NY SLIDE 8.5: HIGH SCHOOL MELT DOWN

                  

  

                Jessica did try to put the incident behind her, though with each passing day her
                shoulders looked more rounded; her demeanor stiffened, as if her stomach now
                carried a secret that must be held in check and not give her away. She had lost
                some of her sureness of things, and to her classmates she seemed less "arrogant",
                though she was still considered the senior student "most likely to succeed".

                And for awhile everything was fine, until weeks before graduation exercises when
                a chance remark, that had nothing to do with her, stirred memories of the fire
                drill incident. She was suffused again with feelings of shame and violation, and
                the troubling thought that by now everyone in the building knew what had
                happened; and in that cruel high school way everyone was sniggering behind her
                back.

                In her heart seeds of trepidation took root. When she pictured herself up on the
                stage about to deliver the valedictorian speech before parents and school
                officials, she trembled. She knew she'd freeze.

                She'd hear a snigger; she'd see hand-muffled giggles; she'd look out at the frozen
                grins of those upturned faces, the Class of '92, so subdued and different in their
                haircuts and formal dress. Worse than the fondling of her buttocks would be
                failure before their knowing eyes. Her humiliation would be complete. She could
                not got through with it.

                Could not go through with it? What on earth was she talking about
? Her mother
                demanded an explanation. Jessica could not explain.

                Her mother, for whom the valedictory moment would be the crown in her
                daughter's achievement, would hear nothing of it. Nerves could be overcome,
                Jessica must go through with it.

                Jessica swore she could not. Her mother worked herself into such commanding
                frenzy, Jessica eventually broke down and disclosed what had happened many
                months ago during the fire drill.

                Her mother was stunned.  Why hadn't Jessica mentioned it before? Did she speak
                to anyone at the school about it? Had she raised her daughter to bite her lips and
                say nothing when something like this happened?

                Outraged that "something like this" had indeed happened to her daughter,
                Jessica's mother stormed into the school the following day. She demanded to
                speak to the principal. She was directed to Bob Darling's office.

                He listened with sympathy and astonishment; he shared her distress over the vile
                attack on her daughter; he directed her to the Dean of Discipline.

                The Dean sought more information about the incident from Jessica. He explained
                that since the whole thing happened so long ago, his hands were tied; at this 
                stage there was little he could do. Jessica's mother fumed and raged. Jessica sat
                with bowed head, mortified that her mother was making such a scene in the
                office.

                Her mother threatened to take the whole matter to the Board of Education, even
                if it meant taking another day off from work and traveling to Brooklyn.

                This she apparently did for word came back through the grapevine that the Board
                of Education had received a complaint about "an incident". While not calling
                names or blaming anyone in particular, they were very concerned. A parent had
                confirmed their worst fears about the number of "incidents" at John Wayne Cotter
                H.S. that had gone either unreported or uninvestigated.

                Phil Quackenbush, who had been fighting a rear guard battle through the union to
                stop the Board from closing down and redesignating the school, confided to his 
                membership his belief that this incident  ̶  or, as he put it, "this non-incident"  ̶
                was the final nail in the coffin.

                "This is like the Titanic," he said, half-seriously. "We're headed straight for
                disaster. The big iceberg is right in front of us, and there's not a whole lot we can
                do."

                 (from "Ah Mikhail O Fidel!", a novel by N.D.Williams, 2001)

 

TRIALS TRIED NEW NEWS PAST DUE

 

                      
                   On system fail watch, awaiting the auditor, the man

                  whose road flags marched up the liberation party leaned
                  forward hawked bright red in his spittoon for naysayers.  

                  Is Funny, he told the bed pan nurse, how body parts you take
                  for granted tear and whimper; sags like fuming diapers call
                  attention; how lungs wheeze insipidities and bladders quibble
                  down right Honorables droop. 
                                                        And, man, the brush pass of disease
                  to gum, like union members threatening strike, joint  
                  ventures lean to ramshackle  ̶  you see this?

                  Listen, he surged, his grave tone pealing: we were the first
                  born Comrades: our Viva! and army, we own stage craft
                  copy. 1979: our time to do  ̶  no wait wait, listen!  ̶  
                 
bare back we gripped the hair trope of revo, break clean
                  chant from ghetto. 

                  Turn simple, home made for all; tools to extract sown in
                  plants; hard boil Crown stool flushing out to sea. Ok,
                  lost heads Fort split Salvation we didn't foresee the midnight
                  track suit change?  blood stain didn't bleach.

                  Now white sands cruise the tourists back; safe hands hot hot
                  for winter pain spread cocoa blankets, squeeze fresh out
                  of shell stock courtesies.
                                             Who says the workers, sinking back to bread
                  fruit trees, won't sweep our way again?    

                  Sun bells tongue spermy futurisms; fermentories you can't 
                  see beat chests heat jewels become you. We learning just 
                  don't fuck with our curves (beach warning flag) loss heals
                  (guard knee abrasion). 

                                                                 Green flash: who knows
                  what typhoon escort wave's now on its way, clean
sweep 
                  idea. And, hear, enough with poets colon scoping grief
                  wrung fame: the people's island schooler  ̶  what's his 
                  game? paints metrics you can't trigger. 
                                                                            – W.W.
                                                                                    

                    

  

                     

  

                      BRIGHT AND LONELY BATHOS

               

                      The midmorning Sun keeps a calm eye

                            on a million stifled storms,

                            on a thousand restless calms,

                               on a hundred clean hands,

                        on ten fears for the too-well-known

                         ̶  the return to which raises scars

                     in two hearts as on the broken land,

                              and one mind sparks

                              while all hearts shrink

                          and the city expands.

