
               the bell had gone for the next class.

               Some teachers chose rooms with a view. Some liked the east wing  because the 
               sunlight, what little there was of it in the Fall, made all the difference during 
               early morning periods. Lightbody was happy with his room far away in the north 
               wing. No chance his supervisor would leave his office and trek all the way over, 
               just to peer inside and determine if "learning activity" was going on.

               There was a small plexiglas panel on the door which teachers papered over (even
               though that was "in violation") to deter hallway strollers from looking in, making
               clown faces, waving to girl friends. The panels also became punching targets for
               enraged students.

               Radix kept his glass panel clear; he could put up with faces at the door. Of greater
               concern to him were teachers like Mrs. Huffman, who was obsessed with cleanli-
               ness and order. Her walls were decorated with portraits of past presidents. Her
               room looked neat and tidy. She wanted Radix, who used the room for one period,
               to maintain her standards of cleanliness and order; so she showed him the closet
               where she kept two brooms, and encouraged him to put them to good use.

               She told him about the bad habits of students. They brought orange juice and
               bread slices wrapped in tin foil into the classroom, complaining they hadn't time
               to shower and breakfast; they "balled up"  returned homework assignments and 
               made basketball shots that missed the basket near her desk and littered the floor.

               At the end of a forty-minute period, the room was "filthy". She could not teach in
               filth. No one could think clearly or work in filth. "If they're not willing to learn
               anything," she whispered earnestly, "the least we could do is instruct them in the
               virtues of cleanliness and good citizenship."

               Radix said he didn't think he'd have time to apply the broom, but he'd certainly
               make an effort to deter the basketball shots.

                  Perhaps curious to discover how well he managed in her absence, Mrs. Huffman 
               returned for her next class  and waited outside minutes before the bell. Radix
               glimpsed her peering in, making a sweeping inspection of as much of the floor as
               she could see through the plexiglas panel; and waiting.

               The bell rang, the door opened from the outside, Mrs. Huffman entered. She 
               gasped with exaggerated horror, threw a look of huge disappointment at Radix;
               then pointing at food wrappings on the floor she'd declare to the entire class (and
               its ineffectual teacher), "This is unacceptable. Totally unacceptable. There are
               people coming in here after you. They cannot possibly work in these filthy
               conditions."

               The class walked out, ignoring her, absorbed in chatter, which left Radix alone to
               offer some explanation for the deplorable state of the room (and his apparent 
               complicity). Caught in the fury of her condemnation, he focused on gathering 
               student papers; then looking back in case he'd forgotten anything he made his
               exit.

                      (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001)

                  
                 

        

VOX POPULI

 

                                                                                                    for Linda & Carroll & Zulaika

                                                                                                  

                              Across parting seas whose arguments freeze in fold
                         back a player strums and chips; voices adoring pour
                         life sought after.
 
                         From hearth razed rubble in city husks once home
                         militias lift their heads, leave time out, let them through all
                         wave and recognition.

                         No unpaid piper children red scarf taken; rosary 
                         with followers hailing making Mary scene. Tide
                         high expectation:

                         a mother will give birth to twins; a space ship lowers
                         stairs; a scent to rapture near, always near.

                                                                                                       -W.W.

                       

                                                                             

                                                                      

                          

 

                      
             

 

                                 
                                 WAITING

                    
                                                  like a radio for your voice

                              to speak through me, I can only buzz and hum
                              as though my dial's at an open station.
                              So I pad about like a caged cat
                              and on the wave of that rhythm contemplate
                              the about-to-ring bell about my tight throat.

                         
                                      (from "Scratches On The Air" by Brian Chan)

 

 

NY SLIDE 8.5: HIGH SCHOOL MELT DOWN

                  

  

                Jessica did try to put the incident behind her, though with each passing day her
                shoulders looked more rounded; her demeanor stiffened, as if her stomach now
                carried a secret that must be held in check and not give her away. She had lost
                some of her sureness of things, and to her classmates she seemed less "arrogant",
                though she was still considered the senior student "most likely to succeed".

                And for awhile everything was fine, until weeks before graduation exercises when
                a chance remark, that had nothing to do with her, stirred memories of the fire
                drill incident. She was suffused again with feelings of shame and violation, and
                the troubling thought that by now everyone in the building knew what had
                happened; and in that cruel high school way everyone was sniggering behind her
                back.

                In her heart seeds of trepidation took root. When she pictured herself up on the
                stage about to deliver the valedictorian speech before parents and school
                officials, she trembled. She knew she'd freeze.