       
             (from "Within The Wind" ©  by Brian Chan)    

  

 

NY SLIDE 8.4: JESSICA MONTSERRAT’S DRILL

 

  

                    Wherever she is now, away and flourishing, Jessica Montserrat probably carries
                    the shudders of that day, for it was during this
drill that she lost her innocence.
                    At least this was how her English teacher
put it, adding that Jessica was a
                    strong, resilient girl and would no doubt rise "like the phoenix" and do
                    exceptionally well at college.

                          She was in truth one of the brightest prospects to come through John Wayne
                    Cotter's system of encouragement and discouragement. She had been a
                    survivor of the Program office's mishandling of freshman programs; a sopho-
                    more
who did not drop out, did not get pregnant; a junior who passed all
                    her Regents
exams; President of the Student Council in her senior year; and
                    from early
indications destined to be valedictorian for the Class of '92

                         "An exceptional student, truly outstanding results," Pete Plimpler declared. He
                    reminded his colleagues at the
department meeting that their efforts at
                    teaching literature were not entirely futile.
Jessica was a fine example of what
                    could be achieved. "She's from the West Indies," he pointed out. "They've got
                    the
British system of education down there."

                          Jessica Montserrat knew she was "exceptional" from the first day she stepped 
                    into a 
classroom. Perhaps she wore her dreams too closely stitched to her
                    pride. Something was bound to happen to someone like her, so nice, so focused
                    and shamelessly ambitious.

                          On the morning of the fire drill she was on her way to the third floor, on an
                    errand for the college office. The warning bells caught her
on the second floor;
                    she blithely ignored them; she ignored everyone and
everything. She was
                    on her way to deliver an important message.

                    By the time she got to the third floor the classrooms were spilling out. Still 
                    thinking drill procedures didn't apply to her, she walked on until
a security
                    officer, unimpressed with her mission "from the college
office", insisted she
                    turn around, take the nearest exit to the
streets. She had to join a mass of 
                    rowdy freshmen, shouting needlessly, and
moving like a herd down the
                    stairs.

                    On the first floor she was trapped in the stairwell; there was congestion near
                    the main entrance as classes converged from several
directions. She held her
                    breath and waited, her body packed in among other
bodies on the stairs. There
                    was a lull in the talk and the laughter, a moment
when it seemed everyone had
                    stopped talking at the same time. She distinctly
remembered that moment for
                    seconds after she felt a hand grab and squeeze the
right cheek of her buttocks.

                         And before she could turn her face to catch the buttock squeezer, the bodies
                    massed in front of her moved, sucking her forward in sudden release.
Fearing
                    she'd be crushed or trampled in the stairwell by the students behind
her,
                   Jessica moved too.

                         Out in the hallway, angry and embarrassed, she turned to catch her violator;
                   she listened for someone's boastful laughter; but the students
streamed past
                   her and the security officers were yelling and directing everyone
to the doors.

                   She wanted to make a detour back up to the college office. They won't let her.
                   She found herself herded out onto the sidewalk, alone among
students she didn't
                   recognize; her face burning with the knowledge of what had
happened.

                        Jessica Montserrat had been grabbed by the buttock. Jessica Montserrat, who
                    had walked with confidence (and a little contempt) through the
school's
                    hallways, had been violated. In the school building. In broad daylight.

                    And somewhere in that mass of students huddled on the sidewalks stood the 
                    violator, who at that very moment  ̶  the animal! the beast!  ̶  must
be studying
                    her face, laughing at her anguish, maybe confiding to a friend
what he had
                    done. She stood there dying slowly with embarrassment. She wished
the earth
                    would open beneath her and swallow her in. She needed someone to talk
to.

                    The teachers streaming back inside at the all-clear, faces strained and raw 
                    from the cold, seemed too beleaguered to listen. All except
Mrs. Boneskosky
                    who had an undisturbed neat look about her, as if she hadn't
been outside at
                    all.

                          "I was hurrying to my next class. I had to stop and help her," she said later.
                    "The poor girl was so upset."

                          Walking slowly, stopping at the point of Jessica's horrible disclosure, Mrs.
                    Boneskosky had just enough time to pass on morsels of advice.

                          Jessica should try to put the whole episode behind her. It was a truly painful
                    degrading thing, to be violated like that; but Jessica must
try to come to terms
                    with what happened, and 
̶  Mrs. Boneskosky glanced at her watch  ̶  she should
                    come and talk to her again at the end of the day, Rm 206, okay?  Remember
                    the poems we read last semester  ̶  remember?  ̶  about courage and
                    resilience, the passing of life's cruelest season, the human spirit beaten but
                    unbowed, remember, Jessica?"

         
                           (from
"Ah Mikhail, O Fidel!" a novel by N.D. Williams, 2001)

NY SLIDE 8.3: RELUCTANT DRILLERS

 

 

                   The only person not impressed, not harried, truly not caring about the fire drill 
                   procedures was Pete Plimpler (A.P. English). His secretary,
Felicity Rudder,
                   shared with the department his cryptic response to
announcements about
                   clearing the building. "Pete says, it would take
something close to Dante's
                   inferno to get him to vacate the building."

                         If he was lucky to be tipped off about the drill he placed himself, as the hour
                   approached, inside his glass cubicle. Felicity Rudder
would grab her bag and her
                   coat, push her head in the door, and say, "I
think this one is real. I'm leaving."
                   And Pete would respond wearily,
"If it gets out of hand tell the fire people not
                   to bother with the
ladders. I'll go down with the building in flames." This slice of
                   humour
she also shared with the department which gobbled up every treat of
                   gossip
about its enigmatic supervisor.