                She'd hear a snigger; she'd see hand-muffled giggles; she'd look out at the frozen
                grins of those upturned faces, the Class of '92, so subdued and different in their
                haircuts and formal dress. Worse than the fondling of her buttocks would be
                failure before their knowing eyes. Her humiliation would be complete. She could
                not got through with it.

                Could not go through with it? What on earth was she talking about
? Her mother
                demanded an explanation. Jessica could not explain.

                Her mother, for whom the valedictory moment would be the crown in her
                daughter's achievement, would hear nothing of it. Nerves could be overcome,
                Jessica must go through with it.

                Jessica swore she could not. Her mother worked herself into such commanding
                frenzy, Jessica eventually broke down and disclosed what had happened many
                months ago during the fire drill.

                Her mother was stunned.  Why hadn't Jessica mentioned it before? Did she speak
                to anyone at the school about it? Had she raised her daughter to bite her lips and
                say nothing when something like this happened?

                Outraged that "something like this" had indeed happened to her daughter,
                Jessica's mother stormed into the school the following day. She demanded to
                speak to the principal. She was directed to Bob Darling's office.

                He listened with sympathy and astonishment; he shared her distress over the vile
                attack on her daughter; he directed her to the Dean of Discipline.

                The Dean sought more information about the incident from Jessica. He explained
                that since the whole thing happened so long ago, his hands were tied; at this 
                stage there was little he could do. Jessica's mother fumed and raged. Jessica sat
                with bowed head, mortified that her mother was making such a scene in the
                office.

                Her mother threatened to take the whole matter to the Board of Education, even
                if it meant taking another day off from work and traveling to Brooklyn.

                This she apparently did for word came back through the grapevine that the Board
                of Education had received a complaint about "an incident". While not calling
                names or blaming anyone in particular, they were very concerned. A parent had
                confirmed their worst fears about the number of "incidents" at John Wayne Cotter
                H.S. that had gone either unreported or uninvestigated.

                Phil Quackenbush, who had been fighting a rear guard battle through the union to
                stop the Board from closing down and redesignating the school, confided to his 
                membership his belief that this incident  ̶  or, as he put it, "this non-incident"  ̶
                was the final nail in the coffin.

                "This is like the Titanic," he said, half-seriously. "We're headed straight for
                disaster. The big iceberg is right in front of us, and there's not a whole lot we can
                do."

                 (from "Ah Mikhail O Fidel!", a novel by N.D.Williams, 2001)

 

TRIALS TRIED NEW NEWS PAST DUE

 

                      
                   On system fail watch, awaiting the auditor, the man

                  whose road flags marched up the liberation party leaned
                  forward hawked bright red in his spittoon for naysayers.  

                  Is Funny, he told the bed pan nurse, how body parts you take
                  for granted tear and whimper; sags like fuming diapers call
                  attention; how lungs wheeze insipidities and bladders quibble
                  down right Honorables droop. 
                                                        And, man, the brush pass of disease
                  to gum, like union members threatening strike, joint  
                  ventures lean to ramshackle  ̶  you see this?

                  Listen, he surged, his grave tone pealing: we were the first
                  born Comrades: our Viva! and army, we own stage craft
                  copy. 1979: our time to do  ̶  no wait wait, listen!  ̶  
                 
bare back we gripped the hair trope of revo, break clean
                  chant from ghetto. 

                  Turn simple, home made for all; tools to extract sown in
                  plants; hard boil Crown stool flushing out to sea. Ok,
                  lost heads Fort split Salvation we didn't foresee the midnight
                  track suit change?  blood stain didn't bleach.

                  Now white sands cruise the tourists back; safe hands hot hot
                  for winter pain spread cocoa blankets, squeeze fresh out
                  of shell stock courtesies.
                                             Who says the workers, sinking back to bread
                  fruit trees, won't sweep our way again?    

                  Sun bells tongue spermy futurisms; fermentories you can't 
                  see beat chests heat jewels become you. We learning just 
                  don't fuck with our curves (beach warning flag) loss heals
                  (guard knee abrasion). 

                                                                 Green flash: who knows
                  what typhoon escort wave's now on its way, clean
sweep 
                  idea. And, hear, enough with poets colon scoping grief
                  wrung fame: the people's island schooler  ̶  what's his 
                  game? paints metrics you can't trigger. 
                                                                            – W.W.
                                                                                    

                    

  

                     

  

                      BRIGHT AND LONELY BATHOS

               

                      The midmorning Sun keeps a calm eye

                            on a million stifled storms,

                            on a thousand restless calms,

                               on a hundred clean hands,

                        on ten fears for the too-well-known

                         ̶  the return to which raises scars

                     in two hearts as on the broken land,

                              and one mind sparks

                              while all hearts shrink

                          and the city expands.