                         Pete Plimpler had his own procedures when these drills started. Once Felicity
                   had left he waited two minutes, listening to the din of
classrooms emptying out.
                   When it seemed his third floor was clear he'd step
outside his door ostensibly to 
                   move along any stragglers. Then he'd return to
his cubicle, pour himself a fresh 
                   cup of coffee, turn up the volume of his
radio (tuned into the classical music 
                   station).

                   He'd stand at the window, steam from the coffee cup swirling round his lips and
                   up his nostrils; and he'd look out on a somber grey world  ̶  the
bareheaded
                   shuffling confusion below, the grimy sodden brick and grilled
structures of Bronx
                   dwellings; aging trees, overused roadways. And for as
long as the fire drill
                   lasted he'd experience a strange desire to be
transported.

                   It raised goose bumps on his skin. He waited for something
to happen, for some
                   force to take his
soul out of its suitcase of weary flesh; lift it up and away.

                        Felicity Rudder would return to find him at the window still staring out, his
                  head at a limp angle. When she spoke to him  ̶ 
"I thought I'd freeze to death out
                  there!"  ̶   she
noticed he didn't respond right away. Which prompted her to
                  remark once to Mrs.
Boneskosky,  "You know, sometimes I wonder if Pete is all
                  there."

                       For his part Bob Meier was unusually sanguine about these drills. Depending on
                  when the bells rang he was happy to take a break, any break from the classroom.

                       On the day Principal Wamp kept everyone freezing on the sidewalk, the alarm
                  went off just as he was settling down in the cafeteria to
lunch. Not the cafeteria
                  lunch of fries and oily chicken and over steamed broccoli, which he paid three
                  bucks for and shoveled in like coal in his stomach boilers.
This time he'd brought
                  something from home in a Tupperware container.

                       His department's microwave was broken, so he had to travel to the first floor to
                  use the Special Ed. department's microwave. The secretary
and a teacher in the
                  office who didn't know him gave him a long cold look and told him he could go
                  ahead.

                  He had to borrow (he couldn't find his) a plastic fork from the cafeteria; they
                  didn't approve of anyone using their cutlery and their paper napkins and not
                  buying anything. Finally he was able to settle down, shaking his head, 
                  wondering what the world was coming to.

                  He'd just taken his second mouthful when Bob Darling instructed everyone to
                  leave the building. Everyone in the cafeteria looked up at each other, wondering
                  if those instructions applied to teachers on their forty-minute lunch break, who
                  had taken just two or more sips of their coffee. They decided they weren't
                  leaving; and Bob Meier was opening the pages of his New York Times when this
                  burly security officer came in and shouted, "Everybody out of the building";
                  startling the teachers who were accustomed to shouting, not being shouted at.

                  They froze and stared at him and seemed to resent his manner of speaking. The
                  officer looked and sounded intimidating, with his bald head and smooth black
                  youthful face; and a football player's impassable bulk. He held his ground, but
                  amended his message: "I'm sorry, ladies and gentlemen, you have to leave the
                  building." And he stood waiting, thumbs in his belt, for the teachers to do
                  precisely what he'd said.

                  The shock of being addressed in that manner lingered in the air. The alarm bells
                  rang, the strobe lights flickered; and Bob Darling's voice now gave stern
                  warning  ̶  this drill was not to be taken lightly. The teachers got up, gathered
                  their belongings, and headed for the nearest exits; not happy, grumbling to each
                  other, food trays abandoned.

                  Bob Meier was the last to leave. The burly security officer had looked straight at
                  him when he spoke the second time, as if detecting a potential trouble-maker.
                  There was no mistaking the frustration and anger on Meier's face. He got up
                  slowly; he wasn't sure whether to pack away his wife's Tupperware with its 
                  barely touched contents; he decided to leave it on the table. If the drill was over
                  quickly he might have time to get back to it. As he sauntered off he heard the
                  footsteps of the security officer marching behind him.

                  Outside, since he had no class of students to supervise, he hung about near the
                  entrance. He was rousted again by another security officer and told to move on,
                  over to the sidewalk across the streets. Enraged, he shuffled off, mumbling an
                  apology if he stepped on the heels of a student. And during the long wait he
                  focused his stare back at the doors where the first security officer, his short
                  sleeves rolled up to reveal impressive biceps, his job done, stood with legs apart
                  sharing a joke with his pals.

                  Students standing near Bob Meier tried to engage him in banter but he wasn't in
                  the mood. His lips were clenched in a strange self-absorption. His eyes were a
                  beam of controlled fury directed at the burly security officer.

                  He wanted to catch the man's eye. The man had taken something from him when
                  he stormed in like a drill sergeant rousting everyone. Bob Meier wanted it back.

                  For the rest of the term whenever he passed that security fellow he tried to lock
                  into his eyes. The man did not engage him in the hallway, doing his job of yelling
                  and directing students; carrying on as if nothing had happened.

                         
                    (from "Ah Mikhail, O Fidel!" a novel by N.D. Williams, 2001)

 

 

 

FOR VIJINIE GIRL TOUCHED SHORE BIRD FLOWN

 

 

                   Those enclosed lamp lights in windows alert to passing
                  ship offers of first
mate  ̶̶  you'd wake and grace the morning
                  yearn the keys to cabin closets; the farthering stern boil
                  not yet under way.  

                                                                     That half moon need to know
                  how hearts on deck grasp grip at wanting grounding 
                  sheets of wave; first gush first outcry breaking sea 
                  weed dream to day. 

                  How else could you have felt the tide take floats of
                  innocence trembling, while conch shells
raise  ̶  what wind?
                  what change in webbed bird step whose unswept shore? 

                  The bare foot years the wish for paths for choice full
                  blooming styles; for moves past screaming
Madre mía!
                 
playing that teacher out for touch, the taxi drivers rear 
                  view cue; hot lid nails made cool with shadow polish.

                  Stitch by stitch, decorum easing pleats for peeks, that lust
                  mote wedge at the corner of eyes, young men on line on
                  hold importing sweets.

                                             The bark of dogs  ̶  the gates you dared!
                  stretch beats of wing  ̶̶  line curve in air.

                  From lies the sting you didn't expect in the Admin's bite left
                  neck memos. Thank the stars no Toyota blood pack swirling
                  terror dust blade upswing testing how far fast you run before
                  the tumble pins you down  ̶̶  goat foraging not far from grasses 
                  past when loins ate hair; brush close to scarf rules cheeks
                     
                  bright tight for after calls to prayer.                                 

                            Vida de mi vida  ̶  your lighthouse radiant
                       beam through storm so sure  ̶  long before tattoos
                       were vogue, our high seas etched high marks  ̶  
                       how you've grown, wave girl, now you're known.

                                                                                        – W.W. 

 

 

                         

             

                                                      

 

    

                              OBSERVANT
 

                         
                             If innocence is impulse without lust,
                             it is your guileless grace that I desire.
                             If tenderness is a rose's cool musk,
                             it is the perfume of your fresh petals
                             that touches, angels me, a faithful cloud
                             that will outlive my seedings of its rain.
                             If caution is a flower of value,
                             it is the bud of your care I would keep.
                             If watchfulness is an eager eagle
                             of vulnerability on the hunt
                             for a chance to bridge the nearest abyss
                             between this need for real food and that want
                             of warm wine, then I long to become one
                             alert feather of your generous wings.

                              (from "The Gift Of Screws" by Brian Chan)

 

 

                                

   

NY SLIDE 8.2: FIRE DRILL

 

 

                   For all his acknowledged charm and sense of fair play Bob Darling held fast 
                        to the belief that teachers should be held accountable for their
actions.
                        Consequently there was not too much to argue about once an issue was
                        brought to his attention. Still, to show he wasn't exactly the cold bureaucrat
                        in long sleeves and tie, he made small but important gestures; like, for
                        instance, leaking information there would be a fire drill during a specific 
                        period
of the day.                           

                        No such warning went out when Principal Wamp entered the building one
                        morning. She didn't inform anyone until twenty minutes before it
was
                        scheduled to begin. 
                                
                        She explained she'd been unhappy with the response to the last fire drill.
                        Most teachers were slow and nonchalant about vacating the
building. Once
                        they got outside they tended to cluster on the sidewalk near the
entrances.
                        This created a dangerous, congested situation with students still
pouring
                        out the exits. Things like that left her very unhappy.

                             This time only the school's security officers were told about the fire drill. 
                        This drill, she
emphasized, would be as close to the real thing as she could
                        contrive. They
were to make sure everyone  ̶  students, teachers, everyone  ̶
                        vacated
the building, using the designated exits and following the
                        procedures she had
gone over with the staff so many times.

                        The bells went off during the fifth period. A few teachers poked their heads
                        out of classroom doors, looked at each other, asked, Is it real this time? Bob
                        Darling's
voice on the school address system cast all doubt aside.

                               
                        They stood on the sidewalks hugging themselves, chattering and complain-
                        ning, while the wind whipped around them and gnawed its way through
to
                        the bone.
They stamped their feet, talking with fervor, as if spoken words
                        could help keep them warm.

                        Everyone assumed the drill would be over quickly. It made no sense holding
                        the entire school out on the sidewalks in this cold weather. 
                               
                        Five minutes, ten minutes. Still no signal to return inside. What had started
                        as a simple exercise now took on the proportion of
something fiendish and
                        uncaring. Inside shivering hearts a strong desire raged
to be gone from this
                        place, to drive or walk away from this building, never to return.    
                             
                        All eyes looked toward the doors where the security officers, their task of
                        clearing the building complete, stood around in shirt
sleeves, joking,
                        enjoying what seemed a rare pleasure of officering at the
gates of cold
                        duty.

                        A flurry of activity. A hint that perhaps it was over. And then Principal 
                        Wamp  stepped outside.

                        She was escorted by Head of Security, Mr. Mc Nulty. He walked with a limp 
                        from an old Vietnam war wound, and seemed to heave his bulky body
                       
forward in an effort to keep pace with Principal Wamp's quick steps. She'd
                        told
him she wanted to have a look, to determine how well everyone had
                        followed instructions.

                        Rarely if ever had anyone seen the school's principal walking down a Bronx
                        sidewalk. They were
slightly awed and attentive. She looked radiant in a
                        black blouse, set off by a red
outfit, the shoulders square; and she seemed
                        undaunted by the chilly weather, appearing coatless, as if to set an
example
                        of responsibility and fortitude.

                               Since everyone had assembled on the sidewalk across the street, her walk
                        took on the appearance of a celebrity tour of the school. She
walked briskly
                        half way up the block, pointing across the street, making
observations; while
                        Mr. Mc Nulty, staying close, gestured and offered his
evaluations. She
                        paused and nodded; she seemed satisfied with what she saw; she
turned
                        back.

                                Near the entrance she gave the first sign of being aware how cold it was.
                        She rubbed her arms and gave a mock shudder. She smiled as if now
she
                        understood the terrible discomfort everyone must be feeling, all in the
                        interest of fire safety. Everyone thought she was about to wave them in. 
                        Instead she seemed to be making a new puzzled appraisal of her students 
                        and staff massed on
the sidewalks.