       
             (from "Within The Wind" ©  by Brian Chan)    

  

 

NY SLIDE 8.4: JESSICA MONTSERRAT’S DRILL

 

  

                    Wherever she is now, away and flourishing, Jessica Montserrat probably carries
                    the shudders of that day, for it was during this
drill that she lost her innocence.
                    At least this was how her English teacher
put it, adding that Jessica was a
                    strong, resilient girl and would no doubt rise "like the phoenix" and do
                    exceptionally well at college.

                          She was in truth one of the brightest prospects to come through John Wayne
                    Cotter's system of encouragement and discouragement. She had been a
                    survivor of the Program office's mishandling of freshman programs; a sopho-
                    more
who did not drop out, did not get pregnant; a junior who passed all
                    her Regents
exams; President of the Student Council in her senior year; and
                    from early
indications destined to be valedictorian for the Class of '92

                         "An exceptional student, truly outstanding results," Pete Plimpler declared. He
                    reminded his colleagues at the
department meeting that their efforts at
                    teaching literature were not entirely futile.
Jessica was a fine example of what
                    could be achieved. "She's from the West Indies," he pointed out. "They've got
                    the
British system of education down there."

                          Jessica Montserrat knew she was "exceptional" from the first day she stepped 
                    into a 
classroom. Perhaps she wore her dreams too closely stitched to her
                    pride. Something was bound to happen to someone like her, so nice, so focused
                    and shamelessly ambitious.

                          On the morning of the fire drill she was on her way to the third floor, on an
                    errand for the college office. The warning bells caught her
on the second floor;
                    she blithely ignored them; she ignored everyone and
everything. She was
                    on her way to deliver an important message.

                    By the time she got to the third floor the classrooms were spilling out. Still 
                    thinking drill procedures didn't apply to her, she walked on until
a security
                    officer, unimpressed with her mission "from the college
office", insisted she
                    turn around, take the nearest exit to the
streets. She had to join a mass of 
                    rowdy freshmen, shouting needlessly, and
moving like a herd down the
                    stairs.

                    On the first floor she was trapped in the stairwell; there was congestion near
                    the main entrance as classes converged from several
directions. She held her
                    breath and waited, her body packed in among other
bodies on the stairs. There
                    was a lull in the talk and the laughter, a moment
when it seemed everyone had
                    stopped talking at the same time. She distinctly
remembered that moment for
                    seconds after she felt a hand grab and squeeze the
right cheek of her buttocks.

                         And before she could turn her face to catch the buttock squeezer, the bodies
                    massed in front of her moved, sucking her forward in sudden release.
Fearing
                    she'd be crushed or trampled in the stairwell by the students behind
her,
                   Jessica moved too.

                         Out in the hallway, angry and embarrassed, she turned to catch her violator;
                   she listened for someone's boastful laughter; but the students
streamed past
                   her and the security officers were yelling and directing everyone
to the doors.

                   She wanted to make a detour back up to the college office. They won't let her.
                   She found herself herded out onto the sidewalk, alone among
students she didn't
                   recognize; her face burning with the knowledge of what had
happened.

                        Jessica Montserrat had been grabbed by the buttock. Jessica Montserrat, who
                    had walked with confidence (and a little contempt) through the
school's
                    hallways, had been violated. In the school building. In broad daylight.

                    And somewhere in that mass of students huddled on the sidewalks stood the 
                    violator, who at that very moment  ̶  the animal! the beast!  ̶  must
be studying
                    her face, laughing at her anguish, maybe confiding to a friend
what he had
                    done. She stood there dying slowly with embarrassment. She wished
the earth
                    would open beneath her and swallow her in. She needed someone to talk
to.

                    The teachers streaming back inside at the all-clear, faces strained and raw 
                    from the cold, seemed too beleaguered to listen. All except
Mrs. Boneskosky
                    who had an undisturbed neat look about her, as if she hadn't
been outside at
                    all.

                          "I was hurrying to my next class. I had to stop and help her," she said later.
                    "The poor girl was so upset."

                          Walking slowly, stopping at the point of Jessica's horrible disclosure, Mrs.
                    Boneskosky had just enough time to pass on morsels of advice.