                               Then she saw Phil Quackenbush, the chapter chairman, crossing the road,
                        hurrying toward her, no doubt to lodge some union grievance
and protest.
                        She turned and went inside. And at that point the security
officers waved
                        the all clear.

                                           (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)

 

 

NY SLIDE 8.1: FACULTY SWORDS

 

 

                   Faculty conferences were scheduled for the first Monday of the month. The
                   problem was few teachers remembered this. Few teachers even
bothered to
                   make some sort of diary entry about it. Not many could see past
Friday night as
                   they left the building for the start of the weekend. As
Lightbody explained,
                   when you get up the following Monday all your thoughts
funnel toward getting
                   your body out of the house into the cold car; then once
you get there, cranking
                   the mind into good working shape before you entered the
school.

                   "And then, at the end of the day," he pointed out, "with the kids outside the 
                   building, you sit there hoping and praying they
don't decide to get your car,
                   because they know we're all inside at the meeting."

                   There was usually a note from Bob Darling (A.P. Admin) over
the time clock 
                   reminding everyone of the faculty conference. A fly with
elephant ears on the 
                   wall over the time
clock could count a hundred muttered expressions of Fuck!
                   Fuck
!  ̶  gender of the teacher notwithstanding  ̶  when
the note was read. And
                   the receptionist in the main office was badgered all day
for outside lines so that
                   teachers could make calls rescheduling an
appointment, or arranging for a
                   pickup from 
kindergarten.

                         Bob Darling conducted proceedings. Teachers liked dealing with Bob Darling.
                   The rule of thumb was, See Bob first, before the matter got out of hand. Woe 
                   to anyone if the matter
did get out of hand and came to the attention of
                   Principal Wamp, who, when she
got up to speak at faculty meetings, flashing
                   her unbelievably perfect,
well-cared for teeth, raised a pall of suppressed 
                   hatred in the room.

                   Usually Principal Wamp opened with stern  remarks and reminders; then she
                   passed the
microphone over to Bob. He tried hard to accommodate everyone. 
                   "I know
you've all had a long day and you're tired and you want to get home."
                   Meetings
went quickly because Bob's manner was terse and precise, sticking to
                   the
agenda, moving things along.
           
                  
"Bob, what I want to know is, why must we have so many fire drills?" This was 
                   Hannah Jobity who made everyone uncomfortable with
her remarks. Once 
                   something was said that sounded contentious Hannah would
raise her hand and
                   keep it raised until Bob acknowledged her.

                        "Hannah, if we don't hold these fire drills we'd be in violation. They're
                   mandated by the
Board and the Fire department," Bob's response was genial.

                  "In violation? I'll tell you what's in violation: the filthy classrooms we have to
                   work in for a start.
The custodial staff is responsible for cleaning classrooms
                   once we leave the
building. It positively enrages me to have to return to a 
                   classroom that has
been half-cleaned, because there's some clause in their
                   contract that says
they're supposed to pick up garbage from the floors, not from
                   student desks, not
from the lockers. Soda cans left on the desk, they don't
                   remove. That's what's in violation. I feel personally violated every time I enter 
                   my
classroom."

                         Hannah Jobity spoke in a slow, aggrieved tone. She insisted on answers. Usually
                   Bob Darling allowed her time to restate the problem; then he
asked for a little
                   patience.

                        "But getting back to my point," she pressed on,"we've never had a serious fire
                   here, thank heavens. And what makes it
worse is, you still haven't solved the
                   problem of the fire alarm going off
every day of our lives. I mean, we've had
                   three false alarms this week. With
the fire trucks arriving and everything."

                        "Hannah, we're working with Security on that."

                        "Why can't you just switch the system off?"

                        "We can't do that. That would be a very serious violation," Bob said.

                        "The last time we had this meeting you told us you were close to capturing the
                    perpetrator. Evidently you haven't found him because
we're still having these
                    alarms going off."

                         And Bob Darling, who'd been counting the number of exchanges between them, 
                    now felt the point had been made and duly noted. He waited for
the grumbling
                    and the chatter to swell to unacceptable levels before shouting
in the micro-
                    phone that it was getting late, there were other items on the
agenda.

                         This apparent sidelining of contentious issues didn't always succeed for Hannah
                   Jobity had an ally in Mrs. Haliburton, always sensitive to
the ebb and flow of
                   controversy, and the marginalizing of minority opinion.

                         "I think Mrs. Jobity is making an important point we need to address," she'd say,
                   shouting from the back of the room above the
chatter. Which brought a hush to
                   the assembly since no one wanted to offend
Mrs. Haliburton (wearing a new
                   African-style hat) with muttered talk that
implied she had nothing of impor-
                   tance to say.

                        At the table where he sat Radix once overheard the following exchange:

                         – Have you noticed… when she gets up to speak, she's always doing
                      something menial with her hands…like peeling an orange?

                    - What d'you mean?

                    – Look, there in her hand. She's always peeling an orange when she starts 
                      talking at these meetings.

                    -  So.

                    – Well, it's kind of weird. I mean, is there something symbolic about an
                      orange? What, is she trying to make a statement or something? Every
                      meeting, I swear, she does this. I mean, she's already making a point with the
                      hat.

                    – I like the hat. It's a nice hat.

                    – Yeah, right! If it's so nice, why don't you buy one for your wife?

                    – Aw, c'mon Mary Jane! You need to lighten up.

                    -  I need to lighten up! Look who's talking.

                             (from "Ah Mikhail, O Fidel!" a novel by N.D.Williams, 2001)


POEMS FOR WHAT REMAINS PRIDE TIES THAT HOLD

 

                    
                Like fans of morning ocean breeze we stir to ferocious cock
               waking turns, monkey noise unheard of inside temple walls;
              
 grace hands smoothing the closed sheets.
                                                                                       Ankle bells
               main road transport heat, rumours of mad cow mad ras
               scowling the city.

               We cherish lines to pin garments wet for sun stroke, we 
               call the children inside. Prayers we chant but don't export
               trusting the cicadas to join in like khartals, keeping us
               safe from drum down areas in darkness.

               The sweat slash burn off cane paths made a wish
               for the order of dry good stores, land fixtures     
               with address;. No head pails spilling sorry come
               tomorrow; fresh hurt. 

                                                          Bright nephews fly off, cricket
               white countries, doctors for the frail health of front page
               news. You can redeem air mail miles saved 'cross generations.
                                                                                                 Wait  ̶  
               see our tooth bent Saddhu smiling? work done, cycling home?

               We buffer the web work of spiders in the Fate House  ̶  
               our hairies, their cabinet big filings for first bite; fence
               filigree like wire barbed to deny and fare well.      

                                                             Our front steps glow with deyas
               for shadows returning from fields of mud; our martyrs. Our
               grave yards breathe weed free, not like elsewhere bones broke
               tossed in corbeau holes, clods from sodden manner; the feral
               things they do, you know.

               How did estate huts trade up for orhni leisures? Our gods
               watch willing. What goes on inside us should not concern
               the teller. So flaring green the grass in villages left unsired;
               too old if we owned gold stalls we'd offer to the cows.
               Past longing, if you insist.
                                                                Count the pipal shoots
               arriving, bracelet arms inset to serve.
                                                                                – W.W.

                            

                   

  

 

 

                         
                  THE AUTOHARPIST AND
                  THE TRUMPETER

 
                  The price of pride is a certain
                  loneliness, and the lonely fear
                  of never being recognised                             
                  fuels vanity's loudest lamps.
                  Solitude, like community,
                  must be earned, each other's wages
                  of awareness  ̶  else sheer blindness
                  circling in its accustomed fear

                   ̶̶  fear no bird always at the centre
                  of the air's pressure can afford: no
                  matter how many pauses of perch
                  it may take, it must always remain
                  alert to the will of the wind and
                  the whims of its own wings' responses
                  within a humility that wears
                  no name's arrow or shield, yet declares
                  itself lonely vanity's victor. 

               (from "Within The Wind" © by Brian Chan)

          

                     

NY SLIDE 8.0: LOCK AND LOVE

 

               Over dinner, pointing his fork for emphasis, Chrystel offered his opinions on every-
               thing  ̶  people and politics, exotic places ravaged by civil war, the Mayor of the
               city,
"your average American". His words gleamed with exciting good humor.

                
               For the most part, he told her, human existence was determined by men who sat 
               in conference rooms and board rooms; men who drank
fine Scotch, smoked hand-
               rolled cigars and wore boxer shorts. As for the rest
of the sweaty world one only
               need fear men who go long periods without sex, and
people who were afflicted
               with those two incurable diseases: the common flu and
human stupidity. He
               assured her that, with the decline of the Soviet
 Union, the making and spending
               of money were the twin engines that
would drive the pleasures of the guzzling
               world.

                 When he suggested she put her money to work in the stock market she withdrew
               her life savings  
̶  ignoring a nagging voice urging her to call her daddy first  ̶  and
               handed it over. Not once
did she fear he'd vanish for good from the earth. The
               investment proved sound;
it paid big dividends. She bought property in
               Westchester
with some of the profit. And when the moment arrived when he
               would sleep with
her, she responded like a virgin for whom trust was more 
               important than passion.

               In recent years she'd grown soft and round at the hips and legs. At social events
               where men sipped alcohol, spoke with harmless humor, then seemed to steer the
               conversation toward the possibility of sleeping with her, her body stiffened; she'd
               smile and move away.

               With Chrystel there were no preambling moments, no rough manly haste either to
               reach that summit. Each night after dinner she waited for signs, for desire like
               smoke alarms to go off in the living room.

               One night he took a sip of his coffee; his long fingers carefully rested the cup and
               saucer on the table; then he turned and looked at her. She smiled, a little
               uneasily. He got up, outstretched his arm, and said, "Come, let's go inside." Just
               like that. As if he were taking her on one of his trips overseas, their destination
               not yet clear.

               For weeks her bedroom had been in a state of readiness for just this moment. Still
               fully clothed he insisted on undressing her. He explored her soft round contours,
               until at last it seemed he approved and wanted every part of her, bulges and fat
               and bone. It was a ritual he would repeat each time they slept, full of sighs and
               vague mutterings; his hands restless and probing, over her breasts, between her
               thighs; his hands squeezing the globes of her buttocks, his lips on her navel.

               Throughout all this she kept her eyes closed, happy to surrender to his
               examination, happy to be found satisfactory.

               She wished they were young again, with all the time in the world to be reckless
               with their passion. Then she thought: thank goodness this is happening right now,
               our bodies still healthy and mature, good and strong, our intimacy an intelligent
               thing, thank goodness.

               "Are you okay?" he would ask, breathless beside her; and her quick response, "Yes,
               I'm fine", seem to calm his heaving chest. "What are you thinking of?" he'd ask,
               staring up at the ceiling; and she'd answer, "Nothing. It's good to have you here."