                          Jessica should try to put the whole episode behind her. It was a truly painful
                    degrading thing, to be violated like that; but Jessica must
try to come to terms
                    with what happened, and 
̶  Mrs. Boneskosky glanced at her watch  ̶  she should
                    come and talk to her again at the end of the day, Rm 206, okay?  Remember
                    the poems we read last semester  ̶  remember?  ̶  about courage and
                    resilience, the passing of life's cruelest season, the human spirit beaten but
                    unbowed, remember, Jessica?"

         
                           (from
"Ah Mikhail, O Fidel!" a novel by N.D. Williams, 2001)

NY SLIDE 8.3: RELUCTANT DRILLERS

 

 

                   The only person not impressed, not harried, truly not caring about the fire drill 
                   procedures was Pete Plimpler (A.P. English). His secretary,
Felicity Rudder,
                   shared with the department his cryptic response to
announcements about
                   clearing the building. "Pete says, it would take
something close to Dante's
                   inferno to get him to vacate the building."

                         If he was lucky to be tipped off about the drill he placed himself, as the hour
                   approached, inside his glass cubicle. Felicity Rudder
would grab her bag and her
                   coat, push her head in the door, and say, "I
think this one is real. I'm leaving."
                   And Pete would respond wearily,
"If it gets out of hand tell the fire people not
                   to bother with the
ladders. I'll go down with the building in flames." This slice of
                   humour
she also shared with the department which gobbled up every treat of
                   gossip
about its enigmatic supervisor.

                         Pete Plimpler had his own procedures when these drills started. Once Felicity
                   had left he waited two minutes, listening to the din of
classrooms emptying out.
                   When it seemed his third floor was clear he'd step
outside his door ostensibly to 
                   move along any stragglers. Then he'd return to
his cubicle, pour himself a fresh 
                   cup of coffee, turn up the volume of his
radio (tuned into the classical music 
                   station).

                   He'd stand at the window, steam from the coffee cup swirling round his lips and
                   up his nostrils; and he'd look out on a somber grey world  ̶  the
bareheaded
                   shuffling confusion below, the grimy sodden brick and grilled
structures of Bronx
                   dwellings; aging trees, overused roadways. And for as
long as the fire drill
                   lasted he'd experience a strange desire to be
transported.

                   It raised goose bumps on his skin. He waited for something
to happen, for some
                   force to take his
soul out of its suitcase of weary flesh; lift it up and away.

                        Felicity Rudder would return to find him at the window still staring out, his
                  head at a limp angle. When she spoke to him  ̶ 
"I thought I'd freeze to death out
                  there!"  ̶   she
noticed he didn't respond right away. Which prompted her to
                  remark once to Mrs.
Boneskosky,  "You know, sometimes I wonder if Pete is all
                  there."

                       For his part Bob Meier was unusually sanguine about these drills. Depending on
                  when the bells rang he was happy to take a break, any break from the classroom.

                       On the day Principal Wamp kept everyone freezing on the sidewalk, the alarm
                  went off just as he was settling down in the cafeteria to
lunch. Not the cafeteria
                  lunch of fries and oily chicken and over steamed broccoli, which he paid three
                  bucks for and shoveled in like coal in his stomach boilers.
This time he'd brought
                  something from home in a Tupperware container.

                       His department's microwave was broken, so he had to travel to the first floor to
                  use the Special Ed. department's microwave. The secretary
and a teacher in the
                  office who didn't know him gave him a long cold look and told him he could go
                  ahead.

                  He had to borrow (he couldn't find his) a plastic fork from the cafeteria; they
                  didn't approve of anyone using their cutlery and their paper napkins and not
                  buying anything. Finally he was able to settle down, shaking his head, 
                  wondering what the world was coming to.

                  He'd just taken his second mouthful when Bob Darling instructed everyone to
                  leave the building. Everyone in the cafeteria looked up at each other, wondering
                  if those instructions applied to teachers on their forty-minute lunch break, who
                  had taken just two or more sips of their coffee. They decided they weren't
                  leaving; and Bob Meier was opening the pages of his New York Times when this
                  burly security officer came in and shouted, "Everybody out of the building";
                  startling the teachers who were accustomed to shouting, not being shouted at.

                  They froze and stared at him and seemed to resent his manner of speaking. The
                  officer looked and sounded intimidating, with his bald head and smooth black
                  youthful face; and a football player's impassable bulk. He held his ground, but
                  amended his message: "I'm sorry, ladies and gentlemen, you have to leave the
                  building." And he stood waiting, thumbs in his belt, for the teachers to do
                  precisely what he'd said.