               She felt no need to talk about him to anyone. In a city of marriages made and
               unmade, a city of love and betrayal, alimony and anger, orders of protection from
               a stalking spouse, in a world so fractured and violent and ripe for television news,
               wasn't she better off this way, half-knowing who he was? Hadn't she come this far
               on her own, trusting her own instincts?

               One evening, late summer, before the start of the Fall term at John Wayne
               Cotter, she hinted that perhaps she could accompany him on one of his trips to
               Europe. She would, of course, pay her way, and not interfere. She could stroll
               around, visit museums, take mini excursions while he was off doing whatever he
               did. Chrystel listened patiently; he said he didn't think it was a good idea. His
               silence, the chilly way he stared up at the ceiling worried her.

               It was a mistake, she realized, to broach the idea while they were still in bed.
               Wrong time, wrong place.

               She had dared to suggest they redraw the lines that defined their relationship. He
               might interpret it as a craving in her for some new cloying alliance. What more
               need they ask of each other?  After all they were friends, they were lovers;  
               approaching middle age. Why not just leave things as they were?

                         (from "Ah Mikhail, O Fidel!", a novel by N.D.Williams, 2001) 

 

 

Review Article: SWEET SWEET ANGST: OONYA KEMPADOO

 

  
                   In the opening pages of Oonya Kempadoo's new novel "All Decent Animals"  
                   (2013), the central character, "of mixed-race complexion", Ata, introduces
                   herself as "a nonbelonger. Unrooted in place and race and in
herself". We learn
                   little about her island roots, she's so eager to get going; but she tells readers
                   she has walked away from "her village cocoon of books and dreaming"; she is on 
                   the move, her new port of entry, Trinidad & Tobago.

                   She is a serious traveler, not exactly running away from desperate conditions on
                   her island home. Her aim is to give her life             _________________
                   fresh purpose as an artist. "Practice and  
                   apprenticeship" in some meaningful creative           ALL DECENT ANIMALS
                   enterprise will get her there.                                              by

                   In some ways her travel beginnings might                 OONYA KEMPADOO
                   remind readers of Saint Lucia's Derek Walcott's        Farrar,Straus Giroux
                   nonbelonging ("no nation but the imagination"),         New York, 260 pgs
                   and his later adoption of Trinidad as a place to        ____________________
                   invest working ambitions. Here and there, too,
   
                   Ata pins asterisks to V.S. Naipaul's Trinidad birth place, and leaves footnotes
                   (like precedents) to "The Loss of Eldorado: A Colonial History" (1969)

                   Precisely when the events in the novel unfold is uncertain, until near the end
                   when a single comment  ̶  "Did you hear they really going to hang  Dole
                   Chadee?"  ̶  offers a clue. Chadee, a reputed drug lord, was convicted of
                   murder and hanged in Port Of Spain in 1994.  Had Ata made her move, say, in
                   the new millennium times, with the carousel of literary events across the
                   islands (like the Bocas Lit Fest in Trinidad), and cultural extravaganzas like
                   Carifesta, she might have found a community of cherishing conversations and
                   sites.

                   Unlike, say, the migrants in author Sam Selvon's fiction of 1950s London, Ata
                   is no stranger to Trinidad, and will not feel alienated and lonely. "All Decent
                   Animals" is packed with familiar markers of contemporaneity: politicians
                   (Patrick Manning, Basdeo Panday),  kaiso performers (David Rudder, Mighty 
                   Sparrow ), notable achievers (Brian Lara).

                   The "arrival" of these famous names in modern West Indian fiction could give
                   pause for celebration among some
readers. Kempadoo might have missed out
                   including resident "writers". Perhaps they 
were too few or unaccomplished in
                   1994 to warrant inclusion.

                         There is, however, abundant island sentiment ("Trinidad sweet, boy"; 
                   "Singapore of the Caribbean, my ass"); and local commentary, from the
                    unavoidable airport taxi driver, Sam, who brims with taxi ride insight ("Every
                    day is the same nonsense, yuh know") and caveat ("Where you going  ̶̶  is up a
                    hill? because my car does cutout on steep hill"). Sam plays an important role
                    shuttling her between the economic and class dividedness she enters.

                    Kempadoo's Trinidad (Port Of Spain) is presented in lush recognizable strokes:
                    abundant oil, "fete after fete", fellas, city pretensions, the hills, the South,
                    Panorama. Though some scrutinizing agency is certain to complain that that
                    quiet elephant, their ethnic "presence", standing apart in the room, is barely 
                    acknowledged amidst all that happens in the novel.

                   Ata arrives as carnival preparations are in full swing. Determined to reject
                   "alien European attempts to draw out the talent in her hands", she walks 
                   "straight into Camp Swampy", a carnival costume center. Years later (we leap
                   forward in one sentence) she will move on to a drawing board in "Roses
                   Advertising" art room. She will spend the rest of her "apprenticeship" there.

                   Living on the outskirts, in the non-carnival part of the town, is Fraser Goodman,
                   a "returnee" from England, an architect "from good middle class Trinidad stock".
                   He throws parties that provide the milieu for the mingling of expats, profess-
                   ionals of diverse race, persons of local stature; and for liaisons and insider
                   chat; that is, until he falls victim to the Aids virus.

                         It is at one of Fraser's parties that Ata discovers a love interest. The relation- 
                   ship starts with suspicion, then cautious flirtation on Ata's part, but in
                   audacious quick time the romance blooms; then sails off  ̶  on a "fake honey- 
                   moon" trip to St Lucia, staying at once luxurious hotel overlooking the sea; and
                   a trip to the south of France, the landscape of Pierre's childhood days. Fast,
                   swinging times for our island girl.

                   Pierre, the boyfriend-lover, had been sent from HQ in Geneva as a UNDP
                   representative, his mandate (when he's not romancing Ata) to meet with local
                   representatives, review draft reports, like a paper submitted to him on
                   Trinidad's  "Millennium Development Goals".

                   His observations on the local reps (they're fond of "conferences" and the
                   refreshments served after) are just short
 of UN charitable; but Ata provides an
                   emotional link to the island. We learn of 
the strength of "their love, [their]
                   compatibility in bed, in taste, humor and intellect" .

                   It gets to a point where Ata reports feeling ostracized by her disapproving
                   "Afrocentric friends"; and Pierre, as spiritual guide, starts thinking maybe Ata,
                   "his surprising love", could do a lot better, engage brighter suns, by rejecting
                   the "prancy, peacock island" of Trinidad, and making a career move (with him,
                   since his contract is up for renewal) to the art capitals in Europe.

 

                                      ≈  ≈                                          ≈  ≈       

                   Though not evidently "conflicted", Ata soon loses sight of her original purpose.
                   The novel zips along with nervous excitement, perhaps to reflect her off line
                   speculations, as well as the hectic Carnival season. Then Fraser, the Aids
                   victim, relapses and is on near-death bed watch; and Ata finds herself "spinning
                   from one thing to the next". Readers are pulled along by hurried, often sketchy
                   segments that cut back and forth in an effort to capture the disarray of
                   intentions.

                   Trinidad's vibrant carnival scenes, the beauty of island landscape, are 
                   rendered in images of appropriate colour and exuberance. The    
                   characters in this her third novel seem more grown-up and unsettled,
                   with a lot more on their minds (Kempadoo is less interested in
                   "complexity").   

                   Sexual arrangements are shown with a decent restraint,           Kemp1 001
                   maybe not enough to please the sacred hearts of island 
                   readers. Very much present, though, are Kempadoo's  
                   snapped silhouettes of underclass shameless grips, as when,  
                   for instance, Ata stumbles on a copulating couple near a  
                   pan yard: "the woman's head, bowed, bumps on the
                   cutter man's shoulders as he pounds into her."  

                   Eventually, as her "apprenticeship" in labour and island
                   love moves around, readers might start wondering: what's
                   to become of the "unrooted, nonbelonging" Ata? Has she 
                   lost the focus of her creative pursuit?

                        Towards the end of the novel she wakes up one day to discover blood on her
                   leg. She's been seduced, bitten. She assumes it's the work of an island spirit,
                   maybe a Lagahoo ("he does bite woman leg and suck blood"). Several pages on
                   she makes this startling disclosure to Sam, the taxi driver: she has started
                   writing  ̶  "it's almost as if he [the Lagahoo] is in me."

                   So for anxious readers it seems settled: Ata has been smitten: "this is what she
                   was meant to do with her hands  ̶  write".               

                   Some readers might be jolted by this divine-like intercession straight out of the
                   vampire warehouse. Others, familiar with local folklore, might sigh and pause 
                   to consider: after all the flirtations, the tamboo-bamboo of mind and body,
                   our girl, Ata, seems on the verge of going home to her village beginnings; or 
                   rather, staying home  ̶  with her "books", but dropping the "cocoon" and the
                   "dreaming".

                   Was it worth the effort, you might ask, following her around, listening to her
                   heart's pan beats, finally to confirm her creative repurposing?

                   Oonya Kempadoo's first novel, "Buxton Spice" (1998), won (almost smothering)
                   praise and admiration for its innovative use of island Creole idiom; it's close to
                   the style and cadences of emigrant author Sam Selvon, but more free-spirited,
                   with fresh pulse. Then there's the flow of energized scenes that bore witness to
                   youthful desire and curiosity.

                   "All Decent Animals", very much an intimate book for the islands, starts off
                   captivatingly (in the sentences there's an urgency to succeed) but the novel
                   gives up on the big frame, the last lap finish, and settles for a latticework of
                   mini-scenes, switching situations fretfully; with spikes of intervening calamity
                   (murder in the the taxi driver's family, the intractable Aids issue of Ata's friend;
                   Ata's lover, Pierre, who surprisingly goes missing, prompting a police investi- 
                   gation).

                   It's as if the author had in mind asking readers to assemble the bits and pieces
                   into a meaningful "literary" pattern - the characters stepping out of one
                   dimension - but then decided abruptly to leave things as they were, the tableau
                   fading out in heart-tested inconclusiveness.

                   All said and done, at the heart of the storylines  ̶  the unfurling of personal
                   freedom, the belonging/"migration" theme  ̶  lies Kempadoo's concern with the
                   fulfillment of ambitions at home, not "abroad"; an inquiry played out on a
                   canvas of inter-island adventure, romance and misfortune; in keeping, perhaps,
                   with the new millennium passage of "Caricom" citizens, moving freely from
                   island to island in search of fresh start opportunities, or a safe haven for
                   retirement.

                   The question for devoted Kempadoo followers: will Ata, her newest creation,
                   follow the V.S. Naipaul post-Empire trajectory and eventually beat a path to
                   Europe; or will she make the islands her permanent home, without bitterness
                   and regret; sharing good writer fellowship with, say, Trinidad's senior author 
                   and dragon-player, Earl Lovelace (who doesn't get mentioned here)?

                   It all depends on how serious and penetrating the bite on Ata's leg was, that
                   tell-tale mark of emancipation left by her mysterious jumbie-muse.

                   In the meantime, the author's loving and much-loved cast of rooted island
                   characters can only stand by, beguiled and sweating; so ready to chip again in
                   her band.

                                                                                                – Wyck Williams