                  The shock of being addressed in that manner lingered in the air. The alarm bells
                  rang, the strobe lights flickered; and Bob Darling's voice now gave stern
                  warning  ̶  this drill was not to be taken lightly. The teachers got up, gathered
                  their belongings, and headed for the nearest exits; not happy, grumbling to each
                  other, food trays abandoned.

                  Bob Meier was the last to leave. The burly security officer had looked straight at
                  him when he spoke the second time, as if detecting a potential trouble-maker.
                  There was no mistaking the frustration and anger on Meier's face. He got up
                  slowly; he wasn't sure whether to pack away his wife's Tupperware with its 
                  barely touched contents; he decided to leave it on the table. If the drill was over
                  quickly he might have time to get back to it. As he sauntered off he heard the
                  footsteps of the security officer marching behind him.

                  Outside, since he had no class of students to supervise, he hung about near the
                  entrance. He was rousted again by another security officer and told to move on,
                  over to the sidewalk across the streets. Enraged, he shuffled off, mumbling an
                  apology if he stepped on the heels of a student. And during the long wait he
                  focused his stare back at the doors where the first security officer, his short
                  sleeves rolled up to reveal impressive biceps, his job done, stood with legs apart
                  sharing a joke with his pals.

                  Students standing near Bob Meier tried to engage him in banter but he wasn't in
                  the mood. His lips were clenched in a strange self-absorption. His eyes were a
                  beam of controlled fury directed at the burly security officer.

                  He wanted to catch the man's eye. The man had taken something from him when
                  he stormed in like a drill sergeant rousting everyone. Bob Meier wanted it back.

                  For the rest of the term whenever he passed that security fellow he tried to lock
                  into his eyes. The man did not engage him in the hallway, doing his job of yelling
                  and directing students; carrying on as if nothing had happened.

                         
                    (from "Ah Mikhail, O Fidel!" a novel by N.D. Williams, 2001)

 

 

 

FOR VIJINIE GIRL TOUCHED SHORE BIRD FLOWN

 

 

                   Those enclosed lamp lights in windows alert to passing
                  ship offers of first
mate  ̶̶  you'd wake and grace the morning
                  yearn the keys to cabin closets; the farthering stern boil
                  not yet under way.  

                                                                     That half moon need to know
                  how hearts on deck grasp grip at wanting grounding 
                  sheets of wave; first gush first outcry breaking sea 
                  weed dream to day. 

                  How else could you have felt the tide take floats of
                  innocence trembling, while conch shells
raise  ̶  what wind?
                  what change in webbed bird step whose unswept shore? 

                  The bare foot years the wish for paths for choice full
                  blooming styles; for moves past screaming
Madre mía!
                 
playing that teacher out for touch, the taxi drivers rear 
                  view cue; hot lid nails made cool with shadow polish.

                  Stitch by stitch, decorum easing pleats for peeks, that lust
                  mote wedge at the corner of eyes, young men on line on
                  hold importing sweets.

                                             The bark of dogs  ̶  the gates you dared!
                  stretch beats of wing  ̶̶  line curve in air.

                  From lies the sting you didn't expect in the Admin's bite left
                  neck memos. Thank the stars no Toyota blood pack swirling
                  terror dust blade upswing testing how far fast you run before
                  the tumble pins you down  ̶̶  goat foraging not far from grasses 
                  past when loins ate hair; brush close to scarf rules cheeks
                     
                  bright tight for after calls to prayer.                                 

                            Vida de mi vida  ̶  your lighthouse radiant
                       beam through storm so sure  ̶  long before tattoos
                       were vogue, our high seas etched high marks  ̶  
                       how you've grown, wave girl, now you're known.

                                                                                        – W.W. 

 

 

                         

             

                                                      

 

    

                              OBSERVANT
 

                         
                             If innocence is impulse without lust,
                             it is your guileless grace that I desire.
                             If tenderness is a rose's cool musk,
                             it is the perfume of your fresh petals
                             that touches, angels me, a faithful cloud
                             that will outlive my seedings of its rain.
                             If caution is a flower of value,
                             it is the bud of your care I would keep.
                             If watchfulness is an eager eagle
                             of vulnerability on the hunt
                             for a chance to bridge the nearest abyss
                             between this need for real food and that want
                             of warm wine, then I long to become one
                             alert feather of your generous wings.

                              (from "The Gift Of Screws" by Brian Chan)